Pictorial & machine age · 1937–1977 · Latin America & Caribbean
Taller de Gráfica Popular
Also known as TGP, People's Graphic Workshop
A Mexico City printmaking collective founded in 1937 around Leopoldo Méndez, Pablo O'Higgins and Luis Arenal to put art at the service of popular and anti-fascist struggles. Heir to Posada's broadsides, it produced cheap linocut, woodcut and lithographic posters, leaflets, portfolios and books: dense black-and-white images of workers, peasants and revolutionary history, often captioned with bold letterpress headlines.
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01
How it works
- Cut the image in linoleum or wood and let the gouge marks model form in bold black and white.
- Depict workers, campesinos and historical struggle as solid, monumental figures, and satirise enemies as caricatures or calaveras.
- Print cheaply and in quantity on newsprint or poster paper, adding at most one accent colour such as red.
- Pair the image with a large, direct headline or slogan in condensed letterpress or hand-cut capitals.
- Work collectively, publish as a workshop and keep the image legible to a broad, often barely literate public.
Mexico City, Mexico
02
Its design choices
From Stylogeny’s vocabulary of design choices: defining choices make the style, characteristic ones are usual, occasional ones turn up now and then.
- Layout & composition
- Space & hierarchy
- Typography
- Colour
- Form & shape
- Surface & texture
- Tone & intent
- Avoids
- Luxurious & glamorous, Pastel, Gradients, Gloss & highlights, Straight photography, Non-representational
Palette
#f0e8d6#151515#c0392b#8a6e4b#d9c39a
Typefaces
Condensed wood-type gothic headlines
Hand-cut linocut lettering
Letterpress grotesque and slab-serif captions
Known for
Leopoldo Méndez
Pablo O'Higgins
Luis Arenal
Elizabeth Catlett
Alberto Beltrán
Mariana Yampolsky
Estampas de la Revolución Mexicana
portfolio, 1947
El libro negro del terror nazi en Europa
1943
03
Make something in this style
Say what you need, and Stylogeny’s image studio draws it from Taller de Gráfica Popular’s design choices and checks it against them. It takes about a minute, and you get a link to share.
04
Where it comes from, and what it’s close to
Before it
The style it grew out of, and the styles it borrowed from.
Alike in its design choices
Styles that make many of the same choices, related or not, besides those above.
05
Real works
Artefacts in museums, libraries and archives that show the style, linked at their source.
- ¡Paremos la agresión a la clase obrera! ¡Ayude usted! A los huelguistas de Palau, Nueva Rosita y CloeteLeopoldo Méndez (Taller de Gráfica Popular) · 1950 · Princeton University Library, Graphic Arts Collection, Taller de Gráfica prints and posters (GA 2006.00244)
- Oratorio menor en la muerte de Silvestre RevueltasMariana Yampolsky (Taller de Gráfica Popular), with a poem by Pablo Neruda · 1949 · Princeton University Library, Graphic Arts Collection, Taller de Gráfica prints and posters (GA 2006.00283)
- Corrido de Diego RiveraCelia Calderón (Taller de Gráfica Popular) · 1956 · Princeton University Library, Graphic Arts Collection, Taller de Gráfica prints and posters (GA 2006.00232)
- Vida y drama de México. 20 años de vida del Taller de Gráfica PopularAlberto Beltrán · 1957 · Princeton University Library, Graphic Arts Collection, Taller de Gráfica prints and posters (GA 2006.00225)
- Libertad de expresión (Freedom of Expression)Adolfo Mexiac · 1968 · Victoria and Albert Museum, London (E.1517-2004)
06
Sources
- Helga Prignitz-Poda, El Taller de Gráfica Popular en México 1937–1977 (INBA, 1992)
- The Metropolitan Museum of Art, Leonard A. Lauder Research Center, Modern Art Index Project: 'Taller de Gráfica Popular' (metmuseum.org)
- Philip B. Meggs & Alston W. Purvis, Meggs' History of Graphic Design
How Stylogeny researches and checks a style: where the facts come from.







