Style combination · Pairs well
Kawaii Design × Memphis Design
Kawaii characters sit happily on Memphis pastel geometry; combine them for playful packaging with a little more edge.
Memphis pastel geometry and kawaii's rounded characters share a toy-like optimism; combine them for playful packaging.
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Kawaii Design Memphis Design
- Type from Kawaii Design
- Colour from Memphis Design
- Form from Memphis Design
- Composition from Kawaii Design
- Surface from Kawaii Design
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Kawaii Design
Pop
Zen Maru Gothic, standing in for Maru-ji (rounded teenage handwriting, 1970s)
Text · Memphis Design
The Milan collective founded by Ettore Sottsass, whose furniture, laminates and objects (first shown in September 1981) became a graphic language of their own. Clashing colours, speckles, squiggles, zigzags and primitive geometric shapes were combined with deliberate bad taste, mocking modernist good form while quoting 1950s kitsch, Pop and Art Deco.
Jost; Memphis Design used Futura and ITC Avant Garde Gothic
03
The colours
The ground and leading colours come from Memphis Design, with a counter-accent from Kawaii Design. The ink reads on the ground at 4.5:1 or more.
Kawaii Design Memphis Design
-
#ffd23fground · 36% -
#111111ink · 14% -
#ff5a36accent · 18% -
#e60033accent · 14% -
#2ec4b6accent · 10% -
#cdb4ffaccent · 8%
As CSS
:root {
--ground: #ffd23f;
--ink: #111111;
--accent-1: #ff5a36;
--accent-2: #e60033;
--accent-3: #2ec4b6;
--accent-4: #cdb4ff;
--font-display: "Zen Maru Gothic", sans-serif;
--font-text: "Jost", sans-serif;
}
04
The two styles
05
More combinations
With Kawaii Design
- Techno-Futurist Graphics Pairs well · A cute mascot inside a dense techno-corporate layout softens its satire; Groovisions' Chappie is the model.
- Grunge Typography Contrasts · Grunge's dirt and illegibility is kawaii's opposite; one cute character on a distressed texture creates knowing dissonance.
- Dark Tech Minimalism Contrasts · Use a single pastel mascot or emoji moment to humanise a cold, dark interface without changing its structure.
- Claymorphism & Soft 3D Pairs well · Kawaii's oversized heads, minimal faces and scattered sparkles translate directly into clay volumes; use its character rules for mascots and emoji so the 3D figures stay simple and readable at small sizes.
- Moomin Graphics (Tove Jansson's Pen-Drawn World and its Licensed Afterlife) Contrasts · Its round, white characters sit near kawaii fancy goods, but they keep a hatched, melancholy world around them that kawaii fancy goods leave out.
- Superflat Contrasts · Kawaii offers sincere, simple, pastel cuteness for fancy goods; switch to Superflat when the cute should be saturated, crowded, many-eyed and ironic, a comment on consumer culture rather than a product of it.
- VTuber Avatar and Stream Graphics Contrasts · Its parent in cute character culture, but kawaii fixes a static mascot on pastel goods and print; switch to VTuber graphics when the character has to move, talk and answer a live chat, with a performer's voice and a whole stream screen around it.
- Yuru-chara (Japanese Local Mascot Design) Contrasts · Both build on rounded, big-headed cute figures, but kawaii sells polished pastel fancy goods for private pleasure, while a yuru-chara speaks for a town in a few bold colours and keeps its awkwardness.
With Memphis Design
- International Typographic Style Contrasts · Scatter Memphis squiggles across a strict Swiss grid to stage modernism versus its postmodern critique.
- Corporate Memphis Contrasts · Corporate Memphis tamed the original's clash and irony; restore real colour conflict and wit to escape generic tech illustration.
- Neo-Brutalism Pairs well · Memphis black outlines and flat clashing fills translate directly into neo-brutalist cards, buttons and stickers.
- Swiss Punk / New Wave Typography Pairs well · Add Memphis squiggles and pastel triangles to New Wave's floating bars for the full 1980s postmodern palette.
- La Movida Madrileña Graphics Pairs well · Memphis showed its first collection in Milan in 1981, three years before Madrid Me Mata: add its clashing laminate colours, squiggles and geometric primitives to a Movida poster for a fuller 1980s postmodern look, keeping the hand-drawn figures and lettering.
- Dutch Expressive Postmodernism (Studio Dumbar & Hard Werken) Pairs well · A contemporary 1980s attack on good taste: set Memphis primitives, squiggles and patterned laminates inside a Dumbar-style photographed set for a poster with real shadows and clashing colour.
- Milanese Industrial Modernism (Olivetti, Pirelli, Studio Boggeri) Contrasts · Milan's own later rebellion against functional wit; set Memphis's ornamental irony against this clean industrial optimism for a deliberate generational clash.
- Bauhaus Contrasts · Memphis parodied Bauhaus primaries and solids; compare them to decide whether geometry should be earnest or ironic.