Style combination · Pairs well
Flat Design × Plakatstil
Sachplakat is the ancestor of the flat product hero; borrow its single-object discipline to sharpen app and packaging graphics.
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Flat Design Plakatstil / Sachplakat
- Type from Plakatstil
- Colour from Plakatstil
- Form from Flat Design
- Composition from Plakatstil
- Surface from Flat Design
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Plakatstil
Index
Big Shoulders, standing in for Lucian Bernhard's hand-drawn block lettering
Text · Flat Design
An interface and illustration language that stripped screens of simulated materials, replacing bevels, gloss and textures with solid fields of colour, clean sans-serif type and reduced pictograms. Formalised in Microsoft's Metro design language (Windows Phone 7, 2010) and made mainstream by Apple's iOS 7 (2013), it applied Swiss modernist reduction to responsive, touch-first screens.
Inter; Flat Design used Segoe UI and Helvetica Neue
03
The colours
The ground and leading colours come from Plakatstil, with a counter-accent from Flat Design. The ink reads on the ground at 4.5:1 or more.
Flat Design Plakatstil / Sachplakat
-
#151515ground · 36% -
#efe5cfink · 14% -
#d2382baccent · 18% -
#f1c40faccent · 14% -
#e3b23caccent · 10% -
#24418faccent · 8%
As CSS
:root {
--ground: #151515;
--ink: #efe5cf;
--accent-1: #d2382b;
--accent-2: #f1c40f;
--accent-3: #e3b23c;
--accent-4: #24418f;
--font-display: "Big Shoulders", sans-serif;
--font-text: "Inter", sans-serif;
}
04
The two styles
05
More combinations
With Flat Design
- Skeuomorphic UI Contrasts · Its direct predecessor and foil: one realistic, textured object on an otherwise flat screen becomes an instant focal point.
- Japanese Postwar Modernism Pairs well · Add the emblematic circles and calm colour fields of Japanese postwar posters to give flat screens a stronger focal image.
- Victorian Letterpress & Wood Type Contrasts · Ornamented wood type and dense rules show everything flat design removed; quote one decorative headline to warm a sterile interface.
- Isotype Pictorial Statistics Pairs well · Borrow Isotype's rows of identical counting pictograms to turn a flat icon set into honest, readable data graphics.
- Indie Pixel Art Revival Contrasts · Resolution-independent vector flatness against a deliberately coarse grid lit with glows and depth.
- Arts & Crafts Movement Contrasts · Borrow one engraved border or initial to give a flat interface a crafted, editorial moment against its vector minimalism.
- WPA Silkscreen Posters Pairs well · Its flat layered shapes translate directly to vector; use the national-park look for warm, civic flat illustration.
- Munich 1972 Olympic Design (Otl Aicher) Pairs well · Flat icon families descend from these round-headed figures; borrow a single stroke width (which, as Holt shows, the 1972 figures only approximate, since a limb built from an orthogonal and a 45-degree segment cannot keep one thickness) and the 0, 45 and 90-degree rule to keep a screen icon set coherent.
With Plakatstil
- Corporate Identity Modernism Pairs well · Its brand-name-plus-object formula prefigures logo-led identity; pair it with a modernist grid for confident product campaigns.
- Victorian Letterpress & Wood Type Contrasts · Against a crowded multi-face bill, one object and one word show how much attention reduction can win.
- Art Nouveau Contrasts · It was conceived against Jugendstil ornament; set a bare object poster beside a floral frame to dramatise clarity versus decoration.
- Basel Object Poster (Swiss Sachplakat) Contrasts · Its parent and nearest relative: Berlin's Sachplakat flattens the product into a silhouette in two to four flat colours with heavy block lettering, while Basel paints the same single object in full light and shadow, glass and tweed included. Choose Basel when the material of the product should sell it.
- Vietnamese Propaganda Poster (Tranh cổ động) Pairs well · Both reduce the message to one flat figure or object and hand-drawn words; use Plakatstil's plain ground to calm a busy red poster.
- Beggarstaffs Poster (Nicholson & Pryde) Pairs well · Bernhard and Hohlwein later made the flat silhouette and plain lettering a commercial system; Plakatstil is a later descendant, not a source.
- London Transport Design Contrasts · The Sachplakat reduced every poster to one object and a brand name, while Pick let each artist choose a different picture inside a fixed frame; use the contrast to decide between one formula and a curated plurality.
- Simplicissimus Satirical Style (Munich) Pairs well · The NDB places Heine's posters at the start of the new poster style: borrow the Sachplakat's single object and bold block lettering for a satirical poster that keeps Simplicissimus's flat silhouette and red-on-black.