Style combination · Pairs well
Out-of-Square Hangul Typography × Korean Webtoon Graphics
Set the series title and the big sound words in out-of-square Hangul, whose syllables hang from one top line and vary in height, to give a webtoon a Korean typographic voice of its own.
Mix them and make something Out-of-Square Hangul Typography Korean Webtoon Graphics
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Out-of-Square Hangul Typography Korean Webtoon Graphics
- Type from Out-of-Square Hangul Typography
- Colour from Out-of-Square Hangul Typography
- Form from Out-of-Square Hangul Typography
- Composition from Korean Webtoon Graphics
- Surface from Korean Webtoon Graphics
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Out-of-Square Hangul Typography
Yay!
Syne; Out-of-Square Hangul Typography used Ahn Sang-soo typeface and Isang-che, Mir-che and Mano-che
Text · Korean Webtoon Graphics
The full-colour, vertical-scroll comic that Korean web portals made standard in the 2000s and smartphone apps took worldwide. Each episode is one column read by scrolling: panels come one at a time, spaced by long gutters of white, black or tinted ground that pace time, suspense and reveals. Clean line art, cel shading, airbrushed glows and 3D-assisted backgrounds carry the story, with typeset dialogue in rounded balloons and drawn sound words, often out in the gutter.
Comic Neue; Korean Webtoon Graphics used Comic font in rounded balloons and Drawn sound words out in the gutter
03
The colours
The ground and leading colours come from Out-of-Square Hangul Typography, with a counter-accent from Korean Webtoon Graphics. The ink reads on the ground at 4.5:1 or more.
Out-of-Square Hangul Typography Korean Webtoon Graphics
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#f5f3eeground · 36% -
#111111ink · 14% -
#f2c12eaccent · 18% -
#3d8bfdaccent · 14% -
#d7261eaccent · 10% -
#ff7aa8accent · 8%
As CSS
:root {
--ground: #f5f3ee;
--ink: #111111;
--accent-1: #f2c12e;
--accent-2: #3d8bfd;
--accent-3: #d7261e;
--accent-4: #ff7aa8;
--font-display: "Syne", sans-serif;
--font-text: "Comic Neue", cursive;
}Use it with care
Korean Webtoon Graphics: Series characters and artwork, such as those of Tower of God, Solo Leveling or Lore Olympus, belong to their creators and platforms; draw original characters, and do not trace or closely copy a working artist's panels or signature look. Korean webtoon creators have opposed AI-generated webtoon art: from 2 May 2023 some 60 'AI Webtoon Boycott' strips filled Naver Webtoon's Challenge Comics section for amateurs, and over 200 cartoonists said on social media that they would join, calling AI that learns without the original creators' permission theft. Label generated images as AI-made and never present them as a webtoon artist's work.
04
The two styles
05
More combinations
With Out-of-Square Hangul Typography
- International Typographic Style Pairs well · Place a modular out-of-square headline on a strict Swiss grid so the hanging, irregular syllables read as deliberate against an ordered page.
- Emigre & Early Digital Type Pairs well · Both turned a constructed alphabet into a magazine laboratory in the 1980s; set an Emigre-era Latin face beside an out-of-square Hangul face for a bilingual experimental spread.
- Chaekgeori & Minhwa Screen Painting Pairs well · Munjado builds a character from pictures and out-of-square Hangul builds pictures from letters; combine them for a Korean identity that spans folk painting and modern type.
- Hong Kong Neon & Beiwei Shop-Sign Lettering Contrasts · Beiwei's chisel-edged, stele-derived brush script is the opposite of monoline geometric jamo; set the two side by side to show calligraphic against constructed East Asian lettering.
- Roman-like Thai Typography (modern loopless Thai) Pairs well · Both modernise an Asian script by dropping a defining convention, the square cell in Hangul and the head loop in Thai; set them together for a pan-Asian modern type specimen or festival identity.
- Seoul Independent Graphic Design (Small-Studio Scene) Pairs well · Ahn Sang-soo freed Hangul from the square in 1985, and Sulki & Min have gone further back, to Cho Young-jae's 1976 proposal to restructure Hangul for typewriters, a study they say has rarely been discussed with the depth it deserves, and to the origins of unsquared Hangul; set a hanging, de-squared headline in a centred one-colour poster to join the generations.
- Korean Commercial Calligraphy (Kaelligeurapi) Contrasts · Both free Hangul from the equal square, but Ahn Sang-soo constructs monoline jamo as a reusable typeface while kaelligeurapi writes each word once with the brush; choose between a system and a signature.
- Newtro (Korean New-Retro) Contrasts · Set the modernist, geometric de-squared Hangul of Ahn Sang-soo against newtro's revived brush and cursive label lettering to show two ideas of fashionable Hangul.
With Korean Webtoon Graphics
- Pop Art Graphics Contrasts · Pop froze a single comic panel and blew up its Ben-Day dots and off-register inks; the webtoon keeps the sequence, drops the print screen for smooth digital colour and lets the scroll do the drama.
- Kawaii Design Pairs well · For a slice-of-life or children's strip, give the webtoon's stacked panels kawaii's round, pastel characters and rounded type, keeping the long white gutters for comic timing.
- Lianhuanhua Picture-Story Books Contrasts · Both are picture stories for a mass readership, but lianhuanhua frames one monochrome line drawing per pocket-book page with a caption below; switch to the webtoon when the story should run as one full-colour column with the gutter, not the page turn, setting the pace.
- Superflat Contrasts · Both grow from East Asian comics, but Superflat spreads cartoon figures across one flat, crowded plane while the webtoon gives one beat per screen, cinematic depth and a lot of empty gutter.
- Story Manga (Postwar Japanese Comics) Contrasts · The Korean webtoon turned manhwa, Korean comics shaped in part by Japanese manga, into a single full-colour scroll column with long empty gutters, first on PC portals and then on phones; return to story manga for a printed spread of black-and-white panels read right to left, with screentone and panels that bleed and break.
- Burmese Parabaik Painting (Konbaung Folding Books) Pairs well · A parabaik is a continuous strip read panel by panel; turn its horizontal concertina into a vertical scroll and keep the caption band under each scene for a long-form story.
- Chat Reaction-Sticker Cartooning (LINE) Pairs well · Both are app-native character cartooning; webtoon sequences scenes, stickers compress a scene into one beat.
- Visual Novel Graphics (Sprites, Backgrounds and Textbox UI) Contrasts · Scroll-driven panels against click-driven screens: the same drawn figures, opposite pacing.