Style combination · Pairs well
Literatura de Cordel Woodcut × Mexican Popular Graphics
Brazil's cordel covers are a parallel relief-picture-on-cheap-paper tradition; pair Posada-style broadsides with cordel woodcuts for street ephemera that tells a story in one picture.
Both put a single relief picture on cheap street print; borrow Posada's calavera satire but keep cordel's quiet, single-title cover.
Mix them and make something Literatura de Cordel Woodcut Mexican Popular Graphics
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Literatura de Cordel Woodcut Mexican Popular Graphics (Posada)
- Type from Mexican Popular Graphics
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Literatura de Cordel Woodcut avoids eclectic mixing: this is where the two pull against each other.
- Colour from Literatura de Cordel Woodcut
- Form from Mexican Popular Graphics
- Composition from Literatura de Cordel Woodcut
- Surface from Literatura de Cordel Woodcut
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Mexican Popular Graphics
Square
Alfa Slab One, standing in for Nineteenth-century display types: Egyptians, Tuscans and Latins
Text · Literatura de Cordel Woodcut
The cover art of Brazil's literatura de cordel, pocket chapbooks of verse whose single picture is a small woodcut cut in soft umburana wood and printed in black above a plain letterpress title. Woodcuts displaced worn zinc clichés of film-star photographs from the 1940s, led by José Bernardo da Silva's Tipografia São Francisco in Juazeiro do Norte. From the 1960s collectors and galleries turned the blocks into standalone prints by masters such as J. Borges.
Libre Caslon Text; Literatura de Cordel Woodcut used Jobbing letterpress types from the print shop's case, for titles and verse and Lettering carved into the woodblock
03
The colours
The ground and leading colours come from Literatura de Cordel Woodcut, with a counter-accent from Mexican Popular Graphics. The ink reads on the ground at 4.5:1 or more.
Literatura de Cordel Woodcut Mexican Popular Graphics (Posada)
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#ece4cfground · 36% -
#141414ink · 14% -
#e8c95aaccent · 18% -
#d6337faccent · 14% -
#b33a2eaccent · 10% -
#5aa05aaccent · 8%
As CSS
:root {
--ground: #ece4cf;
--ink: #141414;
--accent-1: #e8c95a;
--accent-2: #d6337f;
--accent-3: #b33a2e;
--accent-4: #5aa05a;
--font-display: "Alfa Slab One", serif;
--font-text: "Libre Caslon Text", serif;
}
04
The two styles
05
More combinations
With Literatura de Cordel Woodcut
- Risograph & Indie Print Culture Pairs well · Print a cordel-style woodcut on a riso in one ink on tinted stock to keep the pocket-chapbook economy for zines and poetry pamphlets.
- Brazilian Concrete Design Contrasts · Brazil's concrete designers worked in the same decades with grids and sans-serifs; set a cordel woodcut against concrete typography for a sharp sertão-versus-São Paulo tension.
- Taller de Gráfica Popular Pairs well · The TGP cut relief prints for protest, cordel for storytelling; combine their black-line language when a narrative needs political edge.
- Tarot de Marseille Woodcut Cards Contrasts · Both cut stiff figures in wood with no perspective or modelling, but the cordel cover is printed in black only, with solid blacks and gouged white lines, above a plain letterpress title, while the tarot card colours an outline key through stencils and cuts its numeral and title into the same block; choose cordel for a stark one-colour cover, tarot for a coloured emblem in a numbered set.
- Lira Popular (Chilean Illustrated Verse Broadsheets) Pairs well · Brazil's cordel puts one woodcut on a folded booklet cover; combine it with the Chilean single sheet for a series of verse prints that share one set of cuts.
- Tropicália Graphic Design Pairs well · The cangaceiro hero of the north-eastern chapbook stands behind Duarte's Corisco; a cordel woodcut figure in a Tropicalist field of saturated colour keeps the popular and the Pop in one frame.
- Lubok Popular Print Pairs well · Brazilian cordel is another chapbook woodcut tradition; set rhymed verse and a single crude block together, as both do, for narrative print with a vernacular voice.
- Onitsha Market Pamphlets Pairs well · A sister market-pamphlet tradition from north-east Brazil; combine cordel's woodcut covers with Onitsha's found photographs for a cheap-print series identity.
With Mexican Popular Graphics
- Punk & DIY Zine Pairs well · Both are cheap, fast and irreverent; reuse stock cuts and coloured paper in zines for the same street-sheet energy.
- Minimalist Graphic Design Contrasts · Isolate one calavera on an empty field to show how much of the style's force comes from crowding.
- Taller de Gráfica Popular Pairs well · The TGP took Posada as its ancestor; combine his calavera satire with linocut political posters for socially engaged print.
- Lubok Popular Print Pairs well · Posada's broadsheets and lubki share cheap paper, crude relief cuts and street humour; brush lubok-style washes over a black relief broadsheet.
- Imagerie d'Épinal & European Bilderbogen Pairs well · Posada's hojas volantes are another pedlar broadsheet with a crude relief picture over a block of text; add Épinal's stencil colour to a black relief broadsheet for a hand-coloured street print.
- Estridentismo (Stridentist) Graphics Contrasts · Same Mexico City walls a generation apart: Posada's broadsheets of skeletons, crimes and saints against Maples Arce's broadside of radio, speed and skyscrapers; set one beside the other to stage folk memory against the machine future.
- Lira Popular (Chilean Illustrated Verse Broadsheets) Pairs well · A sibling street broadside; borrow Posada's coloured paper and single big cut, or keep the Chilean frieze of cuts over many ruled verse columns.
- Onitsha Market Pamphlets Pairs well · Both are penny print for newly literate readers; share the sensational headline and moral tone, but let Onitsha supply photographs where Posada cut relief blocks.