Style combination · Contrasts
Extinction Rebellion Graphics × Latin American Feminist Protest Graphics
Both are crowd identities anyone may reproduce, but XR's Art Group designed a kit (hourglass symbol, FUCXED capitals, woodcut blocks, twelve colours), while the green wave grew from one found object, one colour and handmade lettering; choose a designed system or a single wearable sign.
Mix them and make something Extinction Rebellion Graphics Latin American Feminist Protest Graphics
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Extinction Rebellion Graphics Latin American Feminist Protest Graphics (Ni Una Menos and the Green Wave)
- Type from Extinction Rebellion Graphics
- Colour from Latin American Feminist Protest Graphics
- Form from Latin American Feminist Protest Graphics
- Composition from Extinction Rebellion Graphics
- Surface from Extinction Rebellion Graphics
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Extinction Rebellion Graphics
Wake
Alfa Slab One, standing in for FUCXED Caps (drawn by Clive Russell of This Ain't Rock'n'Roll from an old woodcut-style wood type he found on eBay, deliberately slightly wonky; XR's headline print face, download file FUCXED v4; FUCXED Latin is recommended for online graphics)
Text · Latin American Feminist Protest Graphics
The graphics of Latin America's feminist tide, a mass movement since Ni Una Menos (Buenos Aires, 3 June 2015) and the 2018 'marea verde' for legal abortion, though its scarf dates from 2003. Its identity is an object and a colour: a green triangle of cloth printed in white with the Campaign's emblem and slogan, tied to necks, wrists and bags until a crowd turns green. Around it: slogans hand-lettered on cardboard and walls, violet for feminism, linocut posters, and in Mexico purple antimonumentas, Venus signs with a raised fist lettered with demands and the names of murdered women.
Oswald; Latin American Feminist Protest Graphics used The Campaign's white print on the green scarf and Hand-lettered placards in marker or paint on cardboard and white board, in capitals or plain handwriting, often framed by Spanish opening and closing question and exclamation marks ('¿TE PARECEMOS MUCHAS? ¡NOS FALTAN MILES!!', 8M march, Mexico City, 2020)
03
The colours
The ground and leading colours come from Latin American Feminist Protest Graphics, with a counter-accent from Extinction Rebellion Graphics. The ink reads on the ground at 4.5:1 or more.
Extinction Rebellion Graphics Latin American Feminist Protest Graphics (Ni Una Menos and the Green Wave)
-
#ffffffground · 36% -
#141414ink · 14% -
#00964baccent · 18% -
#c80082accent · 14% -
#e46faeaccent · 10% -
#6b3fa0accent · 8%
As CSS
:root {
--ground: #ffffff;
--ink: #141414;
--accent-1: #00964b;
--accent-2: #c80082;
--accent-3: #e46fae;
--accent-4: #6b3fa0;
--font-display: "Alfa Slab One", serif;
--font-text: "Oswald", sans-serif;
}
Use it with care
Extinction Rebellion Graphics: Extinction Rebellion is a living movement and the Extinction Symbol is credited to the artist ESP, who lends it to XR only for non-commercial use; XR says it will pursue anyone selling merchandise with it. Do not put the symbol, the XR logotype or a close imitation of the kit on products, fundraising, advertising or brand campaigns, and do not dress a company's climate message in XR's look to borrow its credibility.
Latin American Feminist Protest Graphics (Ni Una Menos and the Green Wave): This is the living language of a movement against femicide and for abortion rights whose subjects are real women, many murdered or disappeared, and whose families raised the antimonumentas and wrote the names on them: do not reuse victims' names, photographs, pink crosses or the antimonumentas as decoration, merchandise or a backdrop for a brand. The green scarf is the emblem of the Campaña Nacional por el Derecho al Aborto Legal, Seguro y Gratuito and Ni Una Menos is a collective; do not put their emblem, slogan or name on your own products, fundraising or advertising, or dress a company's message in green and violet to borrow the movements' credibility. The scarf is still contested: it has been banned in some schools, wearing it can bring backlash, it is answered by the anti-abortion pañuelo celeste, and Argentina's legal-abortion law of 2020 has faced calls for repeal, so do not use green as a neutral 'hope' colour where it will be read as a political position. Never present a generated image as documentation of a real protest.
04
The two styles
05
More combinations
With Extinction Rebellion Graphics
- Pop Art Graphics Pairs well · The twelve bright colours were influenced by Eduardo Paolozzi; push a slogan poster further towards British Pop with fluorescent flat grounds and one playful image.
- Victorian Letterpress & Wood Type Pairs well · FUCXED imitates old wood type and Burrill printed XR slogans from real wood type; pair the bright XR grounds with a jobbing printer's condensed wood letters for a hand-set protest poster.
- South African Resistance Poster Pairs well · Both are cheap workshop prints with heavy capitals and an organisation's emblem; XR adds a centrally specified twelve-colour kit where the struggle posters kept to one to three hand-cut inks.
- Corporate Identity Modernism Contrasts · XR borrows a corporate identity's tools (one symbol, a fixed logotype, a colour palette, a design guide) and turns them into a free, hand-printed kit that bans commercial use.
- Stencil Street Art Pairs well · ESP spread the symbol as a street artist before XR adopted it, chalking it on Brick Lane and putting up posters and tiles around East London; pair XR's one-colour emblem and short slogans with stencil street art's hard-edged sprayed figures for walls and pavements.
- Solidarność & Polish Underground Graphics Pairs well · A later movement that also lives on one simple mark anyone can copy by hand; pair a single shared emblem with locally made, cheaply printed posters to keep a campaign recognisable without central design.
- ACT UP & Gran Fury AIDS Activist Graphics Pairs well · A later movement that again reduces its cause to one emblem and a fixed set of slogans in heavy capitals; pair XR's flat colour grounds with ACT UP's facts in small print when a protest poster must both rally and inform.
- Belarusian Protest Illustration (2020 Uprising) Contrasts · Compare a prescribed wood-type and woodcut identity with an illustrator-led shared vocabulary: Belarusian examples do not require XR's oversized headline, carved texture, print workshop or fixed logo. Shared protest tone and few-colour printing are not evidence of descent.
With Latin American Feminist Protest Graphics
- ACT UP & Gran Fury AIDS Activist Graphics Contrasts · Two movements signed with a triangle, ACT UP's pink one on black and the green kerchief, but Gran Fury bought ad space and printed offset photographs and Futura, while the green wave wears its sign and letters its placards by hand; polish against handmade multitude.
- Solidarność & Polish Underground Graphics Contrasts · Both are movement identities copied by hand in the street, but Solidarność gathered behind one logo of crowded red letters and printed posters, bulletins and stamps, while the green wave gathers behind a wearable cloth and a colour; letters as the sign against an object as the sign.
- Kanga (Swahili Message Cloth) Pairs well · Both put a sentence on a cloth worn on the body so that the wearer speaks through it; borrow the kanga's framed field and boxed saying to give a protest scarf a composed layout without losing the one-colour code.
- Instagram Slideshow Activism (Social-Justice Infographics) Contrasts · The hashtags #NiUnaMenos and #VivasNosQueremos also travelled on Facebook and Instagram, but their images point to a march, a wall or a scarf, whereas the slideshow lives and ends in the carousel in pastel templates.
- Chilean Estallido Social Graphics (Revuelta Popular of 2019–20) Contrasts · The green scarf marched in the same Chilean streets in 2019, but the feminist tide rests on one wearable object and a colour code, while the estallido's walls are an unruly crowd of dogs, eyes, flags and caricatures; choose one disciplined emblem or a many-handed palimpsest.
- Lambe-Lambe Posters (Brazilian Paste-Up Street Posters) Contrasts · A later Argentine protest-graphics movement; compare how a campaign gets a unified look by shared symbol versus by serial pasting of varied images.