Style combination · Pairs well
Literatura de Cordel Woodcut × Risograph
Print a cordel-style woodcut on a riso in one ink on tinted stock to keep the pocket-chapbook economy for zines and poetry pamphlets.
Mix them and make something Literatura de Cordel Woodcut Risograph
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Literatura de Cordel Woodcut Risograph & Indie Print Culture
- Type from Risograph
- Colour from Risograph
- Form from Literatura de Cordel Woodcut
- Composition from Literatura de Cordel Woodcut
- Surface from Risograph
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Risograph
Square
Inter Tight, standing in for Neo-grotesques set large (e.g. Akzidenz-Grotesk, Helvetica)
Text · Literatura de Cordel Woodcut
The cover art of Brazil's literatura de cordel, pocket chapbooks of verse whose single picture is a small woodcut cut in soft umburana wood and printed in black above a plain letterpress title. Woodcuts displaced worn zinc clichés of film-star photographs from the 1940s, led by José Bernardo da Silva's Tipografia São Francisco in Juazeiro do Norte. From the 1960s collectors and galleries turned the blocks into standalone prints by masters such as J. Borges.
Libre Caslon Text; Literatura de Cordel Woodcut used Jobbing letterpress types from the print shop's case, for titles and verse and Lettering carved into the woodblock
03
The colours
The ground and leading colours come from Risograph, with a counter-accent from Literatura de Cordel Woodcut. The ink reads on the ground at 4.5:1 or more.
Literatura de Cordel Woodcut Risograph & Indie Print Culture
-
#f4f1eaground · 36% -
#3255a4ink · 14% -
#ff48b0accent · 18% -
#e8c95aaccent · 14% -
#f15060accent · 10% -
#b33a2eaccent · 8%
As CSS
:root {
--ground: #f4f1ea;
--ink: #3255a4;
--accent-1: #ff48b0;
--accent-2: #e8c95a;
--accent-3: #f15060;
--accent-4: #b33a2e;
--font-display: "Inter Tight", sans-serif;
--font-text: "Libre Caslon Text", serif;
}
04
The two styles
05
More combinations
With Literatura de Cordel Woodcut
- Brazilian Concrete Design Contrasts · Brazil's concrete designers worked in the same decades with grids and sans-serifs; set a cordel woodcut against concrete typography for a sharp sertão-versus-São Paulo tension.
- Taller de Gráfica Popular Pairs well · The TGP cut relief prints for protest, cordel for storytelling; combine their black-line language when a narrative needs political edge.
- Mexican Popular Graphics (Posada) Pairs well · Both put a single relief picture on cheap street print; borrow Posada's calavera satire but keep cordel's quiet, single-title cover.
- Tarot de Marseille Woodcut Cards Contrasts · Both cut stiff figures in wood with no perspective or modelling, but the cordel cover is printed in black only, with solid blacks and gouged white lines, above a plain letterpress title, while the tarot card colours an outline key through stencils and cuts its numeral and title into the same block; choose cordel for a stark one-colour cover, tarot for a coloured emblem in a numbered set.
- Lira Popular (Chilean Illustrated Verse Broadsheets) Pairs well · Brazil's cordel puts one woodcut on a folded booklet cover; combine it with the Chilean single sheet for a series of verse prints that share one set of cuts.
- Tropicália Graphic Design Pairs well · The cangaceiro hero of the north-eastern chapbook stands behind Duarte's Corisco; a cordel woodcut figure in a Tropicalist field of saturated colour keeps the popular and the Pop in one frame.
- Lubok Popular Print Pairs well · Brazilian cordel is another chapbook woodcut tradition; set rhymed verse and a single crude block together, as both do, for narrative print with a vernacular voice.
- Onitsha Market Pamphlets Pairs well · A sister market-pamphlet tradition from north-east Brazil; combine cordel's woodcut covers with Onitsha's found photographs for a cheap-print series identity.
With Risograph
- Corporate Identity Modernism Contrasts · Exact Pantone-matched corporate colour is the opposite of riso's drifting inks; use the contrast to signal independence.
- Neo-Swiss Revival Pairs well · Print neo-Swiss grids in two fluorescent riso inks to soften their rigour with grain and overprint.
- Y2K Futurism Contrasts · Glossy chrome renders are everything a riso cannot print; set frictionless screen gloss against tactile grain for deliberate friction.
- WPA Silkscreen Posters Pairs well · WPA silkscreen's flat, separated colour translates directly to riso drums; borrow its layered spot-colour scenes.
- Cubist Pictorial Space Pairs well · Print synthetic-Cubist planes as overlapping flat riso inks so the overprints do the faceting for you.
- Leningrad Avant-Garde Picture Book Pairs well · Today's riso picture books share the few flat inks, bare paper and speckled texture; print a Lebedev-style sequence of floating figures in two or three riso inks.
- Die Neue Typographie Pairs well · Two-colour riso printing suits its black-plus-red restraint for low-budget editorial and posters.
- Spotify Duotone Identity Pairs well · Borrow riso's overprinted two-ink grain to give the clean digital duotone a tactile, handmade edge.