Stylogeny in the style of Swedish Painted Wall Hangings (Dalmålning, Bonadsmålning and Kurbits)

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Traditions & vernacular · 1750–present · Northern Europe

Swedish Painted Wall Hangings (Dalmålning, Bonadsmålning and Kurbits)

Also known as Dalmålning (Dalecarlian painting), Bonadsmålning (South Swedish bonad painting), Kurbits, Rosmålning

Rural Swedish wall hangings painting biblical scenes, figures in local costume, freehand in bright flat colour on cloth or paper. Two distinct schools are merged: Dalarna dalmålning, where swelling kurbits bouquets fill the gaps, and South Swedish bonad painting (Småland, Halland). Motifs came from German and French prints and figure bibles; no atlas style fits as parent. Flourishing c. 1750–1850, it survives as a revived Swedish design motif.

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A sample layout drawn from the style’s design choices, until its AI image is made.

01

How it works

  • Paint biblical stories as friezes of stylised figures in local 18th-century dress and farmsteads.
  • In Dalarna work, fill the gaps between figures with kurbits, scrolls and flowers.
  • Lay bright flat colour freehand on a pale cloth or paper ground, leaving the brush visible.
  • Frame scenes in painted borders and panels, and add hand-lettered captions or dates where text is used.
  • Copy and adapt figure bibles and cheap prints rather than invent new compositions.

Rural Sweden: dalmålare in Dalarna (Rättvik painting from the 1760s, kurbits from about 1780-90) and bonad painters in Småland, Halland and Västergötland painted wall hangings on cloth and, by the late 1700s, paper for farmhouses

02

Its design choices

From Stylogeny’s vocabulary of design choices: defining choices make the style, characteristic ones are usual, occasional ones turn up now and then.

Layout & composition
Space & hierarchy
Typography
Colour
Form & shape
Surface & texture
Ornament
Imagery
Medium & production
Tone & intent
Avoids
Modular grid, Generous white space, Grotesque & neo-grotesque, Monochrome, Gloss & highlights, Carved line, Ornament-free, Straight photography, Offset printing, Rational & objective

Palette

  • #f1e6cc
  • #b3261e
  • #2f5d8a
  • #3f7a3f
  • #e0a82e
  • #2b2118

Typefaces

  • Painted hand-lettered captions

    where present

  • Painted hand-lettered dates

    where present

Known for

  • Back Olof Andersson, Björ Anders Hansson and Mats Persson Stadig, Dalarna wall hangings

    late 1700s to early 1800s

  • Winter Carl Hansson, kurbits paintings at Danielsgården, Bingsjö

    about 1800

  • Johannes Nilsson, South Swedish bonad paintings

    Gyltige, Halland

  • Sven Nilsson of the Sunnerbo school

    dated bonad 1875, the youngest recorded

  • Bårarydsbonaden, dated 1714

    Borås museum

  • Bonad collections of Varbergs museum, Smålands museum (Växjö) and Bonadsmuseet, Unnaryd

03

Make something in this style

Say what you need, and Stylogeny’s image studio draws it from Swedish Painted Wall Hangings (Dalmålning, Bonadsmålning and Kurbits)’s design choices and checks it against them. It takes about a minute, and you get a link to share.

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04

Where it comes from, and what it’s close to

Before it

The style it grew out of, and the styles it borrowed from.

Nothing earlier is recorded: in the atlas it is a starting point.

This style Swedish Painted Wall Hangings (Dalmålning, Bonadsmålning and Kurbits) 1750–present · Northern Europe

After it

The styles that grew out of it.

No later style in the atlas grew out of it yet.

Alike in its design choices

Styles that make many of the same choices, related or not, besides those above.

05

Often taken for

Swedish Painted Wall Hangings has no real works recorded yet, so these are its nearest styles by its choices alone, with the choices that tell them apart.

  • Dhaka Rickshaw Painting 1950–present · the styles 79% alike

    Dhaka Rickshaw Painting is one of Swedish Painted Wall Hangings’s nearest styles by choices; no real work of either fits the other better.

    Choices that tell Swedish Painted Wall Hangings and Dhaka Rickshaw Painting apart
    Choice Swedish Painted Wall Hangings Dhaka Rickshaw Painting
    Sequential narrative defining —
    Gloss & highlights avoids occasional
    Flat fields defining occasional
    Fluorescent & neon — characteristic
    Light ground characteristic —

    No shared descent in the atlas: they reached these choices separately.

  • Egyptian Revolutionary Street Art (Mohamed Mahmoud Murals) 2011–2014 · the styles 67% alike

    Egyptian Revolutionary Street Art is one of Swedish Painted Wall Hangings’s nearest styles by choices; no real work of either fits the other better.

    Choices that tell Swedish Painted Wall Hangings and Egyptian Revolutionary Street Art apart
    Choice Swedish Painted Wall Hangings Egyptian Revolutionary Street Art
    Floral & vegetal defining —
    Monochrome avoids occasional
    Abundant decoration defining occasional
    Earth & mineral — characteristic
    Biomorphic curves characteristic —

    No shared descent in the atlas: they reached these choices separately.

  • Mithila (Madhubani) Painting c. 1350–present · the styles 67% alike

    Mithila Painting is one of Swedish Painted Wall Hangings’s nearest styles by choices; no real work of either fits the other better.

    Choices that tell Swedish Painted Wall Hangings and Mithila Painting apart
    Choice Swedish Painted Wall Hangings Mithila Painting
    Painterly brushwork defining —
    Line illustration — defining
    Sequential narrative defining occasional
    Flat — defining
    Flat hierarchy characteristic —

    No shared descent in the atlas: they reached these choices separately.

  • Fileteado Porteño 1890–present · the styles 64% alike

    Fileteado Porteño is one of Swedish Painted Wall Hangings’s nearest styles by choices; no real work of either fits the other better.

    Choices that tell Swedish Painted Wall Hangings and Fileteado Porteño apart
    Choice Swedish Painted Wall Hangings Fileteado Porteño
    Flat fields defining —
    Whiplash line — defining
    Sequential narrative defining —
    Central symmetry — defining
    Light ground characteristic —

    No shared descent in the atlas: they reached these choices separately.

— means the choice isn’t among the style’s recorded choices. Critics recorded each work’s choices with the styles’ descriptions in view, so this shows whether the descriptions hold together, not proof that they are right.