Stylogeny combining Festival of Britain 'Contemporary' Pattern × Googie

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Style combination · Contrasts

Festival of Britain 'Contemporary' Pattern × Googie

Both are atomic-age optimism, but Googie shouts from roadside signs in neon and boomerangs while this stays a quiet domestic pattern in earth tones.

From the research on Festival of Britain 'Contemporary' Pattern (Lucienne Day and the Festival Pattern Group)

Mix them and make something Festival of Britain 'Contemporary' Pattern Googie

WowFestival of × Googie1951 · 1945
A sample layout drawn from the recipe: shapes from Googie, their arrangement from Festival of Britain 'Contemporary' Pattern, the finish from Festival of Britain 'Contemporary' Pattern. Not a real work, and not an image of either style.

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What each style brings

Each part of the design comes from the style with the stronger say in it, and each style gives at least two.

Festival of Britain 'Contemporary' Pattern (Lucienne Day and the Festival Pattern Group) Googie & Atomic Age

Type from Googie
Colour from Festival of Britain 'Contemporary' Pattern
Form from Googie
Composition from Festival of Britain 'Contemporary' Pattern
Surface from Festival of Britain 'Contemporary' Pattern

02

The type

Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.

Display · Googie

Wow

Yellowtail, standing in for Brush Script (Robert E. Smith, 1942)

Text · Festival of Britain 'Contemporary' Pattern

The post-war British pattern language launched at the 1951 Festival of Britain. Lucienne Day's 'Calyx' for Heal's replaced the revived Victorian floral with spindly lines linking small cup and seedpod shapes, after Klee, Miró and Calder, while the Festival Pattern Group turned X-ray crystal-structure diagrams into wallpapers, dress fabrics and furnishings. Screen-printed in a few flat inks on olive, ochre or white grounds, it set the light 'Contemporary' look of British homes through the 1950s; in the 1960s Day turned to brighter colours and simpler forms.

Jost; Festival of Britain 'Contemporary' Pattern used Festival display lettering used alongside the patterns (posters, catalogues, signs), not in the repeats and Festival display lettering used alongside the patterns, not in the repeats

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The colours

The ground and leading colours come from Festival of Britain 'Contemporary' Pattern, with a counter-accent from Googie. The ink reads on the ground at 4.5:1 or more.

Festival of Britain 'Contemporary' Pattern (Lucienne Day and the Festival Pattern Group) Googie & Atomic Age

  • #f1ece0 ground · 36%
  • #1b1a17 ink · 14%
  • #d4532a accent · 18%
  • #e6cf3e accent · 14%
  • #c18f32 accent · 10%
  • #6b6b3a accent · 8%

As CSS

:root {
  --ground: #f1ece0;
  --ink: #1b1a17;
  --accent-1: #d4532a;
  --accent-2: #e6cf3e;
  --accent-3: #c18f32;
  --accent-4: #6b6b3a;
  --font-display: "Yellowtail", cursive;
  --font-text: "Jost", sans-serif;
}

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