Stylogenyin the style of Mexico 68 Olympic & Metro Identity

Rational modernism · 1966–1970 · Latin America & Caribbean

Mexico 68 Olympic & Metro Identity

Also known as México 68, Mexico 68 graphic programme, Mexico City Metro pictograms

The graphic programme of the 1968 Mexico City Olympics and the city's first Metro line. One optical device, parallel lines echoing outward from the '68' and the Olympic rings, was extended into an alphabet and spread over posters, stamps, uniforms, pavements and street lights. Lance Wyman and Eduardo Terrazas built it with Huichol artists, joining Op Art to Indigenous line-work, and added colour-coded venues and pictograms that need no Spanish to read.

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A sample layout drawn from the style’s design choices. Stylogeny doesn’t generate images of this style, out of respect for the people it belongs to.

Use it with care

The line device was developed with Huichol (Wixárika) artists, whose yarn and bead tablas (nierika) carry religious meaning tied to the peyote pilgrimage, the deer and maize. Borrow the line method, not Wixárika iconography; for anything using their motifs, commission and credit Wixárika artists. The identity is also bound up with the Tlatelolco massacre of 2 October 1968, ten days before the Games, after which students turned the Olympic graphics against the state, so reuse it knowingly.

01

How it works

  • Generate the whole identity from one device: concentric parallel lines that echo outward from the letterforms.
  • Extend the device into a complete display alphabet and apply it at every scale, from stamps and tickets to pavements and balloons.
  • Code venues, routes and Metro lines by saturated colour (Mexican pink, orange, turquoise, yellow) so colour does the wayfinding.
  • Give every sport, cultural event and station its own pictogram, drawn from the action or from the place's history, so people can navigate without reading.
  • Root a modern, systematic programme in local Indigenous and pre-Hispanic sources rather than in neutral corporate form.

Mexico City: design office of the Organising Committee of the XIX Olympiad (chaired by Pedro Ramírez Vázquez) and the Sistema de Transporte Colectivo Metro

02

Its design choices

From Stylogeny’s vocabulary of design choices: defining choices make the style, characteristic ones are usual, occasional ones turn up now and then.

Layout & composition
Space & hierarchy
Typography
Colour
Form & shape
Surface & texture
Ornament
Imagery
Medium & production
Tone & intent
Avoids
Naturalistic depiction, Painterly illustration, Painterly brushwork, Script, Collage & layering, Floral & vegetal, Skeuomorphic material

Palette

  • #e4007c
  • #f39200
  • #00a19a
  • #ffd200
  • #111111
  • #ffffff

Typefaces

  • Mexico 68 multiline display alphabet

    Lance Wyman & Eduardo Terrazas

  • Tipo Metro

    Lance Wyman, 1969

Known for

  • Lance Wyman

    Mexico 68 logotype and graphic programme; Mexico City Metro wayfinding and Tipo Metro, 1969

  • Eduardo Terrazas

    extension of the logotype into a multiline alphabet; integral design

  • Pedro Ramírez Vázquez

    architect, chair of the Organising Committee

  • Huichol artists including Pedro de Haro, whose yarn-and-resin tablas gave the first logotype drafts

  • Mexico City Metro station pictograms, e.g. the butterfly for Juanacatlán, 'place of butterflies'

    1969

  • Poster, Mexico Olympics 1968

    Cooper Hewitt, 1987-24-20

03

Where it comes from, and what it’s close to

This styleMexico 68 Olympic & Metro Identity1966–1970 · Latin America & Caribbean

After it

The styles that grew out of it.

No later style in the atlas grew out of it yet.

Alike in its design choices

Styles that make many of the same choices, related or not, besides those above.

04

Real works

Artefacts in museums, libraries and archives that show the style, linked at their source.