Postmodern · 1970–present · East Asia
Kawaii Design
Also known as Cute culture, Kawaii bunka, Fancy goods style
Japan's culture of cuteness, which grew from 1970s teenage rounded handwriting and shōjo fancy goods into a global design language through Sanrio, character merchandise and emoji. Its decisions are simple and consistent: rounded forms, oversized heads and minimal faces, pastel or candy colour in flat fields, scattered hearts and sparkles, and friendly rounded type.
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01
How it works
- Round every corner and terminal: blobs, pills, soft outlines and rounded type.
- Draw characters with oversized heads, small bodies and minimal faces with dot eyes and tiny or absent mouths.
- Use pastel or candy colours in flat fields, with a single saturated accent such as a red bow.
- Scatter hearts, stars, sparkles and sweat drops to signal emotion.
- Present the character frontally on a plain ground so it reads as a mascot, sticker or icon.
Tokyo, Japan
02
Its design choices
From Stylogeny’s vocabulary of design choices: defining choices make the style, characteristic ones are usual, occasional ones turn up now and then.
- Layout & composition
- Space & hierarchy
- Colour
- Form & shape
- Surface & texture
- Ornament
- Imagery
- Medium & production
- Tone & intent
- Avoids
- Angular & zigzag, Distortion & exaggeration, Dark ground, Earth & mineral, Visual tension, Photocopy & distress, Authoritative & institutional, Agitational & persuasive
Palette
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Typefaces
Maru-ji
rounded teenage handwriting, 1970s
Maru Gothic rounded type
e.g. Morisawa Shin Maru Go
VAG Rounded
Known for
Sanrio
Hello Kitty, designed by Yuko Shimizu, 1974
Rune Naito
shōjo illustration and fancy goods, 1950s–60s precursor
San-X
Rilakkuma, 2003
Shigetaka Kurita
NTT Docomo emoji, 1999
Sebastian Masuda
6%DOKIDOKI, Harajuku; Kyary Pamyu Pamyu art direction
03
Make something in this style
Say what you need, and Stylogeny’s image studio draws it from Kawaii Design’s design choices and checks it against them. It takes about a minute, and you get a link to share.
04
Where it comes from, and what it’s close to
Before it
The style it grew out of, and the styles it borrowed from.
After it
The styles that grew out of it.
Alike in its design choices
Styles that make many of the same choices, related or not, besides those above.
05
Real works
Artefacts in museums, libraries and archives that show the style, linked at their source.
- Sanrio official website (sanrio.co.jp), home pageSanrio Co., Ltd. · captured 1 February 2003 · Internet Archive Wayback Machine
- Tomodachi ni yoroshiku: yūjō no shishū (poems of friendship), coverKino Yuri (poems; catalogued as 'Kino, Yoru') and Nagata Moe (illustrations); published by Sanrio · 1980 · IMAGO, Catalogo collettivo digitale, Regione Emilia-Romagna (Fondo Sergio Silva, Graphic Prize, Bologna Children's Book Fair)
- Sanrio Carnival (Famicom game box, CTS-ZV), frontCharacter Soft (publisher), with Sanrio characters · 1990 (released 22 November 1990) · Internet Archive (Gaming Alexandria / VGSC scan of a privately owned box, uploaded 2022 to the folkscanomy collection; no holding institution)
- "Hello Kitty" gift set with plastic figure and sweets (packaging)BIP Holland B.V. (licensee); Hello Kitty © Sanrio Co., Ltd. · 2008 (packaging printed © 1976, 2006 Sanrio) · Stiftung Domäne Dahlem – Landgut und Museum, Berlin (via museum-digital)
06
Sources
- Sharon Kinsella, 'Cuties in Japan', in Women, Media and Consumption in Japan (1995)
- Christine R. Yano, Pink Globalization: Hello Kitty's Trek Across the Pacific (2013)
- Joshua Paul Dale et al. (eds), The Aesthetics and Affects of Cuteness (2017)
- Wikipedia: Rune Naito (assistant to Nakahara Jun'ichi; credited with pioneering kawaii): https://en.wikipedia.org/wiki/Rune_Naito
How Stylogeny researches and checks a style: where the facts come from.







