Style combination · Contrasts
Latin American Feminist Protest Graphics × Solidarność
Both are movement identities copied by hand in the street, but Solidarność gathered behind one logo of crowded red letters and printed posters, bulletins and stamps, while the green wave gathers behind a wearable cloth and a colour; letters as the sign against an object as the sign.
Mix them and make something Latin American Feminist Protest Graphics Solidarność
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Latin American Feminist Protest Graphics (Ni Una Menos and the Green Wave) Solidarność & Polish Underground Graphics
- Type from Solidarność
- Colour from Latin American Feminist Protest Graphics
- Form from Solidarność
- Composition from Latin American Feminist Protest Graphics
- Surface from Latin American Feminist Protest Graphics
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Solidarność
Now!
Londrina Solid, standing in for Red hand-drawn capitals on amateur posters of the 1989 election campaign, such as Chylak's 'Głosuj na Solidarność'
Text · Latin American Feminist Protest Graphics
The graphics of Latin America's feminist tide, a mass movement since Ni Una Menos (Buenos Aires, 3 June 2015) and the 2018 'marea verde' for legal abortion, though its scarf dates from 2003. Its identity is an object and a colour: a green triangle of cloth printed in white with the Campaign's emblem and slogan, tied to necks, wrists and bags until a crowd turns green. Around it: slogans hand-lettered on cardboard and walls, violet for feminism, linocut posters, and in Mexico purple antimonumentas, Venus signs with a raised fist lettered with demands and the names of murdered women.
Oswald; Latin American Feminist Protest Graphics used The Campaign's white print on the green scarf and Hand-lettered placards in marker or paint on cardboard and white board, in capitals or plain handwriting, often framed by Spanish opening and closing question and exclamation marks ('¿TE PARECEMOS MUCHAS? ¡NOS FALTAN MILES!!', 8M march, Mexico City, 2020)
03
The colours
The ground and leading colours come from Latin American Feminist Protest Graphics, with a counter-accent from Solidarność. The ink reads on the ground at 4.5:1 or more.
Latin American Feminist Protest Graphics (Ni Una Menos and the Green Wave) Solidarność & Polish Underground Graphics
-
#ffffffground · 36% -
#141414ink · 14% -
#00964baccent · 18% -
#d4161faccent · 14% -
#e46faeaccent · 10% -
#a5835caccent · 8%
As CSS
:root {
--ground: #ffffff;
--ink: #141414;
--accent-1: #00964b;
--accent-2: #d4161f;
--accent-3: #e46fae;
--accent-4: #a5835c;
--font-display: "Londrina Solid", cursive;
--font-text: "Oswald", sans-serif;
}
Use it with care
Latin American Feminist Protest Graphics (Ni Una Menos and the Green Wave): This is the living language of a movement against femicide and for abortion rights whose subjects are real women, many murdered or disappeared, and whose families raised the antimonumentas and wrote the names on them: do not reuse victims' names, photographs, pink crosses or the antimonumentas as decoration, merchandise or a backdrop for a brand. The green scarf is the emblem of the Campaña Nacional por el Derecho al Aborto Legal, Seguro y Gratuito and Ni Una Menos is a collective; do not put their emblem, slogan or name on your own products, fundraising or advertising, or dress a company's message in green and violet to borrow the movements' credibility. The scarf is still contested: it has been banned in some schools, wearing it can bring backlash, it is answered by the anti-abortion pañuelo celeste, and Argentina's legal-abortion law of 2020 has faced calls for repeal, so do not use green as a neutral 'hope' colour where it will be read as a political position. Never present a generated image as documentation of a real protest.
Solidarność & Polish Underground Graphics: This is still a living, contested sign: the NSZZ Solidarność union claims the logo, and a Gdańsk court awarded it the copyright and barred Janiszewski from licensing it, a ruling the Warsaw Court of Appeal upheld (reported in November 2025), while Fydrych won a copyright case over his Orange Alternative dwarf against the city of Wrocław in 2014; do not reuse the logo, or a pastiche of it, for a brand or campaign as if it were public domain. The iconography also carries Catholic symbols and the memory of people killed under martial law and after it (the nine Wujek miners shot in December 1981; Father Jerzy Popiełuszko, murdered by security-service officers in October 1984). Solidaryca is still used for logos and slogans about Poland, freedom and democracy, its designer has criticised its exploitation by right-wing groups, and the union itself has grown increasingly aligned with Law and Justice, so do not use the cross, the candles or the lettering as decoration or to suggest an endorsement nobody gave.
04
The two styles
05
More combinations
With Latin American Feminist Protest Graphics
- ACT UP & Gran Fury AIDS Activist Graphics Contrasts · Two movements signed with a triangle, ACT UP's pink one on black and the green kerchief, but Gran Fury bought ad space and printed offset photographs and Futura, while the green wave wears its sign and letters its placards by hand; polish against handmade multitude.
- Kanga (Swahili Message Cloth) Pairs well · Both put a sentence on a cloth worn on the body so that the wearer speaks through it; borrow the kanga's framed field and boxed saying to give a protest scarf a composed layout without losing the one-colour code.
- Extinction Rebellion Graphics Contrasts · Both are crowd identities anyone may reproduce, but XR's Art Group designed a kit (hourglass symbol, FUCXED capitals, woodcut blocks, twelve colours), while the green wave grew from one found object, one colour and handmade lettering; choose a designed system or a single wearable sign.
- Instagram Slideshow Activism (Social-Justice Infographics) Contrasts · The hashtags #NiUnaMenos and #VivasNosQueremos also travelled on Facebook and Instagram, but their images point to a march, a wall or a scarf, whereas the slideshow lives and ends in the carousel in pastel templates.
- Chilean Estallido Social Graphics (Revuelta Popular of 2019–20) Contrasts · The green scarf marched in the same Chilean streets in 2019, but the feminist tide rests on one wearable object and a colour code, while the estallido's walls are an unruly crowd of dogs, eyes, flags and caricatures; choose one disciplined emblem or a many-handed palimpsest.
- Lambe-Lambe Posters (Brazilian Paste-Up Street Posters) Contrasts · A later Argentine protest-graphics movement; compare how a campaign gets a unified look by shared symbol versus by serial pasting of varied images.
With Solidarność
- Extinction Rebellion Graphics Pairs well · A later movement that also lives on one simple mark anyone can copy by hand; pair a single shared emblem with locally made, cheaply printed posters to keep a campaign recognisable without central design.
- Punk & DIY Zine Contrasts · Same years and the same cheap reproduction, opposite temper: punk defaces the flag and the monarch with ransom-note collage, while Solidarity graphics carry the flag and the cross with reverence and keep to one disciplined hand-drawn word.
- NSK Retro-Avant-Garde Contrasts · Both answered a socialist state in the 1980s, but NSK impersonates power in solemn, centred heraldry, while the Polish underground mocked it with jokes, and the Orange Alternative with dwarfs, and Solidarity kept its reverence for church and nation; choose between over-identifying and laughing.
- Socialist Realist Propaganda Poster Contrasts · As the V&A notes, Janiszewski replaced the socialist motif of a leader conducting the crowd with the national flag; set a crowd of equal letters against one heroic leader to make that point.
- Atelier Populaire (May '68 Screenprint Poster) Pairs well · Both made anonymous protest prints on whatever press was to hand in one or two inks; borrow the Atelier's single brushed silhouette to give a crowded Solidarity-style word a figure to stand beside.
- Grapus (French Militant Graphic Collective) Pairs well · Opposite sides of the communist divide but the same Polish poster lineage: Janiszewski's crowded red letters and Grapus's loose handwriting both make a movement's voice look written by people, not set by an office.
- Syrian Revolution Graphics (Kafranbel Banners & Poster Collectives) Contrasts · Both made hand-lettered protest banners and cheap copies and answered force with irony, but Solidarność gathered under one logotype and a union, where these sheets were signed only by a town or a collective, bilingual and made for the feed; set them side by side to weigh one shared mark against many local, dated voices.
- Belarusian Protest Illustration (2020 Uprising) Contrasts · Both activate red-white national references, but the Belarusian sample places figures and visual metaphors ahead of the tightly joined lettering that defines Solidarność. Compare the role of a shared flag with that of a shared wordmark; do not infer a direct lineage.