Style combination · Pairs well
Op Art Graphics × PC Music Graphics
Borrow vibrating line patterns, as Month of Mayhem did, to make a glossy object shimmer on a spinning record or a screen.
Mix them and make something Op Art Graphics PC Music Graphics
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Op Art Graphics PC Music Graphics
- Type from Op Art Graphics
- Colour from Op Art Graphics
- Form from Op Art Graphics
- Composition from PC Music Graphics
- Surface from PC Music Graphics
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Text · PC Music Graphics
The release artwork of London's PC Music label (2013-2023) and its immediate circle (Diamond Wright, Sophie, Timothy Luke): early hyperpop that treats a song as a polished synthetic product, not the later glitchy, maximalist hyperpop. One object, often a 3D render or a retouched portrait, gleams on a plain ground: plastic, milled aluminium, a pink capsule, a blue disc. Ideas are taken literally and pushed until strange, with puns on brands and computer culture. Dazed called the look 'bouncy, shiny, commercial, plastic, unnatural, metallic'.
Inter; PC Music Graphics used Custom display lettering after Rudolf Koch and Berthold Wolpe, with a Renaissance, woodcut feel and Comic Sans and other early-web system defaults, quoted knowingly
03
The colours
The ground and leading colours come from Op Art Graphics, with a counter-accent from PC Music Graphics. The ink reads on the ground at 4.5:1 or more.
Op Art Graphics PC Music Graphics
-
#ffffffground · 36% -
#0a0a0aink · 14% -
#e3001baccent · 18% -
#0050b5accent · 14% -
#ff9ccfaccent · 10% -
#00a651accent · 8%
As CSS
:root {
--ground: #ffffff;
--ink: #0a0a0a;
--accent-1: #e3001b;
--accent-2: #0050b5;
--accent-3: #ff9ccf;
--accent-4: #00a651;
--font-display: "Monoton", sans-serif;
--font-text: "Inter", sans-serif;
}
04
The two styles
05
More combinations
With Op Art Graphics
- Brazilian Concrete Design Pairs well · Start from concrete design's calm serial module, then introduce op distortions in one zone for controlled movement.
- Generative & Dynamic Identities Pairs well · Code op's progressive line modulation so an identity can animate and vary while staying perceptually striking.
- Ma & Wabi-sabi Aesthetics Contrasts · Wabi-sabi's quiet irregular textures are the antithesis of mechanical vibration; give one op element plenty of calm space to avoid visual fatigue.
- Psychedelic Poster Pairs well · Psychedelic posters borrowed op's vibrating colour edges; combine precise line fields with melting lettering for kinetic music graphics.
- Zagreb Modernist Graphics (EXAT 51 to Teatar &TD) Pairs well · The New Tendencies shows in Zagreb were one of op art's sources; take op's vibrating line fields and hold them inside Picelj's square module and small lowercase credit line for a gallery poster that stays systematic.
- Finnish Bold Print (Marimekko Modernism) Contrasts · Both fill a field edge to edge with one repeated module in the 1960s, but op art's ruled precision makes the eye vibrate while Finnish bold print keeps hand-cut edges and calm flat shapes; choose between perceptual shock and relaxed joy.
- Di Tella Graphic Design (Instituto Torcuato Di Tella) Pairs well · The CLAEM programmes and the Premio Di Tella 64 poster already speak Op; run one heavy grotesque title through an optical field, as Distéfano did, for an event that should vibrate.
- 2 Tone Graphics Pairs well · Let the checkerboard carry optical energy as border and ground around a flat figure.
With PC Music Graphics
- Hipgnosis Photographic Concept Sleeve Contrasts · Both take an idea literally and push it until it turns strange, but Hipgnosis staged it in a real place with a camera, while PC Music renders a synthetic product on a blank field.
- Vaporwave Contrasts · Both are ironic about consumer culture, but vaporwave collages faded pastel ruins of the 1990s, while PC Music renders one pristine new product.
- Glitch Art & Datamosh Graphics Contrasts · Later hyperpop and glitchcore lean on glitchy, cluttered, datamoshed edits that corrupt the image; PC Music keeps the surface flawless.
- Acid Graphics / New Ugly Contrasts · Neighbours in the late 2010s club scene, but acid graphics crowd chrome, blackletter and neon on black, where PC Music isolates one clean object on a plain field.
- Kawaii Design Pairs well · Add kawaii's cute characters and pink to the label's plastic packshots for its bubblegum, Hannah Diamond side.
- Y2K Futurism Contrasts · Same chrome, gloss and 3D renders, but Y2K believed in the millennium's technology; PC Music quotes the gloss as a product with a straight face and a pun.
- Gabber and Hardcore Graphics (Rotterdam and Thunderdome) Contrasts · Glossy chrome and loud colour appear in both, but hardcore keeps them aggressive where hyperpop makes them sugary.