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Medium & production · Environment & craft

Textile & craft

Weaving, dyeing, embroidery and applied craft.

A design choice in Stylogeny’s vocabulary, under medium & production: what technology shaped it?

styles make it: 81
as a defining choice: 19
as a usual one: 25
now and then: 37
avoid it: 0

Styles defined by it 19

For these styles it is one of the choices that make the style.

Amazigh Sign System & Tifinaghc. 0–present · Middle East & North Africa, Sub-Saharan AfricaThe visual language shared by Amazigh communities from the Rif, Atlas and Kabylie to the Aurès and the Tuareg Sahara.
Andean Woven Graphic Systemsc. 600–present · Latin America & CaribbeanThe graphic systems of Andean cloth, the region's most prestigious medium, in which every motif is built on the warp-and-weft grid.
Kamon (Japanese Family Crests)c. 1100–present · East AsiaJapan's family crests: small one-colour emblems that reduce a plant, animal, tool or pattern to a flat silhouette, mirrored or repeated around a centre, often ringed and drawn with compass and brush.
Batik Pattern Tradition1600–present · Southeast AsiaThe Javanese wax-resist textile tradition in which hot wax is drawn with a canting or stamped with a copper cap, then dyed in successive baths to build layered all-over patterns.
Sápmi Graphic Identity (Duodji & Gákti Colour Code)1600–present · Northern Europe, Eastern EuropeDuodji is Sámi handicraft: hard work in wood, horn and bone, soft work in skin and cloth; drums painted with alder-bark figures survive from the 17th and 18th centuries.
Adinkra & Kente Symbol Systems1700–present · Sub-Saharan AfricaThe Akan textile languages of Ghana.
Diné (Navajo) Weaving Design1700–present · North AmericaThe tapestry-woven design tradition of Diné (Navajo) weavers, recorded in Spanish sources from the early 18th century.
Pacific Barkcloth (Tapa) Design1700–present · OceaniaBarkcloth beaten from paper-mulberry inner bark and decorated across Polynesia and Fiji for gift exchange at weddings, funerals and chiefly investitures.
Fante Asafo Flags (Frankaa)1850–present · Sub-Saharan AfricaThe company flags (frankaa) of the Fante asafo, the old warrior companies of Ghana's central coast, widely adopted from the mid-nineteenth century.
African Wax & Fancy Print1880–present · Sub-Saharan Africa, Western EuropeIndustrially printed cotton made for West and Central African markets, first by Dutch and British mills that imitated Javanese batik with resin resist, and later by African mills.
Norwegian and Finnish National Romantic Graphics (Munthe & Karelianism)1880–1922 · Northern EuropeThe flat, decorative branch of Norway's and Finland's national romanticism, which turned Viking carving, the sagas, the Kalevala and old peasant weaving into modern ornament.
Kanga (Swahili Message Cloth)1886–present · Sub-Saharan AfricaPrinted cotton wraps worn by women of the Swahili coast and its hinterland since the late nineteenth century, bought in pairs.
Bògòlanfini Mud Cloth1900–present · Sub-Saharan AfricaThe mud-dyed cotton cloth of the Bamana and other Malian peoples, in which the ground rather than the motif is painted: cloth dyed yellow with n'gallama leaves is covered around each sign with fermented iron-rich mud, and the unpainted signs are then bleached pale.
Guna Mola1900–present · Latin America & CaribbeanThe reverse-appliqué blouse panels of Guna women in Panama, made by cutting through two to seven stacked layers of cotton so that every shape is ringed by echoing bands of the colours beneath.
Taiwan Floral Cloth (Huabu)1950–present · East AsiaCheap printed cotton covered edge to edge in large, full-blown peonies with lotuses, phoenixes, dragons, mandarin ducks, small florets and auspicious emblems on saturated vermilion, bright pink or sky-blue grounds.
Finnish Bold Print (Marimekko Modernism)1951–present · Northern EuropeThe printed-cotton modernism of Marimekko, founded in Helsinki in 1951 by Armi and Viljo Ratia out of Viljo's printing firm Printex.
Ultras Graphics (Curva Banners and Tifo)1968–present · Southern Europe, Western Europe, Central Europe, Eastern Europe, Middle East & North Africa, Southeast Asia, North AmericaThe graphic language of Italy's organised football supporters, the ultras, from the late 1960s, and of the groups that copied them across Europe, North Africa and beyond.
Hype Streetwear Graphics (Box Logo to Quotation Marks)1993–present · North America, East Asia, Southern Europe, Western Europe, Global / networkedThe logo-led graphics of streetwear since the 1990s: one wordmark or emblem on a plain T-shirt, hoodie or object is the product.
Latin American Feminist Protest Graphics (Ni Una Menos and the Green Wave)2015–present · Latin America & CaribbeanThe graphics of Latin America's feminist tide, a mass movement since Ni Una Menos (Buenos Aires, 3 June 2015) and the 2018 'marea verde' for legal abortion, though its scarf dates from 2003.

Styles that often use it 25

A characteristic choice: usual in these styles, though not essential.

Styles that use it now and then 37

An occasional choice in these styles.

It often goes with

Choices that the styles making it make more often than the atlas as a whole.

Other choices in medium & production