Pictorial & machine age · 1905–1920 · Central Europe
Plakatstil / Sachplakat
Also known as Sachplakat, Object poster, German poster style
The German 'object poster' launched by Lucian Bernhard's Priester match poster and printed by Berlin's Hollerbaum & Schmidt. It strips the advertisement to a single product rendered in flat, saturated colour and the brand name in bold hand-drawn letters on a plain ground, so the message registers instantly from a passing tram or across the street.
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01
How it works
- Show only the product, or one emblematic figure, isolated against a flat, plain ground.
- Reduce the text to the brand name, hand-lettered large and heavy.
- Use two to four flat, saturated colours with no modelling, gradients or background detail.
- Simplify the object to its characteristic silhouette with crisp edges.
- Eliminate decorative borders and scenery so the poster reads in a single glance.
Berlin and Munich, Germany
02
Its design choices
From Stylogeny’s vocabulary of design choices: defining choices make the style, characteristic ones are usual, occasional ones turn up now and then.
- Layout & composition
- Space & hierarchy
- Typography
- Colour
- Surface & texture
- Ornament
- Medium & production
- Tone & intent
- Avoids
- Abundant decoration, Floral & vegetal, Whiplash line, Horror vacui, Eclectic mixing, Collage & layering, Straight photography, Gradients
Palette
#efe5cf#151515#d2382b#24418f#e3b23c#2f5d3a
Typefaces
Lucian Bernhard's hand-drawn block lettering
Block
Hermann Hoffmann, H. Berthold, 1908
Bernhard Antiqua
Lucian Bernhard, Flinsch, 1912
Known for
Lucian Bernhard
Priester matches, c. 1905–06
Hans Rudi Erdt
Opel, 1911
Julius Klinger
Julius Gipkens
Ludwig Hohlwein
Munich
Hollerbaum & Schmidt, Berlin
printers
Das Plakat
journal of the Verein der Plakatfreunde, 1910–1921
03
Make something in this style
Say what you need, and Stylogeny’s image studio draws it from Plakatstil / Sachplakat’s design choices and checks it against them. It takes about a minute, and you get a link to share.
04
Where it comes from, and what it’s close to
Before it
The style it grew out of, and the styles it borrowed from.
Alike in its design choices
Styles that make many of the same choices, related or not, besides those above.
Leningrad Avant-Garde Picture Book76% alike
French Post-War Visual-Gag Poster (Savignac, Villemot, Morvan)70% alike
- Atelier Populaire (May '68 Screenprint Poster)66% alike
UPA & Cartoon Modern62% alike
Turkish Modernist Poster & Graphic Design60% alike
Ukrainian Wartime Graphics (Saint Javelin, War Stamps and Be Brave Like Ukraine)59% alike
05
Real works
Artefacts in museums, libraries and archives that show the style, linked at their source.
- OpelHans Rudi Erdt · 1911 · Christie's sale (image via Wikimedia Commons); another impression is held by MAK, Vienna (PI 1599)
- Bonaqua; alkoholfreie ErfrischungsgetränkeJulius Klinger · before 1910 · Albertina, Vienna (DG2003/538)
- Kupferberg GoldJulius Gipkens · 1912 · MAK – Museum für angewandte Kunst, Vienna (PI 3663)
- "Das ist der Weg zum Frieden – die Feinde wollen es so! Darum zeichne Kriegsanleihe!"Lucian Bernhard · c. 1917 (the archive gives only "between 1914 and 1918") · Landesarchiv Baden-Württemberg, Hauptstaatsarchiv Stuttgart (J 151 Nr 2186)
06
Sources
- Philip B. Meggs & Alston W. Purvis, Meggs' History of Graphic Design
- Jeremy Aynsley, Graphic Design in Germany 1890–1945 (2000)
- Neue Galerie New York, 'German Advertising Posters of the Early 20th Century' (neuegalerie.org)
How Stylogeny researches and checks a style: where the facts come from.








