Form & shape · Geometric
Optical pattern
Repeated lines and modules that vibrate or warp perception.
A design choice in Stylogeny’s vocabulary, under form & shape: what is the shape language?
- styles make it
- 29
- as a defining choice
- 4
- as a usual one
- 12
- now and then
- 13
- avoid it
- 2
Styles defined by it 4
For these styles it is one of the choices that make the style.
- Arnhem Land Bark Painting & RarrkPainting in ochres on flattened stringybark by Yolŋu, Kunwinjku, Kuninjku and other clans of Arnhem Land, carrying ceremonial designs into portable form; collected from 1912, painted through art centres since the 1970s.
Di Tella Graphic Design (Instituto Torcuato Di Tella)The in-house graphics of Buenos Aires' Instituto Torcuato Di Tella, 1960–1970, led by Juan Carlos Distéfano with Juan Andralis, Rubén Fontana, Norberto Coppola and Carlos Soler.
Op Art GraphicsA 1960s style that turned perceptual research into graphic effect: precisely drawn lines, checks, concentric rings and modular grids, usually black and white or complementaries of equal value, that seem to vibrate, swell or move.
- Mexico 68 Olympic & Metro IdentityThe graphic programme of the 1968 Mexico City Olympics and the city's first Metro line.
Styles that often use it 12
A characteristic choice: usual in these styles, though not essential.
Diné (Navajo) Weaving DesignThe tapestry-woven design tradition of Diné (Navajo) weavers, recorded in Spanish sources from the early 18th century.
- Guna MolaThe reverse-appliqué blouse panels of Guna women in Panama, made by cutting through two to seven stacked layers of cotton so that every shape is ringed by echoing bands of the colours beneath.
Brazilian Concrete DesignA São Paulo and Rio movement in which concrete art, concrete poetry and Brazil's first design offices shared one vocabulary: Max Bill's mathematically generated geometry, serial repetition and sans-serif type.
Zagreb Modernist Graphics (EXAT 51 to Teatar &TD)Zagreb graphic design grown from the EXAT 51 manifesto (1951), which tied abstract art to visual communication.
Psychedelic PosterThe concert-poster language of the 1960s counterculture, born in San Francisco's Fillmore and Avalon ballrooms and echoed in London's underground press.
Pop Achorado (Peruvian Agrarian Reform Posters)Posters for the Peruvian military government's agrarian reform, made in Lima from 1969 by Jesús Ruiz Durand and colleagues at the state's reform publicity office.
- Western Desert IconographyThe acrylic painting movement that took form at Papunya in 1971, when men there painted the Honey Ant Dreaming on the school wall and then on board, carrying an older practice of sand, body and ceremonial designs into lasting form. 'Western Desert' is an umbrella name: the movement also includes Warlpiri, Anmatyerre and Arrernte painters of the Central Desert.
- Pardhan Gond Painting (Jangarh Kalam)Painting on paper and canvas by Pardhan Gond artists of Patangarh and Bhopal, begun when Bharat Bhavan, Bhopal, recruited Jangarh Singh Shyam in 1981; the style was later named Jangarh Kalam after him.
Demoscene Graphics (Cracktros, Demos & Text-Mode Art)The graphics of the demoscene, a mainly European community of coders, graphicians and musicians that grew from the intros software crackers added to pirated Commodore 64 and Amiga games in the mid-1980s.
Torres Strait Islander LinocutRelief prints by Torres Strait Islander artists of Zenadth Kes, which grew from an Indigenous visual art course at Cairns College of TAFE by 1991 and the Mualgau Minaral collective on Mua (Moa) Island.
Generative & Dynamic IdentitiesIdentity systems designed as rules rather than fixed marks: logos and graphics generated by code, data or parameters so that they vary endlessly while staying recognisable.
Lucerne Poster Scene (Neubad & Südpol Posters)Lucerne's poster culture for small non-commercial venues (Südpol, Neubad, Treibhaus) and the Weltformat festival.
Styles that use it now and then 13
An occasional choice in these styles.
- Square Kufic (Bannāʾī)c. 1100–present
- Kōwhaiwhai & Toi Māori Design1500–present
- Vorticism & BLAST Typography1914–1920
- Wendingen & Amsterdam School Typography1918–1932
- Milanese Industrial Modernism (Olivetti, Pirelli, Studio Boggeri)1933–1975
- Cuban Revolutionary Poster (OSPAAAL & ICAIC)1960–1990
- Casablanca School Graphic Modernism1962–1987
- Gráfica del 68 (Mexican Student Movement Graphics)1968
- Glitch Art & Datamosh Graphics2001–present
- Hauntology & Ghost Box Design2004–present
- Acid Graphics / New Ugly2016–present
- Kinetic Typography & Variable Type2016–present
- Weirdcore & Dreamcore2019–present
It often goes with
Choices that the styles making it make more often than the atlas as a whole.
- Non-representationalin 21 of 29
- Pattern & repeatin 19 of 29
- All-over fieldin 17 of 29
- Repetition & rhythmin 26 of 29
- Experimental & distortedin 13 of 29
- Technological & futuristin 11 of 29
Styles that avoid it
Styles that deliberately leave it out.