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Typography · Typographic treatment

Tight setting

Letters and lines crowded together, touching or overlapping.

A design choice in Stylogeny’s vocabulary, under typography: what do the letters look like, and how are they set?

styles make it: 60
as a defining choice: 7
as a usual one: 30
now and then: 23
avoid it: 1

Styles defined by it 7

For these styles it is one of the choices that make the style.

Gothic Blackletter & Fraktur Traditionc. 1180–present · Central Europe, Western Europe, Northern Europe, Southern Europe, North America, Global / networkedThe broken scripts of the Latin West.
Vyaz (Ornamental Slavonic Lettering)c. 1230–present · Eastern Europe, Southern EuropeCyrillic letters bound into one even band of ornament.
Ottoman Tughra & Dîvânî Chancery Calligraphyc. 1324–present · Middle East & North Africa, Southern Europe, Eastern Europe, South AsiaThe Ottoman sultan's calligraphic monogram and the chancery hand written beneath it.
Edo-moji Commercial Lettering (Kanteiryū, Yose-moji, Sumō-ji)1779–present · East AsiaThe fat, ink-heavy brush hands that Edo's professional sign and bill writers made for the city's entertainments: Kanteiryū for kabuki signboards and playbills from 1779, yose-moji for rakugo halls, sumō-ji for sumo ranking sheets, and squarish kago-moji for votive name slips.
Fluxus Graphics (Maciunas)1962–1978 · North America, Central Europe, Western EuropeThe house graphics George Maciunas made from 1962 until his death in 1978 for Fluxus, a network of artists who staged events and sold cheap multiples.
Phototype Expressive Typography (Lubalin & U&lc)1962–1985 · North AmericaThe display typography of the phototype era, led in New York by Herb Lubalin, his lettering partners John Pistilli, Tom Carnase and Tony DiSpigna, and the International Typeface Corporation.
Solidarność & Polish Underground Graphics1980–1989 · Eastern EuropeThe graphic language of Poland's Solidarność movement, from the August 1980 shipyard strike to the semi-free election of 4 June 1989.

Styles that often use it 30

A characteristic choice: usual in these styles, though not essential.

Styles that use it now and then 23

An occasional choice in these styles.

It often goes with

Choices that the styles making it make more often than the atlas as a whole.

Typography onlyin 41 of 60
Type as imagein 38 of 60
Horror vacuiin 41 of 60
Rotated & vertical settingin 28 of 60
Monochromein 41 of 60
Pen, brush & inkin 34 of 60

Styles that avoid it

Styles that deliberately leave it out.

Contemporary Arabic & Dual-Script Type Design2004–present

Other choices in typography