Style combination · Pairs well
Flat Design × WPA Silkscreen Posters
Its flat layered shapes translate directly to vector; use the national-park look for warm, civic flat illustration.
Mix them and make something Flat Design WPA Silkscreen Posters
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Flat Design WPA Silkscreen Posters
- Type from Flat Design
- Colour from WPA Silkscreen Posters
- Form from Flat Design
- Composition from WPA Silkscreen Posters
- Surface from Flat Design
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Text · WPA Silkscreen Posters
Posters made by the Federal Art Project of the Works Progress Administration to promote health campaigns, education, theatre, travel and the national parks during the Depression. Unemployed artists adapted commercial silkscreen to print runs by hand, which gave the work its flat, opaque layered colour, simplified stylised forms and clear geometric lettering in a public-service voice.
Jost; WPA Silkscreen Posters used Hand-cut stencil lettering in geometric sans-serif capitals and Futura (Paul Renner, 1927) and similar geometric sans-serifs
03
The colours
The ground and leading colours come from WPA Silkscreen Posters, with a counter-accent from Flat Design. The ink reads on the ground at 4.5:1 or more.
Flat Design WPA Silkscreen Posters
-
#efe6cfground · 36% -
#222222ink · 14% -
#c8622daccent · 18% -
#f1c40faccent · 14% -
#d9a441accent · 10% -
#3d5a7aaccent · 8%
As CSS
:root {
--ground: #efe6cf;
--ink: #222222;
--accent-1: #c8622d;
--accent-2: #f1c40f;
--accent-3: #d9a441;
--accent-4: #3d5a7a;
--font-display: "Inter", sans-serif;
--font-text: "Jost", sans-serif;
}
04
The two styles
05
More combinations
With Flat Design
- Skeuomorphic UI Contrasts · Its direct predecessor and foil: one realistic, textured object on an otherwise flat screen becomes an instant focal point.
- Japanese Postwar Modernism Pairs well · Add the emblematic circles and calm colour fields of Japanese postwar posters to give flat screens a stronger focal image.
- Victorian Letterpress & Wood Type Contrasts · Ornamented wood type and dense rules show everything flat design removed; quote one decorative headline to warm a sterile interface.
- Isotype Pictorial Statistics Pairs well · Borrow Isotype's rows of identical counting pictograms to turn a flat icon set into honest, readable data graphics.
- Indie Pixel Art Revival Contrasts · Resolution-independent vector flatness against a deliberately coarse grid lit with glows and depth.
- Arts & Crafts Movement Contrasts · Borrow one engraved border or initial to give a flat interface a crafted, editorial moment against its vector minimalism.
- Munich 1972 Olympic Design (Otl Aicher) Pairs well · Flat icon families descend from these round-headed figures; borrow a single stroke width (which, as Holt shows, the 1972 figures only approximate, since a limb built from an orthogonal and a 45-degree segment cannot keep one thickness) and the 0, 45 and 90-degree rule to keep a screen icon set coherent.
- Ligne Claire (Franco-Belgian Clear Line) Pairs well · Flat, unshaded fields translate directly to screen; add ligne claire's even outline and documented settings to flat UI illustration for scenes with more narrative and character, keeping ligne claire's perspective, which flat design avoids.
With WPA Silkscreen Posters
- Psychedelic Poster Contrasts · Calm, legible public information versus deliberate optical overload; choose WPA clarity when a message must reach everyone.
- Risograph & Indie Print Culture Pairs well · Both layer a few opaque inks; borrow WPA's stylised landscapes and plain messages for contemporary riso posters.
- Socialist Realist Propaganda Poster Pairs well · Both mobilised a 1930s public with state-funded posters; add socialist realism's heroic low-angle figures to WPA's flat silkscreen colour when a civic campaign needs more urgency.
- Australian Travel Poster (ANTA Era) Contrasts · The Federal Art Project also made travel and national-park posters in the 1930s, but in flat, layered screenprint for public programmes; set them side by side to choose between commercial painted lithography and a few opaque public-service inks.
- Australian Poster Collective Screenprints Pairs well · An earlier public-service silkscreen tradition; combine its calm stencil figures with the collectives' fluoro colour and puns.
- Early Turkish Republican Graphic Design Pairs well · Both are 1930s state-backed poster programmes for public institutions and tourism; combine WPA silkscreen flatness with Görey's modelled figures for civic campaigns.
- Estado Novo Folk Modernism (SPN) Pairs well · Both turned 1930s state poster programmes toward the rural and the regional; borrow WPA's flat layered landscapes and add SPN heraldry for regional tourism or heritage pieces.
- Harlem Renaissance Graphic Art Pairs well · Douglas's 1934 murals were New Deal commissions; pair his silhouettes with WPA screenprint layouts for civic, narrative posters.