Stylogeny combining Literatura de Cordel Woodcut × Mexican Popular Graphics

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Style combination · Pairs well

Literatura de Cordel Woodcut × Mexican Popular Graphics

Brazil's cordel covers are a parallel relief-picture-on-cheap-paper tradition; pair Posada-style broadsides with cordel woodcuts for street ephemera that tells a story in one picture.

From the research on Mexican Popular Graphics (Posada)

Both put a single relief picture on cheap street print; borrow Posada's calavera satire but keep cordel's quiet, single-title cover.

From the research on Literatura de Cordel Woodcut

Mix them and make something Literatura de Cordel Woodcut Mexican Popular Graphics

SQUARELiteratura de × Mexican Popular1940 · 1880
A sample layout drawn from the recipe: shapes from Mexican Popular Graphics, their arrangement from Literatura de Cordel Woodcut, the finish from Literatura de Cordel Woodcut. Not a real work, and not an image of either style.

01

What each style brings

Each part of the design comes from the style with the stronger say in it, and each style gives at least two.

Literatura de Cordel Woodcut Mexican Popular Graphics (Posada)

Type from Mexican Popular Graphics

Literatura de Cordel Woodcut avoids eclectic mixing: this is where the two pull against each other.

Colour from Literatura de Cordel Woodcut
Form from Mexican Popular Graphics
Composition from Literatura de Cordel Woodcut
Surface from Literatura de Cordel Woodcut

02

The type

Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.

Display · Mexican Popular Graphics

Square

Alfa Slab One, standing in for Nineteenth-century display types: Egyptians, Tuscans and Latins

Text · Literatura de Cordel Woodcut

The cover art of Brazil's literatura de cordel, pocket chapbooks of verse whose single picture is a small woodcut cut in soft umburana wood and printed in black above a plain letterpress title. Woodcuts displaced worn zinc clichés of film-star photographs from the 1940s, led by José Bernardo da Silva's Tipografia São Francisco in Juazeiro do Norte. From the 1960s collectors and galleries turned the blocks into standalone prints by masters such as J. Borges.

Libre Caslon Text; Literatura de Cordel Woodcut used Jobbing letterpress types from the print shop's case, for titles and verse and Lettering carved into the woodblock

03

The colours

The ground and leading colours come from Literatura de Cordel Woodcut, with a counter-accent from Mexican Popular Graphics. The ink reads on the ground at 4.5:1 or more.

Literatura de Cordel Woodcut Mexican Popular Graphics (Posada)

  • #ece4cf ground · 36%
  • #141414 ink · 14%
  • #e8c95a accent · 18%
  • #d6337f accent · 14%
  • #b33a2e accent · 10%
  • #5aa05a accent · 8%

As CSS

:root {
  --ground: #ece4cf;
  --ink: #141414;
  --accent-1: #e8c95a;
  --accent-2: #d6337f;
  --accent-3: #b33a2e;
  --accent-4: #5aa05a;
  --font-display: "Alfa Slab One", serif;
  --font-text: "Libre Caslon Text", serif;
}

05

More combinations

With Literatura de Cordel Woodcut

All 10 combinations with Literatura de Cordel Woodcut

With Mexican Popular Graphics

All 17 combinations with Mexican Popular Graphics

Every style combination