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Stylogeny

Surface & texture · Hand & machine marks

Painterly brushwork

Visible brush, airbrush or paint handling.

A design choice in Stylogeny’s vocabulary, under surface & texture: what is the material finish?

styles make it: 143
as a defining choice: 15
as a usual one: 70
now and then: 58
avoid it: 30

Styles defined by it 15

For these styles it is one of the choices that make the style.

Chinese Calligraphy & Seal Carving (Shufa & Zhuanke) c. 0–present · East Asia The written art of China and the root of East Asian lettering.
Rinpa & Saga-bon 1600–present · East Asia A Kyoto school of decorative design that revived the poetry and court painting of the Heian period, begun around 1600 by the calligrapher Hon'ami Kōetsu and the painter Tawaraya Sōtatsu and carried on less by teaching than by admiration across generations: Ogata Kōrin, Sakai Hōitsu, Kamisaka Sekka.
Ten Bamboo Studio Colour Woodblock (Douban & Gonghua) 1626–present · East Asia A kind of colour woodblock printing begun in late-Ming Nanjing, made so that a print looks like a brush painting.
Kalighat Pat & Battala Bazaar Prints 1830–1930 · South Asia The bazaar art of nineteenth-century Calcutta: watercolours sold to pilgrims by patua painters at the Kalighat temple, and the cheap woodcuts and metal engravings that Battala presses printed for chapbooks and almanacs.
Spanish Bullfight Poster (Cartel Taurino) 1879–present · Southern Europe The Spanish bullfight poster in its illustrated form, from Marcelino de Unceta's lithographs (from 1879) to the Valencian house of Ortega, which supplied rings across Spain.
Santiniketan & Bengal School Graphics 1905–1954 · South Asia The nationalist, anti-academic art of Calcutta and Santiniketan, which turned from oil-paint naturalism and chromolithograph gloss to Indian and pan-Asian sources.
Polish Poster School 1950–1990 · Eastern Europe A painterly, metaphorical poster culture that flourished in communist Poland, chiefly for film, theatre, opera and circus.
Chinese National-Style Animation (Shanghai Animation Film Studio) 1956–1989 · East Asia The 'national style' of the Shanghai Animation Film Studio, which turned from Disney and Soviet models to Chinese media: Peking-opera masks and movement, paper-cut and folded-paper figures, mural and New Year print colour and, from 1960, ink-wash painting set in motion after Qi Baishi and Li Keran.
Dazibao (Big-Character Posters) 1957–1980 · East Asia Handwritten wall posters in large brush characters that turned the walls of Mao-era China into a public forum for criticism, denunciation and, at the Democracy Wall, dissent.
Picó Sound-System Painting (Colombian Caribbean) 1967–present · Latin America & Caribbean The hand-painted fronts of the picós, the giant sound systems that play dances in the barrios of Barranquilla and Cartagena.
Ghanaian Movie Poster 1985–2005 · Sub-Saharan Africa Hand-painted posters commissioned by Ghana's mobile video clubs from about 1985, painted by apprenticed sign painters on stitched flour sacks to advertise VHS screenings of Hollywood, Hong Kong, Nigerian and Indian films.
Matatu & Nganya Art 1990–present · Sub-Saharan Africa The commissioned livery of Kenya's privately owned minibus taxis, at its most elaborate the Nairobi nganya.
Korean Commercial Calligraphy (Kaelligeurapi) 1999–present · East Asia Brush-written Hangul made for commerce, not the scroll.
Cartonera Books (Latin American Cardboard Publishing) 2003–present · Latin America & Caribbean Books of Latin America's cartonera presses, begun by Eloísa Cartonera in Buenos Aires in 2003 after Argentina's 2001 crash: photocopied texts stapled and glued by hand into covers cut from used boxes, usually bought from cartoneros (waste pickers) above the market price.
Egyptian Revolutionary Street Art (Mohamed Mahmoud Murals) 2011–2014 · Middle East & North Africa The street art of Egypt's 2011 revolution and the years after it, when Cairo's walls, above all around Tahrir and Mohamed Mahmoud Street, became what Ammar Abo Bakr called a newspaper.

Styles that often use it 70

A characteristic choice: usual in these styles, though not essential.

Styles that use it now and then 58

An occasional choice in these styles.

It often goes with

Choices that the styles making it make more often than the atlas as a whole.

Painterly illustration in 106 of 143
Hand-painted in 77 of 143
Hand-lettering in 128 of 143
Communal & popular in 98 of 143
Naturalistic depiction in 74 of 143
Stylised figuration in 114 of 143

Styles that avoid it

Styles that deliberately leave it out.

Other choices in surface & texture