Stylogeny combining Czech Poetist Book Design × Risograph

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Style combination · Pairs well

Czech Poetist Book Design × Risograph

Two-colour riso and found photographs recreate the red-and-black montage covers cheaply and with the same playful immediacy.

From the research on Czech Poetist Book Design (Devětsil)

Mix them and make something Czech Poetist Book Design Risograph

HelloCzech Poetist × Risograph1922 · 2008
A sample layout drawn from the recipe: shapes from Czech Poetist Book Design, their arrangement from Czech Poetist Book Design, the finish from Risograph. Not a real work, and not an image of either style.

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What each style brings

Each part of the design comes from the style with the stronger say in it, and each style gives at least two.

Czech Poetist Book Design (Devětsil) Risograph & Indie Print Culture

Type from Czech Poetist Book Design
Colour from Risograph
Form from Czech Poetist Book Design
Composition from Czech Poetist Book Design
Surface from Risograph

02

The type

Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.

Display · Czech Poetist Book Design

Hello

Inter Tight, standing in for Jobbing grotesque capitals from Prague print shops

Text · Risograph

A contemporary culture of zines, art books, posters and prints made on Japanese Risograph stencil duplicators, whose soy-based spot inks (fluorescent pink, yellow, blue, teal) are laid down one drum at a time. Designers embrace the machine's limits: translucent overprints, slight misregistration, grainy coverage and coarse halftones give flat illustration and type a warm, handmade vibrancy at low cost.

Inter; Risograph used Neo-grotesques set large and Monospace and typewriter faces

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The colours

The ground and leading colours come from Risograph, with a counter-accent from Czech Poetist Book Design. The ink reads on the ground at 4.5:1 or more.

Czech Poetist Book Design (Devětsil) Risograph & Indie Print Culture

  • #f4f1ea ground · 36%
  • #3255a4 ink · 14%
  • #ff48b0 accent · 18%
  • #e9b52c accent · 14%
  • #f15060 accent · 10%
  • #d22f22 accent · 8%

As CSS

:root {
  --ground: #f4f1ea;
  --ink: #3255a4;
  --accent-1: #ff48b0;
  --accent-2: #e9b52c;
  --accent-3: #f15060;
  --accent-4: #d22f22;
  --font-display: "Inter Tight", sans-serif;
  --font-text: "Inter", sans-serif;
}

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The two styles

A retro travel poster reading “SOLAR TRIP” combines a large black-and-white image of a smiling woman in a swimsuit with a coastal town, a vintage bus on a winding seaside road, and divers above the water. Red diagonal shapes, blue stripes and sea, a yellow sun, and rows of dots decorate the cream background. 1922–1938 · Central Europe Czech Poetist Book Design (Devětsil) The book and magazine design of the Czech Devětsil circle, where Karel Teige and his colleagues turned constructivist tools (asymmetry, sans and slab capitals, heavy bars, photomontage) toward Poetism's lyrical celebration of travel, cinema, jazz and the circus. Covers and 'picture poems' set type among postcards, ocean liners and aeroplanes, and in Abeceda (1926) a dancer's body poses as each letter of the alphabet. Large pink lettering reading “PLANT CLUB” sits above a blue cat looking upward among potted houseplants and trailing vines. Bright yellow and pink offset shapes and grainy ink textures cover the cream background. 2008–present · Global / networked Risograph & Indie Print Culture A contemporary culture of zines, art books, posters and prints made on Japanese Risograph stencil duplicators, whose soy-based spot inks (fluorescent pink, yellow, blue, teal) are laid down one drum at a time. Designers embrace the machine's limits: translucent overprints, slight misregistration, grainy coverage and coarse halftones give flat illustration and type a warm, handmade vibrancy at low cost.

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More combinations

With Czech Poetist Book Design

With Risograph

All 43 combinations with Risograph

Every style combination