Style combination · Pairs well
American Traditional Tattoo Flash × Ukiyo-e Woodblock Prints
Japanese prints and tattoo art fed Collins and Hardy; borrow waves and dragons but keep the bold American outline.
Mix them and make something American Traditional Tattoo Flash Ukiyo-e Woodblock Prints
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
American Traditional Tattoo Flash Ukiyo-e Woodblock Prints
- Type from American Traditional Tattoo Flash
- Colour from American Traditional Tattoo Flash
- Form from American Traditional Tattoo Flash
- Composition from Ukiyo-e Woodblock Prints
- Surface from Ukiyo-e Woodblock Prints
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · American Traditional Tattoo Flash
Reverie
Bungee Shade, standing in for Shaded and drop-shadowed block capitals in the sign writer's manner
Text · Ukiyo-e Woodblock Prints
Mass-produced Edo-period woodblock prints of actors, courtesans, legends and landscapes, designed by an artist, cut and printed by specialist craftsmen and sold cheaply by commercial publishers. Flat colour blocks inside a carved keyline, bold cropping, high or oblique viewpoints and diagonal compositions, with titles in small cartouches, later handed Europe a new model for the poster.
Shippori Mincho; Ukiyo-e Woodblock Prints used Brush-written kana and kanji titles and Kantei-ryū kabuki lettering
03
The colours
The ground and leading colours come from American Traditional Tattoo Flash, with a counter-accent from Ukiyo-e Woodblock Prints. The ink reads on the ground at 4.5:1 or more.
American Traditional Tattoo Flash Ukiyo-e Woodblock Prints
-
#f1e4c8ground · 36% -
#111111ink · 14% -
#f2c12eaccent · 18% -
#c64a2daccent · 14% -
#c8102eaccent · 10% -
#d4a64aaccent · 8%
As CSS
:root {
--ground: #f1e4c8;
--ink: #111111;
--accent-1: #f2c12e;
--accent-2: #c64a2d;
--accent-3: #c8102e;
--accent-4: #d4a64a;
--font-display: "Bungee Shade", sans-serif;
--font-text: "Shippori Mincho", serif;
}
Use it with care
American Traditional Tattoo Flash: Tattoo flash is the working craft of a living community of tattooers, who still trade, copy and repaint the old sheets by their own customs, and Sailor Jerry Ltd holds the commercial rights to Collins's letters, art and flash: draw new designs in the idiom rather than lifting a named artist's flash for branding or merchandise. Period sheets also include caricatures of other peoples, exoticised hula girls and geishas, and wartime jingoism; leave those out when quoting the style.
04
The two styles
05
More combinations
With American Traditional Tattoo Flash
- International Typographic Style Contrasts · Rational grid and sans-serif against sentimental, hand-lettered emblems: one flash motif on a Swiss layout makes a sharp contrast.
- Hand-Painted Signage & Vernacular Lettering Pairs well · Both are sign-painter crafts of the same shopfront streets; pair flash emblems with brushed shop lettering for a whole storefront.
- American Four-Colour Comic Book (Golden to Bronze Age) Pairs well · Shares heavy black line and flat primaries; comic panels add story where flash keeps one emblem.
- Skateboard Deck Graphics Pairs well · Both use bold outline and flat limited colour on a single emblem; borrow the flash sheet's emblematic symmetry, but keep the deck's comic humour.
With Ukiyo-e Woodblock Prints
- Japonisme Pairs well · Its direct European heir: combine ukiyo-e cropping and flat colour with Western display lettering for a Japonisme poster.
- Belle Époque Lithographic Poster Pairs well · Use the flat silhouette and keyline of ukiyo-e inside a lithographic poster, as Toulouse-Lautrec did, to read at a distance.
- Japanese Postwar Modernism Pairs well · Reduce ukiyo-e motifs to flat emblems on a strict grid to get the postwar Japanese blend of tradition and modernism.
- Renaissance Book Typography Contrasts · Set an off-centre, edge-cropped print against a symmetric classical text block to stage East-West contrast deliberately.
- Kamon (Japanese Family Crests) Pairs well · Kabuki actors had their own mon, and actor prints show them on the costume, as on the sleeve of Ichikawa Yaozō III in a print of 1796; pair a flat crest with ukiyo-e figures to identify characters without captions.
- Serizawa Katazome and Mingei Stencil-Dye Graphics Contrasts · Ukiyo-e is carved line, urban pleasure and diagonal drama; Serizawa is a stencil edge, rural work and calm panel grids.
- Taishō Roman & Lyrical Illustration Pairs well · Yumeji's beauties continue the bijin-ga print; pair a woodblock-printed pattern ground with a lyrical modern figure.
- Kinngait (Cape Dorset) Inuit Printmaking Contrasts · Houston studied with the sōsaku-hanga printmaker Un'ichi Hiratsuka in 1958–59, and Kinngait shares ukiyo-e's hand-rubbed relief, Japanese paper, margin seals and a split between designer, cutter and printer (which sōsaku hanga itself rejected); but ukiyo-e fills a cropped scene inside a carved keyline with cartouche text, while Kinngait usually floats a few silhouettes on open paper, so use ukiyo-e for a full scene and Kinngait for a lone presence.