Stylogeny combining City Pop Illustration × Googie

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Style combination · Pairs well

City Pop Illustration × Googie

Googie's motels, diners and boomerang roadside signs are the American architecture these painters idealised; borrow its signage and script for the fascias in a city pop street scene.

From the research on City Pop Illustration

Mix them and make something City Pop Illustration Googie

SignalCity Pop Illustration × Googie1979 · 1945
A sample layout drawn from the recipe: shapes from Googie, their arrangement from City Pop Illustration, the finish from City Pop Illustration. Not a real work, and not an image of either style.

01

What each style brings

Each part of the design comes from the style with the stronger say in it, and each style gives at least two.

City Pop Illustration Googie & Atomic Age

Type from Googie
Colour from City Pop Illustration
Form from Googie
Composition from City Pop Illustration
Surface from City Pop Illustration

02

The type

Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.

Display · Googie

Signal

Yellowtail, standing in for Brush Script (Robert E. Smith, 1942)

Text · City Pop Illustration

The painted look of Japanese city pop record sleeves and magazine covers, fixed by Hiroshi Nagai's sleeve for Eiichi Ohtaki's A Long Vacation (1981) and Eizin Suzuki's for Tatsuro Yamashita's For You (1982). Idealised, sunlit resort scenes of pools, palms, modernist villas, roadside shops and cars by the sea under a deep blue sky, built from hard-edged flat colour with Nagai's black shadows or Suzuki's clean outlines, and usually few or no people. Aspirational in Japan's boom years, it returned with the city pop revival from the 2010s and is now read as nostalgia.

Shippori Mincho; City Pop Illustration used Widely letter-spaced sans-serif capitals for title and artist, set small in the sky at the top left of the full-bleed picture, as in FOR YOU and TATSURO YAMASHITA on Suzuki's sleeve (1982) and Large bold condensed capitals, the second word spaced out with interpuncts, one letter picked out in red, as in A LONG V·A·C·A·T·I·O·N on Nagai's sleeve for Ohtaki (1981)

03

The colours

The ground and leading colours come from City Pop Illustration, with a counter-accent from Googie. The ink reads on the ground at 4.5:1 or more.

City Pop Illustration Googie & Atomic Age

  • #f7f5ef ground · 36%
  • #0f3a8a ink · 14%
  • #f2c230 accent · 18%
  • #f2673a accent · 14%
  • #35a9dc accent · 10%
  • #f3a5b6 accent · 8%

As CSS

:root {
  --ground: #f7f5ef;
  --ink: #0f3a8a;
  --accent-1: #f2c230;
  --accent-2: #f2673a;
  --accent-3: #35a9dc;
  --accent-4: #f3a5b6;
  --font-display: "Yellowtail", cursive;
  --font-text: "Shippori Mincho", serif;
}

Use it with care

City Pop Illustration: The look rests on two working artists, Hiroshi Nagai and Eizin Suzuki, who still paint, sell originals and prints and take commissions. For their pictures, commission or license them. Otherwise invent your own place, light and palette in the shared idiom: never trace or recompose their compositions (A Long Vacation's pool, For You's radio shop, Pacific Breeze's villas), never ask an image model for their style by name, and never present a generated image as their work or as a period sleeve.

05

More combinations

With City Pop Illustration

All 10 combinations with City Pop Illustration

With Googie

All 17 combinations with Googie

Every style combination