Stylogeny combining Glitch Art × Brutalist Web Design

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Style combination · Pairs well

Glitch Art × Brutalist Web Design

Both put the machinery on show; set corrupted images on a raw-HTML page of default fonts so the code and the broken pictures make one argument about the medium.

From the research on Glitch Art & Datamosh Graphics

Mix them and make something Glitch Art Brutalist Web Design

LoudLoudLoudGlitch Art × Brutalist Web Design2001 · 2014
A sample layout drawn from the recipe: shapes from Brutalist Web Design, their arrangement from Glitch Art, the finish from Glitch Art. Not a real work, and not an image of either style.

01

What each style brings

Each part of the design comes from the style with the stronger say in it, and each style gives at least two.

Glitch Art & Datamosh Graphics Brutalist Web Design

Type from Brutalist Web Design
Colour from Brutalist Web Design
Form from Brutalist Web Design
Composition from Glitch Art
Surface from Glitch Art

02

The type

Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.

Display · Brutalist Web Design

Loud

Newsreader; Brutalist Web Design used Times New Roman and Courier New and system monospace

Text · Glitch Art

An art and design practice that makes digital failure the picture. Artists deliberately corrupt image and video files or short-circuit hardware: they edit a JPEG's bytes (databending), delete a video's keyframes so one shot smears into the next (datamoshing) or sort pixels into streaks. Compression blocks, torn scanlines, shifted colour channels and raw code replace drawing, and the colour comes from the fault. Rosa Menkman and GLI.TC/H framed it as a critique of seamless technology; designers took it onto record sleeves and fonts, music videos onto MTV in 2009, and it became a stock filter.

Space Mono; Glitch Art used Raw file bytes opened as text (databending in a text editor) and Operating-system interface fonts caught in error messages and cascading windows, as in JODI's My%Desktop

03

The colours

The ground and leading colours come from Brutalist Web Design, with a counter-accent from Glitch Art. The ink reads on the ground at 4.5:1 or more.

Glitch Art & Datamosh Graphics Brutalist Web Design

  • #ffffff ground · 36%
  • #000000 ink · 14%
  • #ff0000 accent · 18%
  • #ff00ff accent · 14%
  • #0000ee accent · 10%
  • #00e5ff accent · 8%

As CSS

:root {
  --ground: #ffffff;
  --ink: #000000;
  --accent-1: #ff0000;
  --accent-2: #ff00ff;
  --accent-3: #0000ee;
  --accent-4: #00e5ff;
  --font-display: "Newsreader", serif;
  --font-text: "Space Mono", monospace;
}

Use it with care

Glitch Art & Datamosh Graphics: Glitch video and animated glitch effects often flicker: keep flashes to three or fewer in any one second, and be stricter with saturated red, to meet WCAG 2.3.1 and protect people with photosensitive epilepsy. Datamoshing and databending usually start from someone else's footage or photographs, so clear the rights before corrupting them for commercial work. When a datamosh or pixel-sort look follows a particular artist's process, credit it; the 2009 music videos overtook the artists who developed the technique.

05

More combinations

With Glitch Art

All 15 combinations with Glitch Art

With Brutalist Web Design

All 14 combinations with Brutalist Web Design

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