Stylogeny combining Chilean Unidad Popular × International Typographic Style

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Style combination · Contrasts

Chilean Unidad Popular × International Typographic Style

Hand-drawn letters and irregular contours against the neutral grotesque and grid; use the Chilean mode where a cause needs warmth rather than neutrality.

From the research on Chilean Unidad Popular & Nueva Canción Graphics

Mix them and make something Chilean Unidad Popular International Typographic Style

NEWNEWChilean Unidad Popular × International Typographic
A sample layout drawn from the recipe: shapes from Chilean Unidad Popular, their arrangement from International Typographic Style, the finish from Chilean Unidad Popular. Not a real work, and not an image of either style.

01

What each style brings

Each part of the design comes from the style with the stronger say in it, and each style gives at least two.

Chilean Unidad Popular & Nueva Canción Graphics International Typographic Style

Type from Chilean Unidad Popular
Colour from International Typographic Style
Form from Chilean Unidad Popular
Composition from International Typographic Style

Chilean Unidad Popular avoids modular grid: this is where the two pull against each other, which is the point of the contrast.

Surface from Chilean Unidad Popular

02

The type

Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.

Display · Chilean Unidad Popular

New

Londrina Solid; Chilean Unidad Popular used Hand-drawn closed-form lettering of the Larrea office and Brigada Ramona Parra painted slogan letters

Text · International Typographic Style

A post-war refinement of the New Typography in which the mathematical grid, objective photography and neo-grotesque sans-serifs were used to communicate with clarity and neutrality. Taught at the Basel and Zurich schools, it became the default language of international corporate and institutional communication.

Inter; International Typographic Style used Akzidenz-Grotesk and Helvetica

03

The colours

The ground and leading colours come from International Typographic Style, with a counter-accent from Chilean Unidad Popular. The ink reads on the ground at 4.5:1 or more.

Chilean Unidad Popular & Nueva Canción Graphics International Typographic Style

  • #f2f0e9 ground · 36%
  • #111111 ink · 14%
  • #e1251b accent · 18%
  • #f5c518 accent · 14%
  • #1f4e9c accent · 10%
  • #7a7a7a accent · 8%

As CSS

:root {
  --ground: #f2f0e9;
  --ink: #111111;
  --accent-1: #e1251b;
  --accent-2: #f5c518;
  --accent-3: #1f4e9c;
  --accent-4: #7a7a7a;
  --font-display: "Londrina Solid", cursive;
  --font-text: "Inter", sans-serif;
}

Use it with care

Chilean Unidad Popular & Nueva Canción Graphics: The Brigada Ramona Parra still paints and remains closely tied to Chile's Communist Youth and Communist Party, and the Larrea office's posters and sleeves are living designers' work: Vicente Larrea publicly called the 2022 Rechazo campaign's reuse of 'La felicidad de Chile comienza por los niños' a plagiarism. Víctor Jara was killed after the 1973 coup and brigade members were persecuted. Credit the makers and ask the brigade or the office before quoting their work, rather than stripping it into generic retro-revolutionary styling.

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