Style combination · Contrasts
ACT UP × Instagram Slideshow Activism
Its confrontational opposite: black grounds, hot pink and one blunt slogan, where the typical slideshow shuns 'blood red or black messaging' (Ría Thompson-Washington) and softens the message to stay comfortable.
Mix them and make something ACT UP Instagram Slideshow Activism
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
ACT UP & Gran Fury AIDS Activist Graphics Instagram Slideshow Activism (Social-Justice Infographics)
- Type from ACT UP
- Colour from Instagram Slideshow Activism
- Form from ACT UP
- Composition from Instagram Slideshow Activism
- Surface from ACT UP
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Instagram Slideshow Activism avoids photocopy & distress: this is where the two pull against each other, which is the point of the contrast.
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · ACT UP
Act
Anton; ACT UP used Gill Sans Bold Extra Condensed in white capitals reversed out of black for SILENCE=DEATH (1987), settled on after months in which the collective 'argued about issues, images and fonts' and Futura Extra Bold, Extra Bold Oblique and Extra Bold Condensed in black or white
Text · Instagram Slideshow Activism
The text-led explainer slideshows that filled Instagram after George Floyd's murder in May 2020. Up to ten square or 4:5 slides in one carousel (twenty since August 2024) are read like a PowerPoint deck: a title card in big type with a swipe arrow, then bullet-point slides with sources and a call to action. Pastel pink, yellow and blue grounds, large serif or bubbly, wide sans headings, gradients and playful flat figures, often from Canva templates, borrow the look of millennial brands to reach apolitical readers.
Inter; Instagram Slideshow Activism used Large display serifs on the title card and Ovo (Nicole Fally, Sorkin Type, 2011), a medium-contrast serif with soft serifs and old-style letter widths
03
The colours
The ground and leading colours come from Instagram Slideshow Activism, with a counter-accent from ACT UP. The ink reads on the ground at 4.5:1 or more.
ACT UP & Gran Fury AIDS Activist Graphics Instagram Slideshow Activism (Social-Justice Infographics)
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#fdf6ecground · 36% -
#1e1e1eink · 14% -
#c9962caccent · 18% -
#c8102eaccent · 14% -
#b9d7eeaccent · 10% -
#f06ea9accent · 8%
As CSS
:root {
--ground: #fdf6ec;
--ink: #1e1e1e;
--accent-1: #c9962c;
--accent-2: #c8102e;
--accent-3: #b9d7ee;
--accent-4: #f06ea9;
--font-display: "Anton", sans-serif;
--font-text: "Inter", sans-serif;
}
Use it with care
ACT UP & Gran Fury AIDS Activist Graphics: These are the graphics of a movement of gay men, lesbians and people with AIDS who were burying their friends, and many of their makers and subjects are living or died of AIDS (Mark Simpson, who appears in Kissing Doesn't Kill, died in 1996; Oliver Johnston in 1990); HIV remains a global health issue and ACT UP is still active. The pink triangle recalls the homosexual prisoners of the Nazi camps and was turned to point up as 'a disavowal of victimhood' (in Finkelstein's account; the Henry Ford's history says the inversion began as a mistake that the collective kept): do not use it, the SILENCE=DEATH equation or the kissing couples as decoration, Pride merchandise or brand campaigns, since the style was made to turn advertising against corporate greed, and do not picture people with HIV as victims or as a threat. SILENCE=DEATH is © 1987 The Silence = Death Project, which lent it to ACT UP (the poster reads 'Used by permission by ACT-UP'); Gran Fury's website declares its own artwork public domain, but the photographed people and quoted brands are not: write your own slogan and stage your own photograph, and never present a generated image as a period work.
Instagram Slideshow Activism (Social-Justice Infographics): The look grew out of the 2020 Black Lives Matter protests, and critics such as the sociologist Eve Ewing warned that slides flatten complex problems and summarise the work of often Black authors without credit: name and link every source, credit the people whose work you condense, and check claims before posting. Do not turn the names and faces of people killed by police into decorative or shareable motifs; Vox quotes a warning that the look can 'commodify tragedy and obfuscate revolutionary messages' and notes that Breonna Taylor's death 'devolved into a meme'. Do not dress brand marketing in the look to perform allyship without action, and remember that its friendly packaging works for any message, including an army's messaging in an armed conflict (the IDF slideshow of May 2021) and misinformation, which text inside images makes hard to moderate. Write the slide text into the caption or alt text so screen-reader users can follow it.
04
The two styles
05
More combinations
With ACT UP
- Extinction Rebellion Graphics Pairs well · A later movement that again reduces its cause to one emblem and a fixed set of slogans in heavy capitals; pair XR's flat colour grounds with ACT UP's facts in small print when a protest poster must both rally and inform.
- Atelier Populaire (May '68 Screenprint Poster) Contrasts · Both answered a crisis with overnight slogans on the street, but the May '68 posters were brushed by hand and pulled in one ink, while most ACT UP and Gran Fury posters were professionally printed in offset and modelled on advertising; choose rough urgency or seductive polish before mixing them.
- Punk & DIY Zine Contrasts · Gran Fury photocopied some posters and handbills like a punk zine, but kept the layout clean and legible: one image, one slogan and plain sans type in place of ransom-note collage, even when the photograph broke into coarse xerox dots (Read My Lips); add punk's torn xerox only when the message should look home-made rather than official.
- Pop Art Graphics Pairs well · RIOT (1988), a painting later issued as a sticker, reworks Robert Indiana's LOVE letters and Kissing Doesn't Kill copies a Benetton campaign: borrow Pop's habit of lifting mass-media images and lettering, but replace Pop's ironic detachment with a named target and a demand.
- Corporate Identity Modernism Contrasts · Stands here for the logo logic of SILENCE=DEATH, one emblem and clean sans capitals repeated like a corporate mark; the advertising Gran Fury and ACT UP otherwise copied was 1980s brand campaigns and mastheads (Benetton, Nike, Coca-Cola, The New York Times) rather than mid-century corporate identity. Set an AIDS-era slogan in a corporate format when the point is to turn a brand's own voice against it.
- Latin American Feminist Protest Graphics (Ni Una Menos and the Green Wave) Contrasts · Two movements signed with a triangle, ACT UP's pink one on black and the green kerchief, but Gran Fury bought ad space and printed offset photographs and Futura, while the green wave wears its sign and letters its placards by hand; polish against handmade multitude.
- Plain Tobacco Packaging Pairs well · Gran Fury's white capitals on black are the activist cousin of the mandated warning statement; borrow their wit when a health message must persuade without leaning on clinical shock photographs.
- Front-of-Pack Warning Octagons (Latin American Food Warning Seals) Pairs well · Both speak in white bold capitals on black; take Gran Fury's wit when a nutrition campaign must persuade around the shelf rather than only on the pack.
With Instagram Slideshow Activism
- Internet Ugly & Meme Vernacular Contrasts · The meme vernacular is its ironic other and the language of its parodies: crude, found and knowing where the slideshow is polished and sincere.
- Punk & DIY Zine Pairs well · The New York Times called swipe-through guides the new zines; borrow cut-and-paste collage and hand lettering to break the template sameness and look made by a person, not a kit.
- Isotype Pictorial Statistics Pairs well · Turn a slide of bullet-point statistics into rows of counted pictograms so the numbers are shown, not just asserted, without losing the friendly flat look.
- Newsroom Data Graphics & Scrollytelling Contrasts · Sourced charts with a stated finding are the next step from a slide of bare bullet-point claims; the source line on every slide is common ground, since @soyouwanttotalkabout's maker said hers stood out for 'including sources at the bottom of every slide'.
- Latin American Feminist Protest Graphics (Ni Una Menos and the Green Wave) Contrasts · The hashtags #NiUnaMenos and #VivasNosQueremos also travelled on Facebook and Instagram, but their images point to a march, a wall or a scarf, whereas the slideshow lives and ends in the carousel in pastel templates.