Stylogeny combining Cubist Pictorial Space × Woodland School

Try

Style combination · Pairs well

Cubist Pictorial Space × Woodland School

Daphne Odjig took the overlapping planes of the Cubism she encountered in Toronto into her own curving, strongly outlined Woodland painting; when a layout wants overlapping flat planes, overlap type and colour panels around a commissioned Woodland image rather than imitating her hand.

From the research on Woodland School (Legend Painting)

Mix them and make something Cubist Pictorial Space Woodland School

LIGHTCubist Pictorial Space × Woodland School
A sample layout drawn from the recipe: shapes from Woodland School, their arrangement from Cubist Pictorial Space, the finish from Cubist Pictorial Space. Not a real work, and not an image of either style.

01

What each style brings

Each part of the design comes from the style with the stronger say in it, and each style gives at least two.

Cubist Pictorial Space Woodland School (Legend Painting)

Type from Cubist Pictorial Space
Colour from Woodland School
Form from Woodland School
Composition from Cubist Pictorial Space
Surface from Cubist Pictorial Space

02

The type

Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.

Display · Cubist Pictorial Space

Light

Allerta Stencil, standing in for Sign-painters' stencilled capitals (Braque, from 1911)

Text · Woodland School

A school of painting from northwestern Ontario, made public when Norval Morrisseau showed at Toronto's Pollock Gallery in 1962 and carried on by Ojibwe, Odawa, Oji-Cree and Cree artists such as Daphne Odjig and Carl Ray. Legends, spirit beings and visions, drawn from rock paintings and Midewiwin birchbark scrolls, are painted in heavy black outlines around flat, bright colour, in x-ray views of organs and inner energy lines, joined by lines of communication and divided circles, with no ground line or horizon. Red Lake's Triple K screenprints, murals and book and album covers took it public.

Caveat; Woodland School used Cree syllabics as the painter's signature and Pencil signature, date and edition number in the margin of limited-edition screenprints

03

The colours

The ground and leading colours come from Woodland School, with a counter-accent from Cubist Pictorial Space. The ink reads on the ground at 4.5:1 or more.

Cubist Pictorial Space Woodland School (Legend Painting)

  • #f2c230 ground · 36%
  • #141210 ink · 14%
  • #c8322b accent · 18%
  • #8b6b3e accent · 14%
  • #b8642e accent · 10%
  • #3e5a6b accent · 8%

As CSS

:root {
  --ground: #f2c230;
  --ink: #141210;
  --accent-1: #c8322b;
  --accent-2: #8b6b3e;
  --accent-3: #b8642e;
  --accent-4: #3e5a6b;
  --font-display: "Allerta Stencil", sans-serif;
  --font-text: "Caveat", cursive;
}

Use it with care

Woodland School (Legend Painting): Woodland painting is the living practice of named Anishinaabe, Oji-Cree and Cree artists, and it draws on sacred knowledge: Morrisseau's relatives and community discouraged him from painting sacred subjects because Anishinaabe protocols forbid sharing ceremonial knowledge, Carl Ray was among the first Cree painters to set aside the bans on depicting sacred legends, and the imagery comes from Midewiwin scrolls and rock paintings. That was their decision to make, not an outsider's. Do not assemble thunderbirds, divided circles, power lines or x-ray bodies into a generic 'Indigenous' look, and never imitate a painter's hand or syllabic signature: a Thunder Bay ring run by David Voss from 1996 to 2019 turned out thousands of fake Morrisseaus by pencilling outlines and filling letter-coded flat colour, and its leader was jailed in 2024. Commission or license work from Woodland artists, such as Saul Williams of North Caribou Lake First Nation, and credit them by name and nation.

05

More combinations

With Cubist Pictorial Space

With Woodland School

Every style combination