Style combination · Contrasts
Corporate Memphis × Rubber-Hose Revival
Both draw stretched figures in flat colour, but the revival gives each brand its own outlined, nostalgic mascot where Corporate Memphis uses interchangeable faceless people.
Mix them and make something Corporate Memphis Rubber-Hose Revival
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Corporate Memphis Rubber-Hose Revival (Cartoon Mascot Graphics)
- Type from Rubber-Hose Revival
- Colour from Corporate Memphis
- Form from Corporate Memphis
- Composition from Rubber-Hose Revival
- Surface from Rubber-Hose Revival
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Rubber-Hose Revival
Pop
Londrina Solid, standing in for Hand-lettered titles in the manner of early-1930s cartoon title cards: bouncy, swelling capitals drawn to match the character
Text · Corporate Memphis
The flat vector illustration style that became the default visual voice of big tech in the late 2010s: faceless, ethnically non-specific figures with elongated limbs and tiny heads, drawn in bright flat colour among blobs, leaves and confetti. Codified in Buck's Alegria system for Facebook (2017) and spread by open libraries such as unDraw and Humaaans, it was later named, half-mockingly, after the Memphis Group.
Hanken Grotesk; Corporate Memphis used Circular and Airbnb Cereal
03
The colours
The ground and leading colours come from Corporate Memphis, with a counter-accent from Rubber-Hose Revival. The ink reads on the ground at 4.5:1 or more.
Corporate Memphis Rubber-Hose Revival (Cartoon Mascot Graphics)
-
#ffffffground · 36% -
#2f2e41ink · 14% -
#ffc857accent · 18% -
#d7352baccent · 14% -
#6c63ffaccent · 10% -
#ff7f6eaccent · 8%
As CSS
:root {
--ground: #ffffff;
--ink: #2f2e41;
--accent-1: #ffc857;
--accent-2: #d7352b;
--accent-3: #6c63ff;
--accent-4: #ff7f6e;
--font-display: "Londrina Solid", cursive;
--font-text: "Hanken Grotesk", sans-serif;
}
Use it with care
Rubber-Hose Revival (Cartoon Mascot Graphics): The early cartoon look this revives is entangled with blackface minstrelsy: several sources trace the black bodies, white gloves and large white eyes of Mickey Mouse and his peers to minstrel caricature, and many 1930s shorts carried explicit racial caricature. Borrow the elastic limbs, round construction and outline, not the minstrel face; never give a character exaggerated lips, dialect or skin colour as an ethnic marker. The characters themselves (Cuphead, Bendy, Mickey, Felix, Oswald, Betty Boop) are still trademarked or copyrighted: invent your own mascot and never ask an image model for a named character or studio hand.
04
The two styles
05
More combinations
With Corporate Memphis
- Polish Poster School Contrasts · Polish poster metaphor and painterly ambiguity show how much illustration can say once it stops being generic.
- Risograph & Indie Print Culture Pairs well · Add riso grain and two spot inks to the figures to escape the over-familiar SaaS sheen and give them printed warmth.
- DTC 'Blanding' / Millennial Minimalism Pairs well · Its photo-led start-up sibling: pair Corporate Memphis figures with blanding's pastel ground and geometric sans when a brand needs both people and product.
- Brutalist Web Design Contrasts · Brutalism's raw honesty is the opposite of this friendly gloss; reach for it when a brand needs credibility over cheer.
- Memphis Design Contrasts · The original's real colour clash, irony and Sottsass or Du Pasquier patterns are the foil to generic confetti blobs; borrow one genuine Memphis pattern to give the illustration an edge.
- CalArts Style (Rounded Cartoon Character Design) Pairs well · Both use flat fills and simplified figures; borrow its pastel UI-illustration palette, but keep faces and expressions, which Corporate Memphis drops.
- Data Humanism Contrasts · Both aim to feel warm and human, but Corporate Memphis draws generic faceless figures for mood, while data humanism draws the specific data of specific people. Replace stock warmth with a drawing of real data when a brand needs sincerity.
- Corporate Identity Modernism Contrasts · Its successor trades abstract authority for rubbery friendliness; compare the two to decide how institutional or human a brand should feel.
With Rubber-Hose Revival
- UPA & Cartoon Modern Contrasts · UPA rejected exactly this: it traded rubbery full movement and round bodies for angular caricature, flat modernist sets and limited animation.
- Yuru-chara (Japanese Local Mascot Design) Pairs well · Both build a mascot from the thing it promotes; borrow the yuru-chara's costume-ready frontal figure and licensing for a rubber-hose brand character.
- Underground Comix Pairs well · Add its hatching, crowding and adult edge for a darker take on the hose-limbed character, as Bendy turned the cartoon sinister.
- Push Pin Style Contrasts · Push Pin also revived old cartoon and Victorian graphics with playful lettering, but as eclectic editorial illustration; the rubber-hose revival commits to one animation convention and a recurring brand character.
- Risograph & Indie Print Culture Pairs well · Print the mascot's stickers and zines in two riso inks for grain and misregistration that suit its period feel.
- Hipster Artisanal Revival Contrasts · The independent food brand's previous look: a cartoon protagonist replaces the monochrome badge and Victorian craft cues.
- Newtro (Korean New-Retro) Contrasts · Both are post-2017 nostalgic branding in flat spot colour; newtro quotes Korean 1970s–80s packaging and emblems, the revival quotes 1920s–30s American animation.
- CalArts Style (Rounded Cartoon Character Design) Contrasts · Inkier, pie-eyed, nostalgic 1930s mascot drawing against thin-limbed, flat-coloured, contemporary character design.