Stylogeny combining Hong Kong Neon × Polish Cold War Neon

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Style combination · Contrasts

Hong Kong Neon × Polish Cold War Neon

Both bend shop names into glass tube against the night, but Kowloon's calligraphers stacked heavy Beiwei characters on signs projecting over a crowded commercial street, while Poland's planners placed one light openwork sign per roof or facade in one or two trade colours; compare them to choose between a canyon of competing signs and a single emblem on the skyline.

From the research on Polish Cold War Neon (PRL Neonisation)

Mix them and make something Hong Kong Neon Polish Cold War Neon

FiestaHong Kong Neon × Polish Cold War Neon
A sample layout drawn from the recipe: shapes from Hong Kong Neon, their arrangement from Polish Cold War Neon, the finish from Hong Kong Neon. Not a real work, and not an image of either style.

01

What each style brings

Each part of the design comes from the style with the stronger say in it, and each style gives at least two.

Hong Kong Neon & Beiwei Shop-Sign Lettering Polish Cold War Neon (PRL Neonisation)

Type from Polish Cold War Neon
Colour from Hong Kong Neon
Form from Hong Kong Neon
Composition from Polish Cold War Neon
Surface from Hong Kong Neon

02

The type

Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.

Display · Polish Cold War Neon

Fiesta

Yellowtail; Polish Cold War Neon used Artist-drawn script bent from thin glass tube, often a letterform invented for the one sign and composed so finely that it read more as ornament than as ordinary writing (Zieliński and Tarwacka) and Block capitals for rooftop signs, and in the 1970s heavy block letters filled or backlit with tube

Text · Hong Kong Neon

The night-time signscape of Hong Kong's Kowloon streets. Shop names written by commercial calligraphers in Beiwei kaishu, a square, heavy, chisel-edged script descended from Northern Wei stone steles, were bent by neon makers into glass tube and cantilevered over the road. Vertical Chinese, horizontal English, double-line borders and trade emblems such as the pawnshop's bat and coin stack into a dense canyon of light, thinned by signboard controls since the 2000s.

Shippori Mincho; Hong Kong Neon used Beiwei kaishu (Northern Wei stele-style regular script), as written by Au Kin-kung and Zansyu (Adonian Chan, Trilingua), digital Beiwei revival

03

The colours

The ground and leading colours come from Hong Kong Neon, with a counter-accent from Polish Cold War Neon. The ink reads on the ground at 4.5:1 or more.

Hong Kong Neon & Beiwei Shop-Sign Lettering Polish Cold War Neon (PRL Neonisation)

  • #0d0d14 ground · 36%
  • #39ff88 ink · 14%
  • #ff8a1f accent · 18%
  • #ff3b30 accent · 14%
  • #ffc83d accent · 10%
  • #3d7bff accent · 8%

As CSS

:root {
  --ground: #0d0d14;
  --ink: #39ff88;
  --accent-1: #ff8a1f;
  --accent-2: #ff3b30;
  --accent-3: #ffc83d;
  --accent-4: #3d7bff;
  --font-display: "Yellowtail", cursive;
  --font-text: "Shippori Mincho", serif;
}

Use it with care

Polish Cold War Neon (PRL Neonisation): Draw new names and figures rather than copying surviving signs: Siatkarka is a registered monument by a named designer, the Neon Muzeum restores and relights others in situ, and wordmarks such as Społem, Cepelia and Jubiler are still in use; and remember that these lights advertised the modern city for a one-party state, often over shops whose shelves were empty.

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More combinations

With Hong Kong Neon

All 10 combinations with Hong Kong Neon

With Polish Cold War Neon

Every style combination