Pictorial & machine age · 1954–1980 · North America
Push Pin Style
Also known as Push Pin Studios, Push Pin Graphic
The eclectic illustrative style of New York's Push Pin Studios, founded by Seymour Chwast, Milton Glaser and Edward Sorel. Against the neutrality of the Swiss style it raided Victorian wood type, Art Nouveau, Art Deco, comics and folk art, drawing everything with bold contours, flat colour and invented display lettering, and made illustration and personal wit central to graphic design again.
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01
How it works
- Plunder historical styles (Victorian, Art Nouveau, Art Deco, comics) and recombine them with conscious wit.
- Draw figures and objects with a heavy, even contour and fill them with flat, bright colour.
- Design or redraw display lettering for each job, often inventing a new alphabet.
- Let the illustrator-designer's personal voice and humour lead the concept.
- Frame images in revived borders, cartouches and decorative panels when they add period flavour.
Push Pin Studios, New York
02
Its design choices
From Stylogeny’s vocabulary of design choices: defining choices make the style, characteristic ones are usual, occasional ones turn up now and then.
- Layout & composition
- Space & hierarchy
- Typography
- Colour
- Form & shape
- Surface & texture
- Imagery
- Medium & production
- Tone & intent
- Avoids
- Modular grid, Grotesque & neo-grotesque, Ornament-free, Rational & objective, Straight photography, Flush left, ragged right
Palette
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Typefaces
Baby Teeth
Milton Glaser, Photo-Lettering Inc., 1960s
Glaser Stencil
Milton Glaser, 1970
Blimp
Seymour Chwast, Photo-Lettering Inc., c. 1970
Artone
Seymour Chwast, Photo-Lettering Inc., 1968
Revived Victorian wood-type and Art Nouveau display faces
Known for
Push Pin Studios
founded 1954
Seymour Chwast
Milton Glaser
Bob Dylan poster for Columbia Records, 1966–67
Edward Sorel
Reynold Ruffins
The Push Pin Graphic
1957–1980
'The Push Pin Style' exhibition, Musée des Arts Décoratifs, Paris
1970
03
Make something in this style
Say what you need, and Stylogeny’s image studio draws it from Push Pin Style’s design choices and checks it against them. It takes about a minute, and you get a link to share.
04
Where it comes from, and what it’s close to
Before it
The style it grew out of, and the styles it borrowed from.
After it
The styles that grew out of it.
No later style in the atlas grew out of it yet.
Alike in its design choices
Styles that make many of the same choices, related or not, besides those above.
Cairo–Beirut Arab Modernist Book & Periodical Design74% alike
Newtro (Korean New-Retro)73% alike
Arab Children's Comic Magazines (Samir to Majid)70% alike
Screenprinted Gig & Alt-Movie Poster68% alike
Turkish Weekly Humour Magazines (Gırgır to Uykusuz)67% alike
- Taishō Roman & Lyrical Illustration65% alike
05
Real works
Artefacts in museums, libraries and archives that show the style, linked at their source.
- DylanMilton Glaser · 1966 · The Museum of Modern Art, New York (773.1983)
- Blues ProjectSeymour Chwast · 1968 · The Museum of Modern Art, New York (356.1969)
- Mahalia Jackson (poster for an Easter Sunday concert at Lincoln Center)Milton Glaser · 1967 · The Museum of Modern Art, New York (353.1967.a-b)
- End Bad Breath.Seymour Chwast · 1967 · The Museum of Modern Art, New York (355.1969)
06
Sources
- Seymour Chwast, Steven Heller & Martin Venezky, The Push Pin Graphic: A Quarter Century of Innovative Design and Illustration (2004)
- Milton Glaser, Graphic Design (1973)
- Philip B. Meggs & Alston W. Purvis, Meggs' History of Graphic Design
How Stylogeny researches and checks a style: where the facts come from.




