Traditions & vernacular · 1880–present · Sub-Saharan Africa, Western Europe
African Wax & Fancy Print
Also known as Ankara, Dutch wax, Real wax, Wax Hollandais, Fancy print, Commemorative cloth, Kitenge
Industrially printed cotton made for West and Central African markets, first by Dutch and British mills that imitated Javanese batik with resin resist, and later by African mills. Giant emblematic motifs, an indigo key with offset colours and crackle veining repeat across the cloth, and traders name designs after proverbs and events. Cheaper one-sided fancy prints turn the cloth into commemorative media with portraits, emblems and slogans.
Make something in this styleGet advice in this styleMix it with another style
Use it with care
Wax print is shared popular culture, but its designs carry names and messages given by African traders and wearers, and commemorative cloths carry political and religious portraits. Learn a design's name and meaning before reusing it, do not use commemorative portraits or party emblems out of context, and credit African designers, mills and traders rather than presenting a European brand or a generic 'African print' as the source.
01
How it works
- Print a dark key image, usually indigo, by resin resist on both faces of the cloth, then add one or two colours by machine and let them sit slightly off register.
- Keep the crackle: let the resist break so fine dark veins run through light areas as a sign of genuine wax.
- Enlarge emblematic objects (birds, cages, ripples, handbags, letters) far beyond life size and repeat them in bold repeats across the whole length.
- Leave the meaning open for the market, so traders can name a print after a proverb, personality or event.
- For commemorative fancy cloth, centre portrait medallions, flags, emblems, dates and slogans in ribbon banners on a repeating field.
- Print the brand, design name and registration number on the selvedge.
Dutch (Haarlem, Helmond) and British (Manchester) mills making resin-resist imitation batik for West African markets; later Ghanaian, Ivorian and Nigerian mills, with designs named by traders in markets such as Lomé and Accra
02
Its design choices
From Stylogeny’s vocabulary of design choices: defining choices make the style, characteristic ones are usual, occasional ones turn up now and then.
- Layout & composition
- Space & hierarchy
- Colour
- Form & shape
- Surface & texture
- Ornament
- Medium & production
- Tone & intent
- Avoids
- Generous white space, Ornament-free, Pen, brush & ink, Rational & objective, Calm & contemplative, Gloss & highlights
Palette
#1d2f6f#c1272d#f2b705#1b7f4a#f3ead6#141414
Typefaces
Selvedge captions
brand, 'Véritable Wax Hollandais' guarantee, design and registration numbers
Bold capitals in ribbon banners for slogans and dates on commemorative fancy cloth
Known for
J. B. T. Prévinaire's resin-resist printing machine
Haarlem, 1854
Vlisco
Helmond, from 1846; 'Véritable Wax Hollandais'
ABC Wax (Manchester) and Akosombo Textiles Ltd
Ghana
GTP (Ghana Textile Printing) and Uniwax
Côte d'Ivoire
'Si tu sors, je sors'
trader-named Vlisco design
Fancy! Commemorative Cloths in Africa, musée du quai Branly
2023–24
Yinka Shonibare
Dutch wax as artistic material
03
Make something in this style
Say what you need, and Stylogeny’s image studio draws it from African Wax & Fancy Print’s design choices and checks it against them. It takes about a minute, and you get a link to share.
04
Where it comes from, and what it’s close to
Before it
The style it grew out of, and the styles it borrowed from.
After it
The styles that grew out of it.
No later style in the atlas grew out of it yet.
Alike in its design choices
Styles that make many of the same choices, related or not, besides those above.
05
Real works
Artefacts in museums, libraries and archives that show the style, linked at their source.
- Ankara (wax-print cloth with dresses, handshake and peacock medallions)Brown Fleming Ltd · 1909 · Victoria and Albert Museum, London
- ABC (Alphabet)Calico Printers' Association · 1948 · Victoria and Albert Museum, London
- Ankara trade sample ('Freedom in my hand I bring')A. G. Leventis & Co. Ltd · ca. 1960 · Victoria and Albert Museum, London
- Commemorative cloth for President Obama's visit to Ghana, July 2009GTP (Ghana Textile Printing) · 2009 · Wikimedia Commons (photograph by Tommy Miles of a trader's cloth, Brooklyn, 2010)
- SnakeskinVlisco (P. F. van Vlissingen & Co.), Helmond · design 1922; this length undated, printed before 2015 (gift of Vlisco, 2015) · Cooper Hewitt, Smithsonian Design Museum (via Wikimedia Commons)
06
Sources
- https://en.wikipedia.org/wiki/African_wax_prints
- https://en.wikipedia.org/wiki/Vlisco
- https://m.quaibranly.fr/en/exhibitions-and-events/at-the-museum/exhibitions/event-details/e/fancy (Fancy! Commemorative Cloths in Africa, 2023–24)
How Stylogeny researches and checks a style: where the facts come from.



