Stylogenyin the style of Tingatinga Painting

Traditions & vernacular · 1968–present · Sub-Saharan Africa

Tingatinga Painting

Also known as Tinga Tinga, Tinga-tinga, Tingatinga school

A Tanzanian popular painting school begun in Dar es Salaam by Edward Tingatinga (1932–1972), who from 1968 painted animals, birds and village scenes in glossy bicycle enamel on square hardboard ceiling boards for residents and tourists. One flat ground colour carries black-outlined, caricatural animals with patterned bodies. Its roots are debated: Makua and Makonde hut-wall painting, Congolese pictures sold in the city. Relatives and pupils carried it on, moving to canvas from 1989, organising as the Tingatinga Arts Cooperative Society in 1990 and adding crowded city scenes and spirit themes.

Make something in this styleGet advice in this styleMix it with another style

A large black elephant with an upraised trunk and long ivory-coloured tusks stands against a bright yellow background. Its body is filled with red, blue, green and cream flowers, leaves and dots, beneath the words “JAMBO PANYA.”
AI-generated by Stylogeny from the style’s design choices. Not a real or historical work.

Use it with care

Tingatinga is the living livelihood of named Tanzanian painters, many in the Tingatinga Arts Cooperative Society in Dar es Salaam, and its market has long been undercut by fakes: copies of the founder's lion, peacock, leopard and buffalo were sold signed 'E. S. Tingatinga'. Never add Tingatinga's or any painter's signature, or a cooperative name, to generated work, and never present it as an original painting; commission, buy from or credit the painters by name instead. Do not call it generic 'African' or 'tribal' art, or dismiss it as 'airport art'. Its roots are debated, so do not present it as rootless or as a mere copy of Makua and Makonde hut-wall painting, and do not repeat the disputed claim that Tingatinga was Mozambican, which his family and the cooperative reject. Shetani and witchcraft scenes draw on Makua and Makonde belief; picture them as the brief's community understands them, not as spooky decoration.

01

How it works

  • Lay the whole ground first in one flat, glossy colour, brushed coarsely and sometimes paled toward the top, then build every figure on top of it.
  • Set one animal, a pair or a flock against that ground with no horizon, cast shadow or modelling, and let the bare colour around them be the space.
  • Draw each shape in black with a fine brush, fill it with pure, unmixed enamel brights, restate the black line once the colour is dry, and pattern the bodies with dots, stripes, scales or rosettes.
  • Exaggerate for humour: give animals mask-like faces, comic poses and simplified, naive anatomy rather than wildlife-guide accuracy.
  • For a busier panel, fill the square edge to edge with repeated birds, trees, villagers or city street life, all drawn flat and at a similar scale.
  • Close the square with a frame: early boards had a narrow wooden frame nailed on from behind and painted, its inner edge in a second colour; from the move to canvas in 1989 until about 2010 a painted black frame, often with a thin white inner line, was usual. Sign in painted capitals in a lower corner, in a colour that stands out from the ground.

Oyster Bay, Dar es Salaam, Tanzania (Tingatinga Arts Cooperative Society, near Morogoro Stores), spreading across Tanzania, Kenya and East Africa

02

Its design choices

From Stylogeny’s vocabulary of design choices: defining choices make the style, characteristic ones are usual, occasional ones turn up now and then.

Layout & composition
Space & hierarchy
Typography
Colour
Form & shape
Surface & texture
Ornament
Imagery
Medium & production
Tone & intent
Avoids
Illusion of depth, Naturalistic depiction, Non-representational, Straight photography, Pastel, Monochrome, Ornament-free, Rational & objective

Palette

  • #f2b705
  • #111111
  • #d7261e
  • #1c75bc
  • #2e9e48
  • #f5f1e6

Typefaces

  • Enamel-painted block-capital artist's signatures along the lower edge of the panel

    e.g. 'E. S. TINGATINGA'

  • Irregular hand-painted capitals for any Swahili or English title or caption that must accompany Tingatinga-derived graphics

Known for

  • Edward Saidi Tingatinga, Bat in a Tree (1971), enamel on board, 62 × 61 cm, signed 'E. S. TINGATINGA' lower left

  • Edward Saidi Tingatinga's recurring subjects, much copied and faked under his signature

    the lion, the peacock (Peacock on the Baobab Tree), the leopard and the buffalo

  • Simon G. Mpata, Birds and Mosquitoes

    c. 1980

  • Abbas Wasia Mchisa, Hornbills in a Tree (1980), and Damian B. Msagula, Four Hornbills in a Tree

    c. 1980

  • Omary Amonde, called the last of the first-generation painters

    Snake amid the Guinea Fowl and Cape Buffalo and Bird (2013)

  • Issa Saidi Mitole, Muhimbili National Hospital (c. 2010) and Bush Hospital

    2013

  • Mohamed Wasia Charinda, Shetani I–III (2005), oil on canvas; in 1989 he was the first of the school to switch from board to stretched canvas

  • Daudi Tingatinga (the founder's son), Leopard (2006), acrylic bicycle paint on canvas, 73.66 × 73.66 cm, cover of Emerging Infectious Diseases, September 2006

03

Make something in this style

Say what you need, and Stylogeny’s image studio draws it from Tingatinga Painting’s design choices and checks it against them. It takes about a minute, and you get a link to share.

Rule out a choice, read the prompt, or blend in another style: take this brief to Mix styles.

04

Where it comes from, and what it’s close to

Before it

The style it grew out of, and the styles it borrowed from.

Nothing earlier is recorded: in the atlas it is a starting point.

This styleTingatinga Painting1968–present · Sub-Saharan Africa

After it

The styles that grew out of it.

No later style in the atlas grew out of it yet.

Alike in its design choices

Styles that make many of the same choices, related or not, besides those above.

05

Sources

  1. Wikipedia, 'Tingatinga (painting)' (https://en.wikipedia.org/wiki/Tingatinga_(painting))
  2. Wikipedia, 'Edward Tingatinga' (https://en.wikipedia.org/wiki/Edward_Tingatinga)
  3. Wikipedia (German), 'Tingatinga-Malerei' (https://de.wikipedia.org/wiki/Tingatinga-Malerei)
  4. Polyxeni Potter, 'He Who Dines with the Leopard Is Liable To Be Eaten', Emerging Infectious Diseases 12(9), 2006, pp. 1474–1475, doi:10.3201/eid1209.ac1209 (https://wwwnc.cdc.gov/eid/article/12/9/AC-1209_article) (note: calls Tingatinga Mozambican, a claim his family and the cooperative reject)
  5. Indigo Arts Gallery, 'Tinga Tinga Today: Tanzanian Popular Art in Transition' (exhibition, 9 April–30 September 2015) (https://indigoarts.com/exhibitions/tinga-tinga-today-tanzanian-popular-art-transition)
  6. Julie Mellby, 'Tingatinga School of Art', Graphic Arts Collection, Princeton University Library, 18 September 2019 (https://graphicarts.princeton.edu/2019/09/18/tingatinga-school-of-art/)
  7. Art Auction East Africa 2022, lot 30: E. S. Tingatinga, Bat in a Tree, 1971 (https://artauctioneastafrica.com/auctions/auction-2022/lot-30-2022/)
  8. Tingatinga Arts Cooperative Society, 'The Tingatinga African Painting Style' (https://www.tingatingaart.com/blogs/articles/the-tingatinga-african-painting-style)
  9. Tingatinga Arts Cooperative Society, 'Materials and Techniques in Tanzanian African Paintings' (https://www.tingatingaart.com/blogs/articles/materials-techniques-african-art)
  10. Red Hill Art Gallery, 'The Tingatinga Collection' (https://redhillartgallery.com/the-tingatinga-collection.html)
  11. Wikipedia, 'Tinga Tinga Tales' (https://en.wikipedia.org/wiki/Tinga_Tinga_Tales)
  12. Tine Thorup and Cuong Sam, Tingatinga – Kitsch or Quality (thorupArt, Copenhagen, 2010; ISBN 978-87-992635-1-6), as cited by German Wikipedia; English Wikipedia lists a 2011 edition, ISBN 978-87-992635-2-3
  13. Tingatinga Arts Cooperative Society, Tingatinga, 2nd ed. (Mture Educational Publishers, Dar es Salaam, 2005; ISBN 9976-967-34-9), as cited by German Wikipedia; English Wikipedia lists the same ISBN as 'Tingatinga' (1998)

How Stylogeny researches and checks a style: where the facts come from.