Style combination · Pairs well
Corporate Memphis × DTC 'Blanding'
Its illustration-led sibling; add a few flat vector figures when seamless-backdrop photography alone feels too cold.
Its photo-led start-up sibling: pair Corporate Memphis figures with blanding's pastel ground and geometric sans when a brand needs both people and product.
Mix them and make something Corporate Memphis DTC 'Blanding'
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Corporate Memphis DTC 'Blanding' / Millennial Minimalism
- Type from DTC 'Blanding'
- Colour from Corporate Memphis
- Form from Corporate Memphis
- Composition from DTC 'Blanding'
- Surface from Corporate Memphis
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · DTC 'Blanding'
Hello
Hanken Grotesk, standing in for Circular (Laurenz Brunner, Lineto, 2013)
Text · DTC 'Blanding'
The friendly, frictionless minimalism of 2010s direct-to-consumer start-ups, built for the phone screen, the Instagram feed and the unboxing. Lowercase geometric or neo-grotesque wordmarks, one muted signature colour such as millennial pink, sage or terracotta, seamless-backdrop product photography and chatty copy made mattresses, razors and suitcases look interchangeable, a sameness critics called 'blanding' before brands swung to colourful maximalism around 2021–2022.
Hanken Grotesk; DTC 'Blanding' used Circular and Graphik
03
The colours
The ground and leading colours come from Corporate Memphis, with a counter-accent from DTC 'Blanding'. The ink reads on the ground at 4.5:1 or more.
Corporate Memphis DTC 'Blanding' / Millennial Minimalism
-
#ffffffground · 36% -
#2f2e41ink · 14% -
#ffc857accent · 18% -
#d27c5daccent · 14% -
#6c63ffaccent · 10% -
#f2e3a8accent · 8%
As CSS
:root {
--ground: #ffffff;
--ink: #2f2e41;
--accent-1: #ffc857;
--accent-2: #d27c5d;
--accent-3: #6c63ff;
--accent-4: #f2e3a8;
--font-display: "Hanken Grotesk", sans-serif;
--font-text: "Hanken Grotesk", sans-serif;
}
04
The two styles
05
More combinations
With Corporate Memphis
- Polish Poster School Contrasts · Polish poster metaphor and painterly ambiguity show how much illustration can say once it stops being generic.
- Risograph & Indie Print Culture Pairs well · Add riso grain and two spot inks to the figures to escape the over-familiar SaaS sheen and give them printed warmth.
- Brutalist Web Design Contrasts · Brutalism's raw honesty is the opposite of this friendly gloss; reach for it when a brand needs credibility over cheer.
- Memphis Design Contrasts · The original's real colour clash, irony and Sottsass or Du Pasquier patterns are the foil to generic confetti blobs; borrow one genuine Memphis pattern to give the illustration an edge.
- Rubber-Hose Revival (Cartoon Mascot Graphics) Contrasts · Both draw stretched figures in flat colour, but the revival gives each brand its own outlined, nostalgic mascot where Corporate Memphis uses interchangeable faceless people.
- CalArts Style (Rounded Cartoon Character Design) Pairs well · Both use flat fills and simplified figures; borrow its pastel UI-illustration palette, but keep faces and expressions, which Corporate Memphis drops.
- Data Humanism Contrasts · Both aim to feel warm and human, but Corporate Memphis draws generic faceless figures for mood, while data humanism draws the specific data of specific people. Replace stock warmth with a drawing of real data when a brand needs sincerity.
- Corporate Identity Modernism Contrasts · Its successor trades abstract authority for rubbery friendliness; compare the two to decide how institutional or human a brand should feel.
With DTC 'Blanding'
- Scandinavian Functionalism Pairs well · Shares a warm, domestic restraint; borrow Nordic materials and craft photography to give a pastel system more texture and credibility.
- Neo-Brutalism Contrasts · The post-blanding swing: thick outlines, clashing brights and hard shadows are the quickest way out of pastel sameness.
- Neoclassical Book Typography Contrasts · Luxury's other reduction: a single Didone wordmark signals heritage where the lowercase sans signals approachability.
- Minimalist Graphic Design Contrasts · Its austere parent: swap pastel and chatty copy back to monochrome and silence when a brand needs authority rather than friendliness.
- Natural Wine Label Art Contrasts · Blanding sells a frictionless, agency-made brand in lowercase geometric sans and pastels; the natural wine label sells a person through an untrained drawing. Use the contrast to decide whether a product should feel designed or made.
- Hipster Artisanal Revival Contrasts · Where this dressed new firms as old ones, blanding dressed them as frictionless and new, with lowercase geometric sans, pastels and white space; set the two side by side to place a brand between heritage and novelty.
- Guochao (China-Chic National Trend) Contrasts · Western direct-to-consumer brands strip identity to pastel sans-serif minimalism; guochao sells ornament and heritage instead, so use one to test the other.
- Muji No-Brand Design (Mujirushi Ryohin) Contrasts · Shares the plain sans and isolated product but replaces its friendly pastel persona and funded brand voice with anonymity.