Stylogeny in the style of Josef Frank and Svenskt Tenn Botanical Prints

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Craft & organic · 1934–present · Northern Europe

Josef Frank and Svenskt Tenn Botanical Prints

Also known as Josef Frank textiles, Svenskt Tenn prints, Swedish Modern floral print

The linens Josef Frank drew for Svenskt Tenn, which still prints them: invented trees, flowers, fruit and birds, even a map of Manhattan, packed edge to edge in long repeats and many clear colours, mostly on white or natural linen. The plants are outlined, stylised but recognisable, loose and asymmetric. Frank meant different patterns to be mixed in one room, against the cold purity of functionalism; his 1958 essay "Accidentism" later named the idea: rooms should look as if they had come about by chance. Unlike Marimekko's single enlarged motif, Frank keeps many small motifs and colours.

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A cream-ground illustrated poster is densely filled with winding green foliage, colorful flowers, lemons, berries, birds, spotted animals, and people relaxing in summer clothes. Red lettering reading “Sunny Days” appears near the upper right, above a small blue table with a pitcher and fruit beside a red chair.
AI-generated by Stylogeny from the style’s design choices. Not a real or historical work.

01

How it works

  • Fill the whole repeat with many small botanical motifs (invented trees, flowers, fruit, birds), so that little ground shows through.
  • Draw each plant with an outline and some inner detail, stylised but recognisable, and never reduce it to an abstract shape.
  • Print many clear colours, mostly on a white or natural linen ground left unprinted; dark or coloured grounds appear only as alternative colourways.
  • Make the repeat long and the arrangement loose and asymmetric, so the eye cannot quickly find where the pattern starts again.
  • Let an invented world carry the pattern, such as a tree that grows impossible fruit or a city laid out as a map.
  • Mix different patterns in one room or one layout, as if put together by chance, instead of matching them.

Stockholm. The Viennese architect Josef Frank (1885–1967) had founded the interiors firm Haus & Garten in Vienna in 1925 with Oskar Wlach and Walter Sobotka, and designed hand block-printed linens for it, such as Aralia around 1930. He moved to Sweden in 1933, and in 1934 Estrid Ericson hired him for Svenskt Tenn, the interiors firm she had founded in 1924. Many of the best-known prints date from his wartime years in Manhattan (Wikipedia gives 1941–46 for those textile designs): among them Manhattan (Nationalmuseum: 1943–44; LACMA: 1943–45), La Plata and Baranquilla (c. 1943–45) and Vegetable Tree (1944). Frank developed his repeats from watercolour paintings. Svenskt Tenn still prints them on linen and carries them onto goods such as trays (Vegetable Tree, Mirakel, Manhattan), so the patterns also work as the shop's graphics.

02

Its design choices

From Stylogeny’s vocabulary of design choices: defining choices make the style, characteristic ones are usual, occasional ones turn up now and then.

Layout & composition
Space & hierarchy
Typography
Colour
Form & shape
Surface & texture
Ornament
Imagery
Medium & production
Tone & intent
Avoids
Ornament-free, Non-representational, Rectilinear, Limited spot colours, Monochrome, Central symmetry, Generous white space, Rational & objective, Straight photography

Palette

  • #f4efe3
  • #c8372d
  • #2f6e45
  • #1f4f8f
  • #e3a92b
  • #d77a9a

Typefaces

  • Lettering drawn inside the repeat, such as the grey banners naming 'MANHATTAN' that run through the Manhattan print

    LACMA M.2019.49.2

  • The printed selvedge mark naming pattern, designer and maker, such as 'La Plata Komp. Av Josef Frank Svenskt Tenn Stockholm'

    RISD Museum, 2008.9.1

  • Otherwise none on the cloth

    the pattern itself carries the identity, and any text belongs on a plain panel or label beside it

Known for

  • Josef Frank, 'Vegetable Tree', designed 1944 (Cooper Hewitt's record gives Sweden; its 2014 article says New York), printed textile, Svenskt Tenn (Cooper Hewitt, Smithsonian Design Museum, gift of Svenskt Tenn, 1982-60-1)

  • Josef Frank, 'Manhattan', designed 1943–44, printed linen furnishing fabric, Svenskt Tenn AB, printed 2012

    Nationalmuseum Stockholm, NMK 195/2017

  • Josef Frank, 'Manhattan', designed 1943–45, printed linen, Svenskt Tenn, printed 2019

    map segments in red, blue and green on white with grey 'MANHATTAN' banners (LACMA, M.2019.49.2)

  • Josef Frank, 'La Plata', 1943–45, screen-printed linen, Svenskt Tenn, printed on the selvedge 'La Plata Komp. Av Josef Frank Svenskt Tenn Stockholm' (RISD Museum, 2008.9.1)

  • Josef Frank, 'Baranquilla', c. 1943–45, printed bleached linen, Svenskt Tenn

    vines, fruit, flowers and leaves in bright colours on a black ground (Cleveland Museum of Art, 1954.201)

  • Josef Frank, 'Anakreon', c. 1938, printed linen with birds and flowers, manufactured by Svenskt Tenn

    Metropolitan Museum of Art, 2010.184

  • Forerunner

    Josef Frank, 'Aralia', c. 1930, hand block-printed linen for Haus & Garten, Vienna (V&A, CIRC.823-1967)

03

Make something in this style

Say what you need, and Stylogeny’s image studio draws it from Josef Frank and Svenskt Tenn Botanical Prints’s design choices and checks it against them. It takes about a minute, and you get a link to share.

Rule out a choice, read the prompt, or blend in another style: take this brief to Mix styles.

04

Where it comes from, and what it’s close to

Before it

The style it grew out of, and the styles it borrowed from.

This style Josef Frank and Svenskt Tenn Botanical Prints 1934–present · Northern Europe

After it

The styles that grew out of it.

No later style in the atlas grew out of it yet.

Alike in its design choices

Styles that make many of the same choices, related or not, besides those above.

05

Often taken for

Josef Frank and Svenskt Tenn Botanical Prints has no real works recorded yet, so these are its nearest styles by its choices alone, with the choices that tell them apart.

  • Taiwan Floral Cloth (Huabu) 1950–present · the styles 73% alike

    Taiwan Floral Cloth is one of Josef Frank and Svenskt Tenn Botanical Prints’s nearest styles by choices; no real work of either fits the other better.

    Choices that tell Josef Frank and Svenskt Tenn Botanical Prints and Taiwan Floral Cloth apart
    Choice Josef Frank and Svenskt Tenn Botanical Prints Taiwan Floral Cloth
    Light ground defining —
    Complementary clash — characteristic
    Stylised figuration defining occasional
    Folk & sacred symbols — characteristic
    Organic flow characteristic —

    No shared descent in the atlas: they reached these choices separately.

  • Tingatinga Painting 1968–present · the styles 60% alike

    Tingatinga Painting is one of Josef Frank and Svenskt Tenn Botanical Prints’s nearest styles by choices; no real work of either fits the other better.

    Choices that tell Josef Frank and Svenskt Tenn Botanical Prints and Tingatinga Painting apart
    Choice Josef Frank and Svenskt Tenn Botanical Prints Tingatinga Painting
    Light ground defining —
    Isolated object — defining
    Naturalistic depiction occasional avoids
    Painterly illustration occasional defining
    Pattern & repeat defining occasional

    No shared descent in the atlas: they reached these choices separately.

  • AfriCOBRA 1968–present · the styles 60% alike

    AfriCOBRA is one of Josef Frank and Svenskt Tenn Botanical Prints’s nearest styles by choices; no real work of either fits the other better.

    Choices that tell Josef Frank and Svenskt Tenn Botanical Prints and AfriCOBRA apart
    Choice Josef Frank and Svenskt Tenn Botanical Prints AfriCOBRA
    Light ground defining —
    Hand-lettering occasional defining
    Floral & vegetal defining —
    Angular & zigzag — characteristic
    Naturalistic depiction occasional avoids

    No shared descent in the atlas: they reached these choices separately.

  • Kanoon Children's Book Illustration (Iran, 1965 to 1979) 1965–1979 · the styles 59% alike

    Kanoon Children's Book Illustration is one of Josef Frank and Svenskt Tenn Botanical Prints’s nearest styles by choices; no real work of either fits the other better.

    Choices that tell Josef Frank and Svenskt Tenn Botanical Prints and Kanoon Children's Book Illustration apart
    Choice Josef Frank and Svenskt Tenn Botanical Prints Kanoon Children's Book Illustration
    All-over field defining —
    Folk & sacred symbols — defining
    Abundant decoration defining —
    Sequential narrative — defining
    Horror vacui defining —

    Both descend from Renaissance Book Typography in the family tree.

— means the choice isn’t among the style’s recorded choices. Critics recorded each work’s choices with the styles’ descriptions in view, so this shows whether the descriptions hold together, not proof that they are right.

06

Combine it with

Styles Josef Frank and Svenskt Tenn Botanical Prints pairs well with or plays against, from the research. Each is worked out as a combination: which style gives the type, the colours and the forms.

Every style combination