Stylogeny in the style of O Pasquim Satirical Press

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Counterculture · 1969–1991 · Latin America & Caribbean

O Pasquim Satirical Press

Also known as Pasquim, Brazilian alternative press cartoons, Imprensa nanica

A weekly satirical tabloid from Rio de Janeiro that made cartoonists co-editors: hand-lettered headlines, cartum and caricature, and long interview and chronicle columns on one dense newsprint page. Unlike American underground comix it is a newspaper, with irony and Rio vernacular as cover under military censorship. Its staff were arrested in 1970 and the paper bombed; copying its look is not sharing its risk, nor a decorative retro skin.

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A black-and-cream political cartoon centres on an oversized, medal-covered military officer holding a fork and knife around a map-shaped landscape of Brazil filled with forests, trucks and industrial sites. Surrounding scenes show wealthy men with money bags, marching soldiers, distressed civilians, a bishop, a television audience, hillside housing and confrontations between protesters and armed figures.
AI-generated by Stylogeny from the style’s design choices. Not a real or historical work.

01

How it works

  • Run cartoons beside long columns of text so the joke and the argument share one page.
  • Letter headlines and mastheads by hand, loose and irreverent, rather than setting a formal newspaper face.
  • Cover political criticism in irony, mock-names and in-jokes that the censor cannot quote.
  • Pack the tabloid page densely, mixing cartoon, caption, column and ad at newsprint economy.
  • Print mostly in black on cheap newsprint and let the drawing carry the cover.
  • Give the paper a recurring cartoon mascot and a conversational Carioca voice.

Rio de Janeiro, Brazil: first issue in late June 1969 (26 June in most accounts), conceived by the cartoonist Jaguar with the journalists Tarso de Castro and Sérgio Cabral

02

Its design choices

From Stylogeny’s vocabulary of design choices: defining choices make the style, characteristic ones are usual, occasional ones turn up now and then.

Layout & composition
Space & hierarchy
Typography
Colour
Form & shape
Surface & texture
Ornament
Imagery
Medium & production
Tone & intent
Avoids
Generous white space, Framed panels, Gradients, Gloss & highlights, 3D render, Authoritative & institutional, Luxurious & glamorous, Calm & contemplative

Palette

  • #e8e0cc
  • #1a1a1a
  • #8a8575
  • #d8cfb4

Typefaces

  • Hand-lettered mastheads and headlines

  • Cartoonists' own hand lettering

Known for

  • O Pasquim, first issue, Rio de Janeiro, 26 June 1969

  • Jaguar

    co-founder; creator of the rat Sig; drew the strip Chopiniks, scripted by Ivan Lessa

  • Ziraldo, Millôr Fernandes, Prósperi and Fortuna

    cartoonist contributors

  • O Pasquim issue no. 1,072, 11 November 1991

    the last edition

03

Make something in this style

Say what you need, and Stylogeny’s image studio draws it from O Pasquim Satirical Press’s design choices and checks it against them. It takes about a minute, and you get a link to share.

Rule out a choice, read the prompt, or blend in another style: take this brief to Mix styles.

04

Where it comes from, and what it’s close to

Before it

The style it grew out of, and the styles it borrowed from.

Nothing earlier is recorded: in the atlas it is a starting point.

This style O Pasquim Satirical Press 1969–1991 · Latin America & Caribbean

After it

The styles that grew out of it.

No later style in the atlas grew out of it yet.

Alike in its design choices

Styles that make many of the same choices, related or not, besides those above.

05

Often taken for

O Pasquim Satirical Press has no real works recorded yet, so these are its nearest styles by its choices alone, with the choices that tell them apart.

  • Black Panther Party Graphics 1967–1980 · the styles 71% alike

    Black Panther Party Graphics is one of O Pasquim Satirical Press’s nearest styles by choices; no real work of either fits the other better.

    Choices that tell O Pasquim Satirical Press and Black Panther Party Graphics apart
    Choice O Pasquim Satirical Press Black Panther Party Graphics
    Monochrome defining occasional
    Limited spot colours occasional defining
    Horror vacui defining occasional
    Collage & layering occasional defining
    Restrained accents characteristic —

    No shared descent in the atlas: they reached these choices separately.

  • Underground Comix 1968–1982 · the styles 68% alike

    Underground Comix is one of O Pasquim Satirical Press’s nearest styles by choices; no real work of either fits the other better.

    Choices that tell O Pasquim Satirical Press and Underground Comix apart
    Choice O Pasquim Satirical Press Underground Comix
    Column grid characteristic —
    Framed panels avoids defining
    Layered information characteristic —
    Sequential narrative — defining
    Extreme scale contrast characteristic —

    No shared descent in the atlas: they reached these choices separately.

  • Il Male Newspaper-Forgery Satire 1978–1982 · the styles 67% alike

    Il Male Newspaper-Forgery Satire is one of O Pasquim Satirical Press’s nearest styles by choices; no real work of either fits the other better.

    Choices that tell O Pasquim Satirical Press and Il Male Newspaper-Forgery Satire apart
    Choice O Pasquim Satirical Press Il Male Newspaper-Forgery Satire
    Light ground characteristic —
    Photomontage — defining
    Distortion & exaggeration characteristic —
    Limited spot colours occasional defining
    Stylised figuration characteristic —

    No shared descent in the atlas: they reached these choices separately.

  • Turkish Weekly Humour Magazines (Gırgır to Uykusuz) 1972–2025 · the styles 63% alike

    Turkish Weekly Humour Magazines is one of O Pasquim Satirical Press’s nearest styles by choices; no real work of either fits the other better.

    Choices that tell O Pasquim Satirical Press and Turkish Weekly Humour Magazines apart
    Choice O Pasquim Satirical Press Turkish Weekly Humour Magazines
    Monochrome defining occasional
    Framed panels avoids defining
    Column grid characteristic —
    Gradients avoids occasional
    Single focal point occasional defining

    No shared descent in the atlas: they reached these choices separately.

— means the choice isn’t among the style’s recorded choices. Critics recorded each work’s choices with the styles’ descriptions in view, so this shows whether the descriptions hold together, not proof that they are right.