Style combination · Contrasts
Early Web Vernacular × Flash-Era Web Design
The amateur HTML page with default fonts and tiled clutter is what the controlled, one-piece Flash stage set out to replace.
Mix them and make something Early Web Vernacular Flash-Era Web Design
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Early Web Vernacular Flash-Era Web Design (Flash Portfolio Sites)
- Type from Early Web Vernacular
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Flash-Era Web Design avoids transitional serif: this is where the two pull against each other, which is the point of the contrast.
- Colour from Early Web Vernacular
- Form from Flash-Era Web Design
- Composition from Flash-Era Web Design
- Surface from Early Web Vernacular
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Flash-Era Web Design avoids grain & noise: this is where the two pull against each other, which is the point of the contrast.
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Text · Flash-Era Web Design
Websites built as one designed Flash movie (a plug-in in the browser) rather than as HTML pages: a fixed-size stage, often dark, entered through a preloader and an animated intro with sound. Inside, navigation is a console of framed panels on a visible technical grid, with hairline rules, numbered sections and readouts, tiny aliased pixel fonts in tracked capitals, a grey or navy key lit by one hot accent, metallic gradients and 3D renders. Menus zoom, slide and react to the mouse. Its experimental wing, from praystation to yugop.com's white page, made the site a field for code-driven play.
VT323; Flash-Era Web Design used Silkscreen (Jason Kottke), a free pixel face for 'extremely small graphical display type', meant for nav bars, menus and captions at 8 pt multiples with anti-aliasing off and Miniml pixel fonts, used on the Favourite Website Awards site
03
The colours
The ground and leading colours come from Early Web Vernacular, with a counter-accent from Flash-Era Web Design. The ink reads on the ground at 4.5:1 or more.
Early Web Vernacular Flash-Era Web Design (Flash Portfolio Sites)
-
#000080ground · 36% -
#00ff00ink · 14% -
#0000ffaccent · 18% -
#ff6a00accent · 14% -
#ff00ffaccent · 10% -
#9bd31caccent · 8%
As CSS
:root {
--ground: #000080;
--ink: #00ff00;
--accent-1: #0000ff;
--accent-2: #ff6a00;
--accent-3: #ff00ff;
--accent-4: #9bd31c;
--font-display: "Newsreader", serif;
--font-text: "VT323", monospace;
}
04
The two styles
05
More combinations
With Early Web Vernacular
- Vaporwave Pairs well · Vaporwave already mines this archive; combine tiled backgrounds and default fonts with its pastel 3D for nostalgic net art.
- Material Design Contrasts · Material's systematic spacing and elevation are everything the amateur web lacked; use it as the ‘after’ to this ‘before’.
- International Typographic Style Contrasts · A single centred Comic Sans headline on a Swiss grid makes a sharp, funny statement about taste and authority.
- Brutalist Web Design Pairs well · Drop the GIFs but keep raw HTML defaults and visible structure for a contemporary, knowingly unpolished site.
- Media-Player & Desktop Skins (Winamp-Era Skinning) Pairs well · The same amateur, communal web of the late 1990s; pair a skin with a fan homepage for a full period set.
- Weirdcore & Dreamcore Pairs well · Frame a weirdcore still in an old browser window, a default dialog box or a low-resolution GIF to make its debt to the amateur early web explicit; keep the window empty rather than crowding it with the early web's badges and counters.
- Flash Vector Cartoon (Newgrounds-Era Web Animation) Pairs well · Its native habitat: put the cartoon in a cluttered portal page of banners and visitor counters for the full dial-up context.
- Japanese Dense Web Design Contrasts · This grew from the early web's link directories and table layouts, but the early web was amateur bricolage on dark tiled grounds, while this is a professional convention on white in system gothics; borrow its column discipline to tame a GeoCities pastiche.
With Flash-Era Web Design
- Fantasy User Interface (FUI) & Sci-Fi HUD Pairs well · The film HUD shares its hairlines and tracked caps on black; borrow its radial readouts for a Flash-style console, but keep the stage navigable.
- Flash Vector Cartoon (Newgrounds-Era Web Animation) Contrasts · Made in the same tool at the same time, but the cartoon is bright, loose and character-led, where the portfolio site is dark, gridded and abstract.
- Brutalist Web Design Contrasts · Raw, static HTML defaults against the fully art-directed animated stage.
- Media-Player & Desktop Skins (Winamp-Era Skinning) Pairs well · The skinned player shares the era's chrome bevels, pixel-font readouts and dark consoles; its LCD panels sit naturally on a Flash stage.
- Frutiger Aero Contrasts · The glossy era that followed swapped the dark gunmetal console for light, glossy, rounded interfaces.
- International Typographic Style Pairs well · Manovich called the Flash generation a new modernism of pixel-thin grids; a strict Swiss grid steadies the panels and readouts.