Tone & intent · Reason
Authoritative & institutional
Confident, official, trustworthy.
A design choice in Stylogeny’s vocabulary, under tone & intent: what should the work make people feel or do?
- styles make it
- 107
- as a defining choice
- 28
- as a usual one
- 47
- now and then
- 32
- avoid it
- 44
Styles defined by it 28
For these styles it is one of the choices that make the style.
- Ancient Egyptian Hieroglyphic & Register CompositionThe visual system of pharaonic Egypt, in which writing is made of pictures and pictures are ruled like writing.
Andean Woven Graphic SystemsThe graphic systems of Andean cloth, the region's most prestigious medium, in which every motif is built on the warp-and-weft grid.
Song–Ming Woodblock Book Typography (Songti / Mincho)The page and letter of the East Asian book.
Kamon (Japanese Family Crests)Japan's family crests: small one-colour emblems that reduce a plant, animal, tool or pattern to a flat silhouette, mirrored or repeated around a centre, often ringed and drawn with compass and brush.
European HeraldryThe hereditary identifying devices of medieval Europe's knights and seals, codified into a rule-bound grammar still used by states, cities, churches, universities and families.
Gothic Blackletter & Fraktur TraditionThe broken scripts of the Latin West.
Mixteca-Puebla Codex PaintingThe painted screenfold books of Postclassic southern and central Mexico (not the Maya codices): long strips of gesso-coated deerskin, folded like a screen and painted on both sides.
Mongol Bichig Calligraphy & Ugalz OrnamentMongolia's classical script and the auspicious ornament that frames it on state, Buddhist and household objects.
- Ottoman Tughra & Dîvânî Chancery CalligraphyThe Ottoman sultan's calligraphic monogram and the chancery hand written beneath it.
Burmese Parabaik Painting (Konbaung Folding Books)Painted Burmese folding books of the Konbaung court and its monasteries.
Bulaq (Amiriyya) Naskh Book PrintingThe page of the Arabic printed book as Egypt's state press at Bulaq shaped it from 1822: justified blocks of black Naskh type on pale paper, often boxed in a ruled frame, with an ornamental headpiece on the opening page, headings set larger or in a second script such as Nastaʿlīq, and almost no pictures.
- Italian Fascist Graphics (Romanità & Exhibition Photomontage)The visual language of Italian Fascism, which turned modernist means to a cult of Rome and of the Duce.
Socialist Realist Propaganda PosterThe official art doctrine of the Soviet Union from 1932, later exported across the socialist world, which replaced avant-garde experiment with legible, heroic realism 'national in form, socialist in content'.
Estado Novo Folk Modernism (SPN)The official image of Salazar's Estado Novo, shaped by António Ferro's Secretariado de Propaganda Nacional (SPN, 1933; SNI from 1944).
- Nippon Kōbō & Tōhōsha Photo-Propaganda Magazines (NIPPON & FRONT)Luxury photo-propaganda magazines that imperial Japan sent abroad, 1934–45.
Hebrew Poster Lettering & Early Israeli State DesignThe commercial and state graphics of the Jewish community in Mandate Palestine and early Israel, made in Tel Aviv from 1934 by designers who had trained in Berlin and Vienna: Franz Krausz, Otte Wallish and the Shamir brothers.
Corporate Identity ModernismModernist reduction applied to corporate communication.
British Road Signage (Kinneir & Calvert)The national sign system Jock Kinneir and Margaret Calvert designed for Britain's motorways, first used on the Preston By-pass in 1958, and through the Worboys Committee for all roads from 1 January 1965.
Indian Institutional Modernism (NID)The design culture of independent India's public institutions, banks and broadcasters.
Amar Chitra Katha ComicsThe Bombay comic-book series that from 1967 retold Hindu myth and epic, Buddhist and Jain tales, saints, folk legends, the jests of the court wits Birbal and Tenali Raman, and Indian history for children, in English and Indian languages, with well over 500 titles by the early 1990s.
- Ethiopian Revolutionary Poster (Derg Era)The poster and mural art of the Derg military government and its successor, Mengistu's People's Democratic Republic of Ethiopia (1974–1991), made mostly by teachers and students of the Addis Ababa School of Fine Arts.
NSK Retro-Avant-GardeThe retro-avant-garde of Neue Slowenische Kunst, founded in Ljubljana in 1984 by Laibach, IRWIN and the Scipion Nasice Sisters Theatre, with Novi kolektivizem as its design department.
- Madinah Mushaf (King Fahd Complex Qur'an Page)One fixed page for the Qur'an across much of the Muslim world: Uthman Taha's fully vowelled Naskh in fifteen justified lines, written so that every page ends at the end of a verse (the late Ottoman âyet-berkenar layout), inside a floral frame, with sura titles in framed cartouches and verse numbers in small round medallions.
- Nigerian Pentecostal Crusade Poster & BillboardThe roadside adverts of Nigeria's Pentecostal and independent churches: billboards, banners and posters on poles, walls and bridges announcing crusades, revivals, conventions and night vigils.
GOV.UK Design (GDS Style)The text-led design of GOV.UK, the UK government's single website, built by the Government Digital Service from 2012 and codified in the GOV.UK Design System (2018).
Plain Tobacco PackagingA packaging language written into law to strip tobacco of persuasion.
Analog Horror GraphicsA horror genre, mostly on YouTube, that tells its stories through imitation television and home-video graphics rather than actors: emergency-alert screens, station IDs, public-service, educational and instructional tapes, set between the 1960s and early 2000s.
- Front-of-Pack Warning Octagons (Latin American Food Warning Seals)A state warning system stacked on commercial food packs.
Styles that often use it 47
A characteristic choice: usual in these styles, though not essential.
Chinese Calligraphy & Seal Carving (Shufa & Zhuanke)The written art of China and the root of East Asian lettering.
- Ethiopian Ge'ez Manuscript & Haräg IlluminationThe manuscript art of the Ethiopian and Eritrean Orthodox Tewahedo Church, written in the Ge'ez syllabary on parchment from the Garima Gospels (radiocarbon-dated to roughly the 4th–7th centuries) to the present.
- Maghrebi Script (Maghribi Calligraphy of al-Andalus and North Africa)The family of Arabic scripts of al-Andalus and North Africa, descended from early Kufic bookhands.
- Square Kufic (Bannāʾī)Square Kufic builds Arabic script on a square grid: straight lines and right angles only, with every stroke as wide as the gap beside it.
Vyaz (Ornamental Slavonic Lettering)Cyrillic letters bound into one even band of ornament.
- Tibetan Woodblock Print Culture (Pecha & Prayer Flags)Tibetan Buddhist and Bön woodblock printing, from the first printed Kangyur (1410, cut in China) and the 15th-century presses of Gungthang to the great printing houses of Narthang, Derge and Lhasa.
Renaissance Book TypographyThe printed book as shaped by humanist Italy and France: roman and italic types modelled on humanist handwriting, a single justified text block set in harmonious proportions within generous margins, and woodcut initials, borders and printer's devices as the only ornament.
- Javanese Wayang Kulit (Tatah Sungging)The visual language of Javanese shadow puppets: flat figures cut from buffalo parchment, with head and legs in profile, shoulders turned to the front and long jointed arms worked by horn rods.
Adinkra & Kente Symbol SystemsThe Akan textile languages of Ghana.
- Northwest Coast Formline DesignThe two-dimensional design system of the northern Northwest Coast nations, painted, carved and woven onto boxes, house fronts, robes and hats, and printed as serigraphs since the 1960s.
Pacific Barkcloth (Tapa) DesignBarkcloth beaten from paper-mulberry inner bark and decorated across Polynesia and Fiji for gift exchange at weddings, funerals and chiefly investitures.
- Thai Yantra (Yant) DiagramsThai protective diagrams in which Pali formulae, written in Khom, a sacred script derived from Khmer, are packed into squares, circles, triangles, spires and the outlines of Buddhas, monks and tigers, often framed by lines of script.
Neoclassical Book TypographyThe Enlightenment book stripped of Renaissance woodcut decoration.
Chaekgeori & Minhwa Screen PaintingKorean painted folding screens of the late Joseon period.
- Urdu Katib LithographyFor about a century and a half Urdu chose lithography over movable type, because metal type could not reproduce the sloping, stacked ligatures of Nastaʿlīq.
Cuban Tobacco Lithography (Habilitaciones & Marquillas)The chromolithographed dress of Havana tobacco.
Fante Asafo Flags (Frankaa)The company flags (frankaa) of the Fante asafo, the old warrior companies of Ghana's central coast, widely adopted from the mid-nineteenth century.
Celtic Revival Illumination & LetteringOrnament and lettering of the Celtic Revival in Ireland, Scotland and the Isle of Man, modelled on Insular gospel books such as Kells and on carved stone crosses.
Nirnaya Sagar Devanagari Typography (Bombay Metal Type)Devanagari as Javaji Dadaji's Bombay type foundry (1864) and Nirnaya Sagar Press (1869) cut and printed it: upright metal type with a strong headline, cut with the punch-cutter Ranoji Aru, and enough conjunct and 'Akhand' sorts to set Sanskrit, Vedic accents and Marathi whole.
- Norwegian and Finnish National Romantic Graphics (Munthe & Karelianism)The flat, decorative branch of Norway's and Finland's national romanticism, which turned Viking carving, the sagas, the Kalevala and old peasant weaving into modern ornament.
Plakatstil / SachplakatThe German 'object poster' launched by Lucian Bernhard's Priester match poster and printed by Berlin's Hollerbaum & Schmidt.
- London Transport DesignThe design programme Frank Pick built for London's Underground from 1908 and the London Passenger Transport Board (1933–40), continued by Harold Hutchison (1947–66).
- Arnhem Land Bark Painting & RarrkPainting in ochres on flattened stringybark by Yolŋu, Kunwinjku, Kuninjku and other clans of Arnhem Land, carrying ceremonial designs into portable form; collected from 1912, painted through art centres since the 1970s.
Wendingen & Amsterdam School TypographyThe graphic language of Wendingen (1918–1932), monthly of the Amsterdam architects' society Architectura et Amicitia, and its editor H.
Early Turkish Republican Graphic DesignThe pictorial poster, label and ticket art of the young Turkish Republic, led by İhap Hulusi Görey after his Munich training in Ludwig Hohlwein's orbit, with Münif Fehim Özarman and, after 1943, Kenan Temizan.
Lianhuanhua Picture-Story BooksPalm-sized Chinese picture books, about three by five inches, that tell a novel, opera, film or revolutionary story in hundreds of single framed drawings, one to a page, each with a short caption.
Penguin Paperback Design (Three Bands to the Marber Grid)The cover system of Penguin Books, London, from 1935 until Germano Facetti left in 1972.
- Vietnamese Propaganda Poster (Tranh cổ động)The state poster art of Vietnam from the 1945 August Revolution to today.
International Typographic StyleA post-war refinement of the New Typography in which the mathematical grid, objective photography and neo-grotesque sans-serifs were used to communicate with clarity and neutrality.
HfG Ulm Systematic DesignThe Hochschule für Gestaltung Ulm (1953–1968) was founded as the successor to the Bauhaus.
Arab Children's Comic Magazines (Samir to Majid)Arabic children's comics weeklies, from Dar al-Hilal's Samir in Cairo (1956) to Abu Dhabi's Majid (1979), mixing translated Western strips with house characters by Egyptian, Lebanese, Armenian and European artists.
Baybayin Revival GraphicsThe revival of baybayin, the precolonial Tagalog abugida, as a mark of Filipino identity.
Hong Kong East–West Graphic ModernismThe studio design of Hong Kong from the 1960s, made for banks, developers, trade bodies, hotels and cultural events in a city that had to speak Chinese and English at once.
- Mexico 68 Olympic & Metro IdentityThe graphic programme of the 1968 Mexico City Olympics and the city's first Metro line.
Pop Achorado (Peruvian Agrarian Reform Posters)Posters for the Peruvian military government's agrarian reform, made in Lima from 1969 by Jesús Ruiz Durand and colleagues at the state's reform publicity office.
- Western Desert IconographyThe acrylic painting movement that took form at Papunya in 1971, when men there painted the Honey Ant Dreaming on the school wall and then on board, carrying an older practice of sand, body and ceremonial designs into lasting form. 'Western Desert' is an umbrella name: the movement also includes Warlpiri, Anmatyerre and Arrernte painters of the Central Desert.
Lebanese Civil War Party PosterThe posters that some twenty parties and militias pasted on the walls of Beirut and other towns between 1975 and 1990, marking each quarter as one faction's territory.
- Iranian Revolutionary & Sacred Defence PosterPosters, murals and stamps of the 1978–79 Iranian Revolution and the 1980–88 war with Iraq, which fused the red-white-black international revolutionary poster with Persian miniature and coffeehouse narrative painting.
Fantasy User Interface (FUI) & Sci-Fi HUDFantasy user interfaces are the screen graphics of films and series: computer screens, holograms and helmet HUDs made to be watched for a few seconds, not used.
Japanese Dense Web DesignThe information-packed look of Japan's big portals, shops, airlines and ministries: three or more narrow columns of boxed modules, crowded with small Japanese text, blue links, tiny thumbnails, dated news lists and rotating ad banners, in bright colours on a white page.
- Tamil Nadu Flex BannersThe digitally printed vinyl boards, locally called flex banners, that fan clubs, party cadres, businesses and families have put up along the roads of Tamil Nadu since about 2000, as flex displaced hand-painted cinema banners and cut-outs over the following decade.
Contemporary Arabic & Dual-Script Type DesignA twenty-first-century type culture that redraws Arabic as a family matched to a Latin companion in weight, proportion and contrast, so the two scripts can share a page, screen or sign as equals.
Hauntology & Ghost Box DesignSleeves and print that rebuild a misremembered British past from the public graphics of roughly 1958–1978.
Newsroom Data Graphics & ScrollytellingThe house style of newspaper graphics desks since about 2009–2011 (the New York Times graphics desk, D3.js, the Guardian Datablog): conventional charts drawn from the data, on a white or pale paper ground with light grey gridlines and no axis titles, lines labelled directly in place of a legend where possible and short annotations saying what to look at.
Guochao (China-Chic National Trend)A Chinese branding and fashion trend, usually dated from Li-Ning's 'China Li-Ning' show at New York Fashion Week in February 2018, that redraws heritage motifs as finishes for sneakers, apparel, cosmetics and museum merchandise.
Black Lives Matter Street MuralsA single protest slogan painted along the roadway in capitals 20 to 35 feet tall, filling the street from kerb to kerb, so it reads whole only from rooftops, drones and helicopters.
Ukrainian Wartime Graphics (Saint Javelin, War Stamps and Be Brave Like Ukraine)The graphics of Ukraine's defence since Russia's full-scale invasion in February 2022, made by the state, the national post, agencies, illustrators and volunteers at home and abroad.
Styles that use it now and then 32
An occasional choice in these styles.
- Amazigh Sign System & Tifinaghc. 0–present
- Islamic Geometric & Calligraphic Traditionc. 690–present
- Armenian Manuscript Illuminationc. 862–1800
- Hebrew Micrographyc. 895–present
- Persian Miniature (Ilkhanid, Timurid and Safavid Book Painting)c. 1300–1700
- Kōwhaiwhai & Toi Māori Design1500–present
- Emblem Book (Motto, Picture & Epigram)1531–1724
- Batik Pattern Tradition1600–present
- Sápmi Graphic Identity (Duodji & Gákti Colour Code)1600–present
- Diné (Navajo) Weaving Design1700–present
- Edo-moji Commercial Lettering (Kanteiryū, Yose-moji, Sumō-ji)1779–present
- Imagerie d'Épinal & European Bilderbogen1796–1939
- Spanish Bullfight Poster (Cartel Taurino)1879–present
- African Wax & Fancy Print1880–present
- German Book Art Movement (Buchkunstbewegung)1895–1933
- Uli & Nsibidi Line and Sign Tradition1900–present
- Santiniketan & Bengal School Graphics1905–1954
- Hungarian Revolutionary Poster1912–1919
- WPA Silkscreen Posters1935–1943
- Spanish Civil War Poster1936–1939
- Machine-Age Simplified Arabic Type1947–present
- Onitsha Market Pamphlets1947–1980
- Hong Kong Neon & Beiwei Shop-Sign Lettering1950–present
- Japanese Postwar Modernism1950–1990
- Polish Cold War Neon (PRL Neonisation)1956–1981
- Thaw Modernism (Soviet and Czechoslovak)1956–1968
- Soviet Central Asian Ornamental Modernism1966–1999
- Roman-like Thai Typography (modern loopless Thai)1973–present
- Dutch Expressive Postmodernism (Studio Dumbar & Hard Werken)1977–1994
- ACT UP & Gran Fury AIDS Activist Graphics1987–1995
- Ghanaian Funeral Poster & Banner1990–present
- Hipster Artisanal Revival2007–2018
It often goes with
Choices that the styles making it make more often than the atlas as a whole.
- Borders & framesin 65 of 107
- Emblems & badgesin 67 of 107
- Central symmetryin 83 of 107
- Spiritual & sacredin 56 of 107
- Layered informationin 55 of 107
- Framed panelsin 71 of 107
Styles that avoid it
Styles that deliberately leave it out.
- Dada1916–1924
- Brazilian Modernismo Graphics (Klaxon and the Semana de 22)1922–1929
- Czech Poetist Book Design (Devětsil)1922–1938
- Surrealist Graphics1924–1960
- Bengali Modernist Book Cover (Prachchhad)1943–present
- Situationist Détournement Graphics1956–1972
- Gráfica del 68 (Mexican Student Movement Graphics)1968
- Underground Comix1968–1982
- Kawaii Design1970–present
- Australian Poster Collective Screenprints1971–1994
- Turkish Weekly Humour Magazines (Gırgır to Uykusuz)1972–2025
- Métal hurlant Science-Fiction Comics (Mœbius, Druillet & Les Humanoïdes Associés)1974–1987
- La Movida Madrileña Graphics1977–1988
- Cranbrook & Deconstructivist Typography1980–1998
- Demoscene Graphics (Cracktros, Demos & Text-Mode Art)1985–present
- Rave & Acid House Graphics1988–2000
- Grunge Typography1990–2000
- Screenprinted Gig & Alt-Movie Poster1991–present
- Bitterkomix (Afrikaans Underground Comics)1992–present
- Early Web Vernacular1994–2004
- South African Vernacular Design (Ijusi)1995–present
- Emoji Pictographic Language1997–present
- Indonesian Woodcut Activism (Taring Padi)1998–present
- Cartonera Books (Latin American Cardboard Publishing)2003–present
- Internet Ugly & Meme Vernacular2003–present
- Itasha (Anime Character Car Graphics)2005–present
- Danmaku Bullet-Comment Overlay2006–present
- Oaxacan Protest Printmaking & Street Graphics (ASARO)2006–present
- Arab Independent Comics (Samandal, TokTok, Lab619, Skefkef)2007–present
- Lucerne Poster Scene (Neubad & Südpol Posters)2007–present
- Natural Wine Label Art2007–present
- Risograph & Indie Print Culture2008–present
- Egyptian Revolutionary Street Art (Mohamed Mahmoud Murals)2011–2014
- Syrian Revolution Graphics (Kafranbel Banners & Poster Collectives)2011–2024
- Vaporwave2011–2017
- DTC 'Blanding' / Millennial Minimalism2012–2022
- Data Humanism2014–present
- Hong Kong Protest Art (Umbrella Movement to the 2019–20 Protests)2014–2020
- VTuber Avatar and Stream Graphics2016–present
- Post-Binary Typography (Bye Bye Binary and Inclusive French Type)2018–present
- Sudanese Revolution Graphics (Digital Illustrations and Sit-in Murals)2018–present
- Chilean Estallido Social Graphics (Revuelta Popular of 2019–20)2019–2022
- Palestinian Watermelon and Keffiyeh Graphics2021–present
- Woman, Life, Freedom Protest Graphics (Iran and the Diaspora)2022–present