Stylogeny combining Imagerie d'Épinal × Lotería Card Imagery

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Style combination · Contrasts

Imagerie d'Épinal × Lotería Card Imagery

Both are cheap coloured popular prints of stock figures in ruled frames under capital captions, but an Épinal sheet tells a story or musters a row of soldiers across many cases, while a lotería card holds one emblem and the tabla's cells have no order: the caller draws them by chance.

From the research on Lotería Card Imagery (Mexican Lotería)

Mix them and make something Imagerie d'Épinal Lotería Card Imagery

FIESTAImagerie d'Épinal × Lotería Card Imagery
A sample layout drawn from the recipe: shapes from Imagerie d'Épinal, their arrangement from Lotería Card Imagery, the finish from Imagerie d'Épinal. Not a real work, and not an image of either style.

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What each style brings

Each part of the design comes from the style with the stronger say in it, and each style gives at least two.

Imagerie d'Épinal & European Bilderbogen Lotería Card Imagery (Mexican Lotería)

Type from Lotería Card Imagery
Colour from Imagerie d'Épinal
Form from Imagerie d'Épinal
Composition from Lotería Card Imagery
Surface from Imagerie d'Épinal

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The type

Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.

Display · Lotería Card Imagery

Fiesta

Londrina Solid, standing in for Hand-drawn capitals on homemade tablas and artists' redrawn decks

Text · Imagerie d'Épinal

Cheap single-sheet popular prints sold by pedlars across 19th-century Europe, led by the Pellerin imagerie at Épinal and the Neuruppin Bilderbogen. A black woodcut, and later a lithograph, was coloured by hand through stencils in a few flat colours that drift past the outlines: Napoleonic battles, saints, rows of soldiers to cut out, and stories told in grids of equal captioned cases, under a title in roman capitals, or Fraktur in Germany.

Bodoni Moda; Imagerie d'Épinal used Bold modern-face (Didone) roman capitals for the centred title, sometimes shaded or outlined and Small roman text in a justified block beneath the picture, with the imprint ('De la fabrique de Pellerin, imprimeur-libraire, à Épinal') in capitals and 'Propriété de l'Éditeur. Déposé.' in italic

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The colours

The ground and leading colours come from Imagerie d'Épinal, with a counter-accent from Lotería Card Imagery. The ink reads on the ground at 4.5:1 or more.

Imagerie d'Épinal & European Bilderbogen Lotería Card Imagery (Mexican Lotería)

  • #efe6cc ground · 36%
  • #1c1a17 ink · 14%
  • #e4bb3a accent · 18%
  • #c62f2a accent · 14%
  • #86c8e6 accent · 10%
  • #2f56a0 accent · 8%

As CSS

:root {
  --ground: #efe6cc;
  --ink: #1c1a17;
  --accent-1: #e4bb3a;
  --accent-2: #c62f2a;
  --accent-3: #86c8e6;
  --accent-4: #2f56a0;
  --font-display: "Londrina Solid", cursive;
  --font-text: "Bodoni Moda", serif;
}

Use it with care

Imagerie d'Épinal & European Bilderbogen: Many sheets carry nationalist, militarist and colonial messages, from the Napoleonic legend to colonial campaigns such as the Tonkin war, and some show colonised peoples as 'savages' (the Kühn Robinson sheet captions 'die Wilden' slaughtering captives at a feast), so do not reproduce these figures as period charm; the Imagerie d'Épinal still trades under its name, so draw new sheets rather than copying its marks.

Lotería Card Imagery (Mexican Lotería): Lotería is a living family game, played across Mexico and much of the United States and in parts of Central America, and a marker of Mexican and Mexican-American identity, so do not use it as generic 'Mexican' party decoration for products with no tie to those communities, and commission and credit Mexican, Central American and Chicanx artists when you redraw it. The standard deck's nine human figures are all stereotypes of Indigenous people, upper-class white people and Afro-Latinos (TIME, citing Gloria Arjona), most plainly El Negrito (No. 26) and El Apache (No. 38), stock figures of a Black man and a Native American, and other decks carry the same kind of figure (the feathered Indio with bow and arrow on Lomas Garza's 1972 tablas): do not reproduce them as period charm; replace them, as new decks freely do. The owners of Don Clemente Gallo (Pasatiempos Gallo) hold the registered trademark of the original images, so draw new emblems rather than tracing them, and write card names in correct Spanish instead of mock-Spanish.

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