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Typography · Scripts & hands

Brush & pen calligraphy

Calligraphy as structure: Arabic, East Asian, broad-pen Latin.

A design choice in Stylogeny’s vocabulary, under typography: what do the letters look like, and how are they set?

styles make it: 87
as a defining choice: 31
as a usual one: 31
now and then: 25
avoid it: 3

Styles defined by it 31

For these styles it is one of the choices that make the style.

Chinese Calligraphy & Seal Carving (Shufa & Zhuanke)c. 0–present · East AsiaThe written art of China and the root of East Asian lettering.
Ethiopian Ge'ez Manuscript & Haräg Illuminationc. 500–present · Sub-Saharan AfricaThe manuscript art of the Ethiopian and Eritrean Orthodox Tewahedo Church, written in the Ge'ez syllabary on parchment from the Garima Gospels (radiocarbon-dated to roughly the 4th–7th centuries) to the present.
Islamic Geometric & Calligraphic Traditionc. 690–present · Middle East & North Africa, South Asia, Southern EuropeA visual system shared across the Islamic world in which proportioned calligraphy, compass-and-straightedge geometry and the vegetal arabesque carry meaning and beauty in place of figurative imagery.
Armenian Manuscript Illuminationc. 862–1800 · Middle East & North Africa, Eastern EuropeThe illuminated books of the Armenian Church, from the Gospel of Queen Mlke (c. 862) and the Etchmiadzin Gospels (989) to the last manuscripts around 1800.
Hebrew Micrographyc. 895–present · Middle East & North Africa, Southern Europe, Central Europe, Western EuropeA Jewish scribal art in which lines of minute Hebrew script, usually the Masoretic notes that guard the biblical text, are written so that the line itself draws: interlaced frames and star rosettes on full carpet pages, and animals, knights, fish and grotesques in the margins.
Maghrebi Script (Maghribi Calligraphy of al-Andalus and North Africa)c. 900–present · Middle East & North Africa, Southern Europe, Sub-Saharan AfricaThe family of Arabic scripts of al-Andalus and North Africa, descended from early Kufic bookhands.
Mongol Bichig Calligraphy & Ugalz Ornamentc. 1204–present · East AsiaMongolia's classical script and the auspicious ornament that frames it on state, Buddhist and household objects.
Vyaz (Ornamental Slavonic Lettering)c. 1230–present · Eastern Europe, Southern EuropeCyrillic letters bound into one even band of ornament.
Persian Miniature (Ilkhanid, Timurid and Safavid Book Painting)c. 1300–1700 · Middle East & North Africa, South AsiaThe court book painting of Iran and Timurid Herat, formed in Mongol Tabriz from Islamic, Byzantine and Chinese models: from Rashid al-Din's Jamiʿ al-tawarikh (1314) and the Great Mongol Shahnama to Behzad's Herat and the Shahnama of Shah Tahmasp, ending in the album pages of Safavid Isfahan.
Ottoman Tughra & Dîvânî Chancery Calligraphyc. 1324–present · Middle East & North Africa, Southern Europe, Eastern Europe, South AsiaThe Ottoman sultan's calligraphic monogram and the chancery hand written beneath it.
Persian Nastaʿlīq Calligraphy (Qiṭʿa, Chalipa and Siyāh-mashq)c. 1400–present · Middle East & North Africa, South AsiaThe 'hanging' script of Persian poetry and an art of the single sheet.
Tibetan Woodblock Print Culture (Pecha & Prayer Flags)c. 1410–present · East Asia, South AsiaTibetan Buddhist and Bön woodblock printing, from the first printed Kangyur (1410, cut in China) and the 15th-century presses of Gungthang to the great printing houses of Narthang, Derge and Lhasa.
Zoomorphic & Figural Calligraphy (Islamic Calligrams)1500–present · Middle East & North Africa, South Asia, Southeast AsiaPictorial writing in which the strokes of a devotional text form one figure: a lion of ʿAli built from the Nad-e ʿAli prayer, a galleon whose hull spells the names of the Seven Sleepers, a peacock, a Sufi cap.
Rinpa & Saga-bon1600–present · East AsiaA Kyoto school of decorative design that revived the poetry and court painting of the Heian period, begun around 1600 by the calligrapher Hon'ami Kōetsu and the painter Tawaraya Sōtatsu and carried on less by teaching than by admiration across generations: Ogata Kōrin, Sakai Hōitsu, Kamisaka Sekka.
Bulaq (Amiriyya) Naskh Book Printing1822–1956 · Middle East & North AfricaThe page of the Arabic printed book as Egypt's state press at Bulaq shaped it from 1822: justified blocks of black Naskh type on pale paper, often boxed in a ruled frame, with an ornamental headpiece on the opening page, headings set larger or in a second script such as Nastaʿlīq, and almost no pictures.
Urdu Katib Lithography1837–present · South AsiaFor about a century and a half Urdu chose lithography over movable type, because metal type could not reproduce the sloping, stacked ligatures of Nastaʿlīq.
Persian Popular Narrative (Lithographs & Coffeehouse Painting)1843–2012 · Middle East & North AfricaIran's popular picture-stories in two media.
Nirnaya Sagar Devanagari Typography (Bombay Metal Type)1864–present · South AsiaDevanagari as Javaji Dadaji's Bombay type foundry (1864) and Nirnaya Sagar Press (1869) cut and printed it: upright metal type with a strong headline, cut with the punch-cutter Ranoji Aru, and enough conjunct and 'Akhand' sorts to set Sanskrit, Vedic accents and Marathi whole.
Egyptian Painted Film Poster1932–1996 · Middle East & North AfricaThe painted publicity of Egyptian cinema from the early talkies to the 1990s, designed outside the studios by artist-printers such as Hassan Mazhar Gassour and printed as colour lithographs in Cairo.
Hurufiyya Calligraphic Modernism1949–present · Middle East & North AfricaA pan-Arab and Iranian modern-art movement, begun by Madiha Omar in the late 1940s, that freed the letters of the Arabic script from text and used them as abstract visual units.
Hong Kong Neon & Beiwei Shop-Sign Lettering1950–present · East AsiaThe night-time signscape of Hong Kong's Kowloon streets.
Dazibao (Big-Character Posters)1957–1980 · East AsiaHandwritten wall posters in large brush characters that turned the walls of Mao-era China into a public forum for criticism, denunciation and, at the Democracy Wall, dissent.
Iranian Modernist Graphic Design1960–present · Middle East & North AfricaIranian graphic design came of age in the 1960s and 1970s.
Iranian Revolutionary & Sacred Defence Poster1978–1988 · Middle East & North AfricaPosters, murals and stamps of the 1978–79 Iranian Revolution and the 1980–88 war with Iraq, which fused the red-white-black international revolutionary poster with Persian miniature and coffeehouse narrative painting.
Madinah Mushaf (King Fahd Complex Qur'an Page)1985–present · Middle East & North Africa, Global / networkedOne fixed page for the Qur'an across much of the Muslim world: Uthman Taha's fully vowelled Naskh in fifteen justified lines, written so that every page ends at the end of a verse (the late Ottoman âyet-berkenar layout), inside a floral frame, with sura titles in framed cartouches and verse numbers in small round medallions.
Korean Commercial Calligraphy (Kaelligeurapi)1999–present · East AsiaBrush-written Hangul made for commerce, not the scroll.
Arabic Calligraffiti2002–present · Middle East & North Africa, Western Europe, Global / networkedArabic letters sprayed, rolled and brushed at the scale of buildings.
Modern Calligraphy and Brush Lettering2005–present · North America, Western Europe, Global / networkedThe loose pointed-pen and brush-pen script of wedding stationery and the 2010s craft boom.
Syrian Revolution Graphics (Kafranbel Banners & Poster Collectives)2011–2024 · Middle East & North AfricaProtest graphics of the Syrian uprising from 2011, made to be photographed and shared online rather than to last on a wall.
Guochao (China-Chic National Trend)2018–present · East AsiaA Chinese branding and fashion trend, usually dated from Li-Ning's 'China Li-Ning' show at New York Fashion Week in February 2018, that redraws heritage motifs as finishes for sneakers, apparel, cosmetics and museum merchandise.
Woman, Life, Freedom Protest Graphics (Iran and the Diaspora)2022–present · Middle East & North Africa, Global / networkedPosters and digital graphics made in Iran and the diaspora after Mahsa (Jina) Amini died in morality-police custody in September 2022.

Styles that often use it 31

A characteristic choice: usual in these styles, though not essential.

Styles that use it now and then 25

An occasional choice in these styles.

It often goes with

Choices that the styles making it make more often than the atlas as a whole.

Floral & vegetalin 46 of 87
Pen, brush & inkin 54 of 87
Borders & framesin 53 of 87
Typography onlyin 48 of 87
Spiritual & sacredin 48 of 87
Paper & letterpress bitein 46 of 87

Styles that avoid it

Styles that deliberately leave it out.

Other choices in typography