Style combination · Contrasts
Danmaku Bullet-Comment Overlay × Kinetic Typography
Kinetic type is one designer's choreographed letters; danmaku is hundreds of identical-default lines from strangers. Decide whether motion type should feel authored or crowd-made before borrowing either.
Mix them and make something Danmaku Bullet-Comment Overlay Kinetic Typography
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Danmaku Bullet-Comment Overlay Kinetic Typography & Variable Type
- Type from Kinetic Typography
- Colour from Kinetic Typography
- Form from Danmaku Bullet-Comment Overlay
- Composition from Danmaku Bullet-Comment Overlay
- Surface from Danmaku Bullet-Comment Overlay
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Kinetic Typography
Wow
Inter Tight, standing in for Variable grotesques with weight and width axes (e.g. Roboto Flex)
Text · Danmaku Bullet-Comment Overlay
The bullet-comment layer of Japanese and Chinese video sites, begun on Niconico in December 2006 and taken up by AcFun and Bilibili in 2008–2009. Viewers' one-line comments fly across the playing video from right to left, or sit centred at the top or bottom, each timed to the moment it answers. By default every line is the same white, black-outlined sans at one size; commands add saturated RGB colours and sizes, and viewers set opacity and speed. At climaxes identical lines pile into a 'bullet curtain' over the picture: anonymous crowd writing laid over someone else's image.
Zen Kaku Gothic New; Danmaku Bullet-Comment Overlay used Arial for Latin letters and digits, then MS PGothic (MS Pゴシック) for Japanese, at weight 600 and The 'gothic' and 'mincho' font commands of Niconico's later player
03
The colours
The ground and leading colours come from Kinetic Typography, with a counter-accent from Danmaku Bullet-Comment Overlay. The ink reads on the ground at 4.5:1 or more.
Danmaku Bullet-Comment Overlay Kinetic Typography & Variable Type
-
#0b0b0bground · 36% -
#f3f3efink · 14% -
#ff3d1faccent · 18% -
#ff0000accent · 14% -
#2b3dffaccent · 10% -
#ffff00accent · 8%
As CSS
:root {
--ground: #0b0b0b;
--ink: #f3f3ef;
--accent-1: #ff3d1f;
--accent-2: #ff0000;
--accent-3: #2b3dff;
--accent-4: #ffff00;
--font-display: "Inter Tight", sans-serif;
--font-text: "Zen Kaku Gothic New", sans-serif;
}
Use it with care
Danmaku Bullet-Comment Overlay: Danmaku is moving text that starts on its own, runs longer than five seconds and sits on top of other content, so any design that uses it needs a way to pause, hide or thin it (WCAG 2.2.2, which is why platforms build an off switch) and must keep it clear of faces and captions. Real comments are other people's words over footage someone else owns: write your own lines rather than lifting screenshots, and do not fake an audience's enthusiasm in advertising. A live comment layer can also be used to pile abuse on people, and in mainland China the China Netcasting Services Association's rules for short-video platforms of 9 January 2019 require danmaku to be reviewed before it is shown, so moderate any live use.
04
The two styles
05
More combinations
With Danmaku Bullet-Comment Overlay
- International Typographic Style Contrasts · Swiss hierarchy gives one message priority; danmaku gives every voice the same size and lets the crowd bury the image. Pin one strict Swiss title in the top lane to stage order against the swarm.
- Internet Ugly & Meme Vernacular Pairs well · Both are crowd vernaculars made to be copied; run numeric memes and outlined white lines over a found clip, but keep danmaku's lanes and timing instead of the image macro's top-and-bottom caption.
- Emoji Pictographic Language Pairs well · Kaomoji and emoji already ride inside danmaku lines; use them as small pictographs in the stream rather than as large isolated icons.
- Demoscene Graphics (Cracktros, Demos & Text-Mode Art) Pairs well · Niconico comment art and text-mode art both draw pictures with characters; borrow text-mode techniques for a title card made of comments.
- Japanese Dense Web Design Pairs well · Niconico's comment layer brings the same everything-at-once density to video; pair them for a crowded, participatory Japanese web voice.
- VTuber Avatar and Stream Graphics Pairs well · On Bilibili and Niconico, viewers' bullet comments fly across the stream over the avatar. Leave the top lanes clear of the character's face and title, so the crowd's comments and the avatar share the screen without hiding it.
- Korean Variety-Show Captions (Yeneung Jamak) Contrasts · Choose editorial hierarchy, changing faces and illustrated containers for a producer's comic voice; choose equal-weight, separately rendered lanes and repetition for a viewer chorus. Outlined text over video alone does not make the two interchangeable.
With Kinetic Typography
- Generative & Dynamic Identities Pairs well · Drive the variable axes with data or sound so the type responds to input rather than merely looping.
- Renaissance Book Typography Contrasts · The still, centuries-old reading page is the opposite pole; keep long text static and reserve motion for display.
- Neo-Swiss Revival Pairs well · Animate a Swiss-revival grid of tight grotesque headlines and you have most of a kinetic identity; the grid keeps the motion legible.
- Czech Poetist Book Design (Devětsil) Pairs well · Teige's Abeceda posed a dancer as each letter; borrow its body-as-glyph idea to give motion type a human performer.
- Demoscene Graphics (Cracktros, Demos & Text-Mode Art) Pairs well · The sine scroller is an early kinetic type system; set greetings or credits as a waving bitmap scroller over raster bars for event openers and title sequences.
- Korean Variety-Show Captions (Yeneung Jamak) Contrasts · Borrow a brief scale change for one emphatic caption, but keep live-action performers as the subject: the atlas's kinetic identity style makes moving letters the picture, whereas variety captions comment on footage and often simply cut in and out.
- Lucerne Poster Scene (Neubad & Südpol Posters) Pairs well · Lucerne's twisted and warped letters are already halfway to motion (The Notwist also ran as an animated poster); animate the construction for screens while keeping the printed F4 as the still.