Style combination · Pairs well

Op Art Graphics × Psychedelic Poster

Psychedelic posters borrowed op's vibrating colour edges; combine precise line fields with melting lettering for kinetic music graphics.

From the research on Op Art Graphics

Mix them and make something Op Art Graphics Psychedelic Poster

A sample layout drawn from the recipe: shapes from Psychedelic Poster, their arrangement from Op Art Graphics, the finish from Op Art Graphics. Not a real work, and not an image of either style.

What each style brings

Each part of the design comes from the style with the stronger say in it, and each style gives at least two.

Op Art Graphics Psychedelic Poster

Type from Psychedelic Poster: Hand-lettering
Experimental & distorted
Colour from Op Art Graphics: Monochrome
Complementary clash
Form from Psychedelic Poster: Whiplash line
Abundant decoration
Composition from Op Art Graphics: All-over field
Repetition & rhythm
Surface from Op Art Graphics: Flat

The type

Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.

Display · Psychedelic Poster

Circuit

Federant, standing in for Arnold Böcklin

Text · Op Art Graphics

A 1960s style that turned perceptual research into graphic effect: precisely drawn lines, checks, concentric rings and modular grids, usually black and white or complementaries of equal value, that seem to vibrate, swell or move. Rooted in Bauhaus form teaching through Vasarely and Albers and popularised by MoMA's 1965 'The Responsive Eye', it spread quickly into posters, record sleeves, fashion textiles and identities such as Mexico 68.

Jost; Op Art Graphics used Mexico 68 multiline lettering and Futura

The colours

The ground and leading colours come from Op Art Graphics, with a counter-accent from Psychedelic Poster. The ink reads on the ground at 4.5:1 or more.

Op Art Graphics Psychedelic Poster

#ffffff ground · 36%
#0a0a0a ink · 14%
#e3001b accent · 18%
#ff6a13 accent · 14%
#0050b5 accent · 10%
#e4007c accent · 8%

As CSS

:root {
  --ground: #ffffff;
  --ink: #0a0a0a;
  --accent-1: #e3001b;
  --accent-2: #ff6a13;
  --accent-3: #0050b5;
  --accent-4: #e4007c;
  --font-display: "Federant", sans-serif;
  --font-text: "Jost", sans-serif;
}

The two styles

Alternating red and white curved stripes fill the poster, swelling and pinching into a repeating optical illusion of bulges and tunnels. The word “PULSE” appears in tall, multiline red lettering near the center.

1960–1975 · Global / networked Op Art Graphics A 1960s style that turned perceptual research into graphic effect: precisely drawn lines, checks, concentric rings and modular grids, usually black and white or complementaries of equal value, that seem to vibrate, swell or move. Rooted in Bauhaus form teaching through Vasarely and Albers and popularised by MoMA's 1965 'The Responsive Eye', it spread quickly into posters, record sleeves, fashion textiles and identities such as Mexico 68.

A vividly coloured psychedelic illustration shows a giant mushroom with an eye beneath its cap, surrounded by smaller mushrooms, flowing rainbow bands, and stars. A sun and crescent moon with faces flank the central mushroom beneath large, wavy lettering reading “TRIPTIDE.”

1965–1973 · North America, Western Europe Psychedelic Poster The concert-poster language of the 1960s counterculture, born in San Francisco's Fillmore and Avalon ballrooms and echoed in London's underground press. Hand-drawn letters melt and swell to fill whole shapes, Art Nouveau and Vienna Secession curves are revived at hallucinatory intensity, and vibrating complementary or fluorescent colours make reading a slow, immersive act.

More combinations

With Op Art Graphics

All 16 combinations with Op Art Graphics

With Psychedelic Poster

All 19 combinations with Psychedelic Poster

Every style combination