Imagery · Synthetic & found
Found & vernacular imagery
Clip art, stock, screenshots, appropriated ephemera.
A design choice in Stylogeny’s vocabulary, under imagery: what kind of pictures, if any?
- styles make it
- 79
- as a defining choice
- 20
- as a usual one
- 25
- now and then
- 34
- avoid it
- 6
Styles defined by it 20
For these styles it is one of the choices that make the style.
- MavoTokyo's anarchist avant-garde, founded in July 1923 by Murayama Tomoyoshi, back from a year in Berlin, with four former Futurists, and its magazine MAVO (seven issues, July 1924 to August 1925).
- Onitsha Market PamphletsCheap, stapled pamphlets of romance, advice, drama and political biography, written by students, clerks, journalists and traders and printed by jobbing letterpress shops around Onitsha Main Market in eastern Nigeria from the late 1940s.
Pop Art GraphicsPop turned the commercial imagery of post-war consumer culture (comics, packaging, celebrity photographs and advertising) into both its subject and its method.
Situationist Détournement GraphicsGraphics of the Letterist and Situationist Internationals (1956–1972), built on détournement: taking existing words and pictures (comic strips, advertisements, news photographs, city maps, classic texts) and turning them against their source.
Fluxus Graphics (Maciunas)The house graphics George Maciunas made from 1962 until his death in 1978 for Fluxus, a network of artists who staged events and sold cheap multiples.
Angura Theatre PosterThe posters of Japan's underground (angura) theatre from the mid-1960s to the mid-1980s, made for troupes such as Kara Jūrō's Jōkyō Gekijō and Terayama Shūji's Tenjō Sajiki.
- Punk & DIY ZineThe graphic voice of punk rock in fanzines, record sleeves and gig flyers: images and words cut from newspapers, typed or scrawled, pasted down and run off on a photocopier.
- Post-Punk Record Sleeve (Stiff, Factory, 4AD)The record sleeves that British art-school designers made after punk, for independent labels and some majors: Barney Bubbles at Stiff, Malcolm Garrett for Buzzcocks, Peter Saville at Factory and 23 Envelope at 4AD.
NSK Retro-Avant-GardeThe retro-avant-garde of Neue Slowenische Kunst, founded in Ljubljana in 1984 by Laibach, IRWIN and the Scipion Nasice Sisters Theatre, with Novi kolektivizem as its design department.
Early Web VernacularThe amateur web of the mid-1990s to early 2000s, when millions of people hand-coded personal homepages on free hosts such as GeoCities with table layouts, browser-default fonts, tiled backgrounds, animated GIFs, MIDI soundtracks, hit counters and ‘under construction’ signs.
- South African Vernacular Design (Ijusi)A post-apartheid design language launched in Durban in 1995 by Garth Walker's Orange Juice Design and its free, experimental magazine Ijusi (isiZulu for 'juice'), which asked 'What makes me South African, and what does that look like?'.
- Indian Pop-Kitsch Design (Desi Kitsch)Urban Indian gift and T-shirt design from the late 1990s into the 2010s that recasts the street and bazaar as ironic, affectionate icons: truck tails and 'Horn OK Please', auto-rickshaws, Ambassadors and Chetaks, cutting chai, old Bollywood stills and dialogues, Bhagat Singh in place of Che.
- Cartonera Books (Latin American Cardboard Publishing)Books of Latin America's cartonera presses, begun by Eloísa Cartonera in Buenos Aires in 2003 after Argentina's 2001 crash: photocopied texts stapled and glued by hand into covers cut from used boxes, usually bought from cartoneros (waste pickers) above the market price.
- Internet Ugly & Meme VernacularA deliberately amateur image dialect of forums, imageboards and social feeds, named 'Internet Ugly' by Nick Douglas in 2014.
Hauntology & Ghost Box DesignSleeves and print that rebuild a misremembered British past from the public graphics of roughly 1958–1978.
VaporwaveAn internet-born microgenre and visual aesthetic that remixes the debris of late-20th-century consumer culture (Windows 95 dialogs, classical busts, palm trees, mall interiors, Japanese text, early 3D renders) in pastel pinks and cyans.
- 'Good Morning' Greeting Images (WhatsApp Forward Vernacular)The ready-made greeting pictures that millions of smartphone users, many of them older and new to the internet, forward to family, friends and groups each morning on WhatsApp, above all in India and Brazil.
- Hong Kong Protest Art (Umbrella Movement to the 2019–20 Protests)The graphics of Hong Kong's democracy protests, from the 2014 Umbrella Movement to the national security law of 2020, in two linked media.
Analog Horror GraphicsA horror genre, mostly on YouTube, that tells its stories through imitation television and home-video graphics rather than actors: emergency-alert screens, station IDs, public-service, educational and instructional tapes, set between the 1960s and early 2000s.
Weirdcore & DreamcoreAn internet aesthetic popularised on Reddit, TikTok and YouTube in the early 2020s, with dreamcore as its softer, pastel, cloud-filled sister.
Styles that often use it 25
A characteristic choice: usual in these styles, though not essential.
- Guna MolaThe reverse-appliqué blouse panels of Guna women in Panama, made by cutting through two to seven stacked layers of cotton so that every shape is ringed by echoing bands of the colours beneath.
Cubist Pictorial SpaceThe pictorial revolution of Picasso and Braque that shattered single-point perspective into overlapping, faceted planes seen from several viewpoints at once.
Russian Futurist BookThe cheap, small-run books of the Russian Cubo-Futurist poets and painters, from Kruchenykh and Khlebnikov to Goncharova, Larionov and Rozanova.
- DadaBorn in wartime Zurich at the Cabaret Voltaire in 1916 and spreading to Berlin, Hanover, Cologne and Paris, Dada used chance, absurdity and provocation against the culture that had produced the war.
Czech Poetist Book Design (Devětsil)The book and magazine design of the Czech Devětsil circle, where Karel Teige and his colleagues turned constructivist tools (asymmetry, sans and slab capitals, heavy bars, photomontage) toward Poetism's lyrical celebration of travel, cinema, jazz and the circus.
- AIZ Political Photomontage (Heartfield)The political photomontage John Heartfield made for the communist weekly AIZ from 1930 to 1938, in Berlin and, from 1933, in Prague exile.
Zagreb Modernist Graphics (EXAT 51 to Teatar &TD)Zagreb graphic design grown from the EXAT 51 manifesto (1951), which tied abstract art to visual communication.
Vicente Rojo & Mexican Editorial ModernismThe design of Mexico City's literary and cultural press, shaped from the 1950s by the Barcelona-born exile Vicente Rojo: México en la Cultura, the Revista de la Universidad, Plural, La Jornada and the covers of Ediciones Era.
Chicano Screenprint PosterThe screenprinted poster of the Chicano Movement and its heirs, made from the mid-1960s in community workshops across California and the Southwest for farmworker strikes and boycotts, teatro, dances, anti-war marches and immigrant rights.
Psychedelic PosterThe concert-poster language of the 1960s counterculture, born in San Francisco's Fillmore and Avalon ballrooms and echoed in London's underground press.
- Picó Sound-System Painting (Colombian Caribbean)The hand-painted fronts of the picós, the giant sound systems that play dances in the barrios of Barranquilla and Cartagena.
- Ultras Graphics (Curva Banners and Tifo)The graphic language of Italy's organised football supporters, the ultras, from the late 1960s, and of the groups that copied them across Europe, North Africa and beyond.
Stencil Street ArtPictures cut rather than drawn: a photograph is reduced to two or three flat tones, cut into card and sprayed onto a wall, usually uninvited, so one hard-edged figure appears in the street, in black with at most one accent colour.
Cranbrook & Deconstructivist TypographyGraduate-school experimentation, centred on Katherine and Michael McCoy's Cranbrook design programme, that applied post-structuralist literary theory to the page.
Techno-Futurist GraphicsElectronic-music and video-game graphics of the late 1980s and 1990s that turned corporate modernism into a sci-fi consumer fantasy.
ACT UP & Gran Fury AIDS Activist GraphicsThe graphics of New York's AIDS activist movement: the SILENCE=DEATH poster of 1987, a pink triangle above white capitals on black, and the posters, stickers, T-shirts, billboards and bus ads of Gran Fury (1988–1995), ACT UP's 'unofficial propaganda ministry'.
Rave & Acid House GraphicsThe pocket-sized promotional art of acid house, rave and early techno, handed out in record shops and car parks to advertise all-night parties.
Matatu & Nganya ArtThe commissioned livery of Kenya's privately owned minibus taxis, at its most elaborate the Nairobi nganya.
- Nigerian Pentecostal Crusade Poster & BillboardThe roadside adverts of Nigeria's Pentecostal and independent churches: billboards, banners and posters on poles, walls and bridges announcing crusades, revivals, conventions and night vigils.
Hype Streetwear Graphics (Box Logo to Quotation Marks)The logo-led graphics of streetwear since the 1990s: one wordmark or emblem on a plain T-shirt, hoodie or object is the product.
- Tamil Nadu Flex BannersThe digitally printed vinyl boards, locally called flex banners, that fan clubs, party cadres, businesses and families have put up along the roads of Tamil Nadu since about 2000, as flex displaced hand-painted cinema banners and cut-outs over the following decade.
Glitch Art & Datamosh GraphicsAn art and design practice that makes digital failure the picture.
Itasha (Anime Character Car Graphics)Private cars, motorbikes and bicycles that Japanese fans of anime, manga and games cover with their favourite characters, named by the mid-2000s with the self-mocking word itasha, 'painful car'.
- Danmaku Bullet-Comment OverlayThe bullet-comment layer of Japanese and Chinese video sites, begun on Niconico in December 2006 and taken up by AcFun and Bilibili in 2008–2009.
Chilean Estallido Social Graphics (Revuelta Popular of 2019–20)The street graphics of Chile's popular revolt, from 18 October 2019 to the March 2020 lockdowns, when a leaderless movement covered Santiago's Plaza de la Dignidad, the Alameda and other cities' walls.
Styles that use it now and then 34
An occasional choice in these styles.
- Mexican Popular Graphics (Posada)1880–1917
- Brazilian Modernismo Graphics (Klaxon and the Semana de 22)1922–1929
- Surrealist Graphics1924–1960
- Jeepney Art1946–present
- Taiwan Floral Cloth (Huabu)1950–present
- West African Barbershop & Hair Salon Signs1950–present
- Push Pin Style1954–1980
- Tropicália Graphic Design1964–1975
- Gráfica del 68 (Mexican Student Movement Graphics)1968
- Hipgnosis Photographic Concept Sleeve1968–1983
- Australian Poster Collective Screenprints1971–1994
- Dutch Expressive Postmodernism (Studio Dumbar & Hard Werken)1977–1994
- La Movida Madrileña Graphics1977–1988
- Emigre & Early Digital Type1984–1998
- Out-of-Square Hangul Typography1985–present
- Global Village Coffeehouse1988–2003
- Ghanaian Funeral Poster & Banner1990–present
- Grunge Typography1990–2000
- Screenprinted Gig & Alt-Movie Poster1991–present
- Nollywood Video Jacket & Film Poster1992–present
- Neo-Andean Architecture (Cholets)2005–present
- Seoul Independent Graphic Design (Small-Studio Scene)2005–present
- Oaxacan Protest Printmaking & Street Graphics (ASARO)2006–present
- Arab Independent Comics (Samandal, TokTok, Lab619, Skefkef)2007–present
- Hipster Artisanal Revival2007–2018
- Syrian Revolution Graphics (Kafranbel Banners & Poster Collectives)2011–2024
- Brutalist Web Design2014–present
- Acid Graphics / New Ugly2016–present
- VTuber Avatar and Stream Graphics2016–present
- Newtro (Korean New-Retro)2017–present
- Post-Binary Typography (Bye Bye Binary and Inclusive French Type)2018–present
- Palestinian Watermelon and Keffiyeh Graphics2021–present
- Ukrainian Wartime Graphics (Saint Javelin, War Stamps and Be Brave Like Ukraine)2022–present
- Woman, Life, Freedom Protest Graphics (Iran and the Diaspora)2022–present
It often goes with
Choices that the styles making it make more often than the atlas as a whole.
- Collage & layeringin 58 of 79
- Ironic & self-awarein 50 of 79
- Rebellious & subversivein 53 of 79
- Eclectic mixingin 45 of 79
- Photomontagein 38 of 79
- Treated photographyin 34 of 79
Styles that avoid it
Styles that deliberately leave it out.