Style combination · Pairs well
Data Humanism × Generative
Let a generative system draw personal data portraits from people's own answers, as What Counts did, but give the code a hand-drawn grammar and a legend so the output reads as made by people.
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Data Humanism Generative & Dynamic Identities
- Type from Data Humanism
- Colour from Generative
- Form from Generative
- Composition from Data Humanism
- Surface from Data Humanism
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Data Humanism
Form
Caveat, standing in for The designer's own handwriting in pen or pencil for titles, legends and annotations (the Dear Data postcards; the red handwritten script of Lupi's Print manifesto, 2017)
Text · Generative
Identity systems designed as rules rather than fixed marks: logos and graphics generated by code, data or parameters so that they vary endlessly while staying recognisable. Anticipated by Karl Gerstner's Designing Programmes (1964) and launched by projects such as Sagmeister's Casa da Música (2007) and TheGreenEyl's MIT Media Lab identity (2011), the approach now spans responsive, data-driven and AI-assisted brands.
Inter; Generative used Neue Haas Grotesk and Variable fonts
03
The colours
The ground and leading colours come from Generative, with a counter-accent from Data Humanism. The ink reads on the ground at 4.5:1 or more.
Data Humanism Generative & Dynamic Identities
-
#ffffffground · 36% -
#111111ink · 14% -
#0091ffaccent · 18% -
#f2c14eaccent · 14% -
#ffd400accent · 10% -
#e0574aaccent · 8%
As CSS
:root {
--ground: #ffffff;
--ink: #111111;
--accent-1: #0091ff;
--accent-2: #f2c14e;
--accent-3: #ffd400;
--accent-4: #e0574a;
--font-display: "Caveat", cursive;
--font-text: "Inter", sans-serif;
}
Use it with care
Data Humanism: Data portraits are usually drawn from real people's lives (health, moods, relationships, locations): get consent and anonymise before publishing other people's personal data. Because the custom encodings cannot be read at a glance, give a plain-text summary and the key alongside the drawing for readers who use screen readers or are in a hurry.
04
The two styles
05
More combinations
With Data Humanism
- Isotype Pictorial Statistics Contrasts · Isotype fixes one standard sign per thing and counts by repeating it so anyone can read the chart; data humanism invents a new code for each dataset and asks for slow reading. Choose Isotype for public information, data humanism for portraits of particular lives.
- Corporate Memphis Contrasts · Both aim to feel warm and human, but Corporate Memphis draws generic faceless figures for mood, while data humanism draws the specific data of specific people. Replace stock warmth with a drawing of real data when a brand needs sincerity.
- Dark Tech Minimalism Contrasts · The dark dashboard shows a few clean metrics at a glance; data humanism draws the messy, qualitative data a dashboard leaves out. Put one hand-drawn data portrait beside the KPIs to show the people behind the numbers.
- Risograph & Indie Print Culture Pairs well · Print hand-drawn data drawings in two or three riso spot inks for zines and postcards, so each ink becomes one data category and the grain matches the hand.
- Biobrand (Organic Biotech CGI) Contrasts · Data humanism draws organic forms by hand to encode real observations; the biobrand renders them as promotional objects. Borrow its honest encoding when a render risks overclaiming.
- Sketchnoting and Graphic Recording Pairs well · Both keep the human hand visible in explanatory drawing; sketchnoting adds live speed and containers.
- Newsroom Data Graphics & Scrollytelling Contrasts · Newsroom graphics use chart types readers already know, labelled directly so they can be read at a glance; data humanism invents a new hand-drawn code for each dataset and asks for slow reading. Use the newsroom chart for the finding, a hand-drawn data portrait for the people behind it.
- Mithila (Madhubani) Painting Pairs well · Both treat hand-drawn hatching, dots and repeated small marks as content; a kachni-style legend or border can give a hand-drawn chart a South Asian line vocabulary, provided a Mithila painter is commissioned for it.
With Generative
- Hand-Painted Signage & Vernacular Lettering Contrasts · Hand-painted lettering's one-off irregularity is the human counterpart to algorithmic variation; mix the two only with clear intent.
- Op Art Graphics Pairs well · Op Art's line modulation and moiré are ready-made rules for patterns that respond to data or motion.
- Corporate Identity Modernism Pairs well · Keep one invariant element from corporate modernism, such as a fixed wordmark or colour, so the variable identity stays recognisable.
- International Typographic Style Pairs well · Use a Swiss modular grid as the fixed frame so generated variants stay coherent across the whole system.
- Dark Tech Minimalism Pairs well · Run a generative shader or particle field behind the hero to replace stock imagery with live, on-brand texture.
- Kinetic Typography & Variable Type Pairs well · Drive the variable axes with data or sound so the type responds to input rather than merely looping.
- Generative-AI Image Aesthetic Contrasts · Rule-based generative identity designs the system and accepts abstract variation; AI imagery averages toward realism, so decide which kind of 'generative' a brief needs.
- Milanese Industrial Modernism (Olivetti, Pirelli, Studio Boggeri) Pairs well · Pintori's cascades of numerals and dots are proto-generative; code them as rules to drive a contemporary variable identity.