Stylogenyin the style of Fante Asafo Flags (Frankaa)

Traditions & vernacular · 1850–present · Sub-Saharan Africa

Fante Asafo Flags (Frankaa)

Also known as Asafo frankaa, Asafo company flags, Asafo battalion flags, Fante flags

The company flags (frankaa) of the Fante asafo, the old warrior companies of Ghana's central coast, widely adopted from the mid-nineteenth century. Flag-makers cut flat silhouettes of animals, people and objects from coloured cotton and sew them onto a plain ground, often inside a border of checks or triangles, with a national flag in the upper hoist corner: a Union Jack until 1957, then Ghana's. Each flag stages one proverb, boast or taunt aimed at rival companies, and is danced, paraded and hung at the company shrine.

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A stylised warrior raises a curved sword and carries a blue shield while straddling a large turquoise crocodile, with a smaller running figure to the right. A Ghanaian flag, palm tree and red sun fill the cream background, enclosed by a blue-and-yellow patterned border.
AI-generated by Stylogeny from the style’s design choices. Not a real or historical work.

Use it with care

Asafo companies are living institutions of Fante towns: each flag belongs to its company, is commissioned when a new captain takes office, is danced at festivals and members' funerals and hung at the company shrine, and its image is often a taunt aimed at a particular rival company. Do not copy a company's flag or emblem for branding, learn what a motif says as a proverb before using it, since a scene can boast or insult, and do not pass off a new flag sewn with a Union Jack as a colonial-era piece: workshops have made flags for collectors and tourists in record numbers since the mid-1990s, including new flags made to look pre-independence. Company imagery has carried political stakes: under colonial rule the British administration imposed strict regulations on asafo companies and their arts. Commission and credit Fante flag-makers' workshops rather than printing imitations.

01

How it works

  • Cut every figure as a flat silhouette in one colour of cotton and sew it onto a plain single-colour ground, adding eyes, scales, weapons or dress in embroidery or small appliquéd pieces, never in shading.
  • Put a national flag in the upper hoist corner as a canton, freely pieced from patches of cloth: the Union Jack under colonial rule, the flag of Ghana after 1957.
  • Stage one proverb, boast or taunt as a single scene (a beast seizing its prey, a crocodile over a pond of fish, a leader with his weapon and stool) and make the strongest figure the largest, floating on the ground with no horizon or perspective; animals such as crocodiles are often drawn in composite perspective, the body seen from above and the head in profile.
  • Close the free edges with a border of contrasting squares or triangles, and often name the company by its number in stitched capitals or numerals.
  • Sew the design on both faces of the cloth so it reads from either side when the flag is danced, carried in procession or hung around the company shrine.
  • Take foreign emblems and remake them as signs of local proverbs: the griffin, borrowed from English imagery, and the many-headed dragon that Fante artists now often prefer in its place, a monster probably inspired by the mythical creatures of European heraldry.

Fante towns of Ghana's central coast, among them Elmina, Cape Coast, Anomabo, Saltpond and Kormantine, where flag-makers' family workshops sew the flags for the asafo companies

02

Its design choices

From Stylogeny’s vocabulary of design choices: defining choices make the style, characteristic ones are usual, occasional ones turn up now and then.

Layout & composition
Space & hierarchy
Typography
Colour
Form & shape
Surface & texture
Ornament
Imagery
Medium & production
Tone & intent
Avoids
Gradients, Illusion of depth, Naturalistic depiction, Straight photography, All-over field, Modular grid

Palette

  • #f0e9d8
  • #1b1b1b
  • #c62a2f
  • #1e3a8a
  • #f2b31b
  • #3a9a9a

Typefaces

  • Embroidered block capitals and numerals naming the company

    off-white 'No 4 COMP' on a blue appliqué tab, Brooklyn Museum 2009.39.2

  • Company numbers such as 'Nº1' and 'Nº2' in a contrasting cloth or thread, set in the field or along an arm of a large cross that divides the field ('NºI' in red on the bottom arm of a wide golden-yellow cross, Flags of the World 'Crocodiles and moon' flag)

Known for

  • Akwa Osei, flag of No. 2 Company, Kormantine, c. 1900; cotton and rayon, embroidery and appliqué

    Honolulu Museum of Art 5886.1

  • Kweku Kakanu (b. 1910; worked in Saltpond), Asafo company flag with griffin, c. 1940s

    a black winged griffin with a duiker in its beak hunting two grasscutters, the griffin being tied to the proverb 'Will you fly or will you vanish? Either way you can't escape us'; cotton, 99.1 × 161.3 cm (shown at the Harn Museum of Art, loan from Kenneth and Bonnie Brown)

  • After Kweku Kakanu, Asafo company flag with crocodile, after 1950

    a crocodile watching over a pond of fish with frogs and birds nearby, for the proverb 'Fish grow fat for the benefit of the crocodile'; cotton, 95.3 × 165.1 cm (shown at the Harn Museum of Art). Both Harn flags were collected in Accra in 1993, and Micots judges from its crocodile, fish and border, which do not match Kakanu's patterns, that this one probably comes from a contemporary workshop making flags for sale rather than from Kakanu's own

  • Asafo flag (frakaa), 1940s, acquired in Cape Coast

    two standing men holding yellow discs flank a red bottle-shaped object on a black field, with a Union Jack inserted top left and a border of black and white triangles (Nelson-Atkins Museum of Art 2013.59.1)

  • Asafo company flag (frankaa), early to mid-20th century

    an ungulate stamping on a snake that is eating a horse-like animal, a purple rodent under a patchwork Union Jack canton, and 'No 4 COMP' embroidered on a blue appliqué tab (Brooklyn Museum 2009.39.2)

  • Asafo flag (frankka), mid-20th century

    a leader marked by his weapon and stool and a message-bearer with an elongated headdress beside a large bowl read as a never-empty pot of food or palm wine; cotton appliqué, 112 × 168 cm (The Textile Museum, George Washington University, 1999.39.1)

  • Appliquéd battalion flag with the proverb 'Don't speak if you drink palm wine', a saying normally used to admonish impertinent and inexperienced children, on which the company plays; made 1930–1985 (Museum Natur und Mensch, Freiburg, I/2622)

  • Asafo flag used by No. III Company, Anomabo, early 20th century

    British Museum Af1978,22.724

03

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04

Where it comes from, and what it’s close to

Before it

The style it grew out of, and the styles it borrowed from.

This styleFante Asafo Flags (Frankaa)1850–present · Sub-Saharan Africa

After it

The styles that grew out of it.

No later style in the atlas grew out of it yet.

Alike in its design choices

Styles that make many of the same choices, related or not, besides those above.

05

Sources

  1. Courtnay Micots, 'Griffins, Crocodiles, and the British Ensign: Kweku Kakanu's Asafo Flags and Followers', in Susan Cooksey, ed., Africa Interweave: Textile Diasporas (Gainesville: Samuel P. Harn Museum of Art, 2011), pp. 142–144 (a painted flag reported in 1693, but flags widely adopted by the asafo only in the mid-nineteenth century; the British ensign added in the upper corner in the colonial period and replaced by the Ghanaian flag at independence in 1957; the British administration imposed strict regulations on asafo companies and their arts; flags about 3 by 5 feet, coloured cloth sewn to a typically monochromatic cotton ground with embroidered details; the cloth and many of the motifs imported; griffins borrowed from English mythical imagery, the Fante now preferring a multiheaded dragon in place of the griffin in many of their arts; the crocodile drawn in composite perspective, body from above and head in profile; Kweku Kakanu, b. 1910, worked in Saltpond; the Harn crocodile flag's crocodile, fish and border do not match Kakanu's patterns, both Harn flags were collected in Accra in 1993, and the crocodile flag likely came from a contemporary workshop; Ross has identified eight workshops and record production for sale since the mid-1990s, including new flags with the British ensign mimicking pre-independence flags): https://cssah.famu.edu/departments-and-centers/visual-arts-humanities-and-theatre/visual-arts/pdf/micots-courtnay-pdfs/Micots%20Courtnay%20-%20Griffins%20Crocodiles%20and%20the%20British%20Ensign%20-%20Harn%20Catalog.pdf
  2. Doran H. Ross, Fighting with Art: Appliquéd Flags of the Fante Asafo (Los Angeles: UCLA Museum of Cultural History, 1979), abstract in eHRAF World Cultures, Yale (flags of the exhibition made 1935–1978; earliest record of company flags in Ghana around 1600; companies extremely competitive, flags provocative declarations of courage and prowess; most flags refer to well-known proverbs): https://ehrafworldcultures.yale.edu/cultures/fe12/documents/046
  3. Doran H. Ross, 'First Word: True Colours, Faux Flags, and Tattered Sales', African Arts 43, no. 2 (2010): 1–7 (as cited and summarised by Micots)
  4. Peter Adler and Nicholas Barnard, Asafo! African Flags of the Fante (London: Thames and Hudson, 1992) (cited by Micots and by TRC Leiden)
  5. The Textile Museum, George Washington University, collection story on Asafo flag 1999.39.1 (flag-makers usually men in family workshops; a new leader commissions and helps design a new flag; appliqué on both sides of cotton trade cloth with embroidered details; a simplified Union Jack before independence and the flag of Ghana after 1957; motifs for proverbs, maxims, jokes, warnings, insults and folktales; still used in parades, dances, festivals and to decorate the company shrine): https://collectionstories.museum.gwu.edu/?p=3988
  6. Textile Research Centre Leiden, 'Asafo Appliqués' (a form of the Union Jack in one corner from 1874 to 1957; locally designed and produced; geometric, often checked, patterns with people, animals, boats and plants; each company with its own number; British Museum Af1978,22.724): https://trc-leiden.nl/trc-needles/regional-traditions/sub-saharan-africa/asafo-appliques
  7. Nelson-Atkins Museum of Art, Asafo flag (Frakaa), 1940s, 2013.59.1: https://art.nelson-atkins.org/objects/61023/asafo-flag
  8. Brooklyn Museum, Asafo Company Flag (Frankaa), early to mid-20th century, 2009.39.2: https://www.brooklynmuseum.org/opencollection/objects/188918
  9. Brooklyn Museum, Asafo Company Flag (Frankaa), early to mid-20th century, 2009.39.1 (a three-headed winged monster over a decapitated corpse on a black field, a patchwork Union Jack canton, a border of red and beige triangles; 'The three-headed monster here was probably inspired by the mythical creatures of European heraldry'): https://www.brooklynmuseum.org/objects/188917
  10. Wikimedia Commons, 'Asafo Flag, No. 2 Company; created by Akwa Osei; Ghana, Fante people; c. 1900', Honolulu Museum of Art 5886.1 (Kormantine): https://commons.wikimedia.org/wiki/File:Asafo_Flag,_No._2_Company;_created_by_Akwa_Osei;_Ghana,_Fante_people;_c._1900,_Cotton_and_rayon,_embroidery_and_appliqu%C3%A9.jpg
  11. Museum Natur und Mensch, Museen Freiburg, Appliquéd Battalion Flag Asafo (Frankaa), I/2622, text by Doris Kubisch, via Deutsche Digitale Bibliothek: https://ccc.deutsche-digitale-bibliothek.de/en/item/VLNXA2IO7D2CNJPZLVZXLTDY2IGL35N7
  12. Wikipedia: Asafo (each company headed by a tufohen with its own flag; the ten companies of Elmina): https://en.wikipedia.org/wiki/Asafo
  13. Wikipedia: Asafo Flags (Akan proverbs combined with European heraldic tradition; flags hung around the posuban shrine and carried at annual festivals and members' funerals; collected abroad since the 1990s): https://en.wikipedia.org/wiki/Asafo_Flags
  14. Flags of the World, 'Asafo flags (Ghana)' (canton variants, borders of contrasting squares or triangles, company numbers in the field; the 'Crocodiles and moon' flag: a pink field with a wide golden-yellow cross, 'NºI' in red on its bottom arm, and crocodiles seen from above): https://crwflags.com/FOTW/flags/gh_asaf1.html

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