Style combination · Contrasts
Afrofuturist Design × Corporate Memphis
Corporate Memphis flattens people into anonymous blobs; Afrofuturism insists on specific, dignified, heroic Black figures.
Mix them and make something Afrofuturist Design Corporate Memphis
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Afrofuturist Design Corporate Memphis
- Type from Afrofuturist Design
- Colour from Afrofuturist Design
-
Corporate Memphis avoids dark ground: this is where the two pull against each other, which is the point of the contrast.
- Form from Corporate Memphis
- Composition from Corporate Memphis
- Surface from Afrofuturist Design
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Afrofuturist Design
New
Ojuju, standing in for Wakandan script (Nsibidi-derived, Black Panther, 2018)
Text · Corporate Memphis
The flat vector illustration style that became the default visual voice of big tech in the late 2010s: faceless, ethnically non-specific figures with elongated limbs and tiny heads, drawn in bright flat colour among blobs, leaves and confetti. Codified in Buck's Alegria system for Facebook (2017) and spread by open libraries such as unDraw and Humaaans, it was later named, half-mockingly, after the Memphis Group.
Hanken Grotesk; Corporate Memphis used Circular and Airbnb Cereal
03
The colours
The ground and leading colours come from Afrofuturist Design, with a counter-accent from Corporate Memphis. The ink reads on the ground at 4.5:1 or more.
Afrofuturist Design Corporate Memphis
-
#0b0a1aground · 36% -
#d4a017ink · 14% -
#c2185baccent · 18% -
#ffc857accent · 14% -
#00a6a6accent · 10% -
#6c63ffaccent · 8%
As CSS
:root {
--ground: #0b0a1a;
--ink: #d4a017;
--accent-1: #c2185b;
--accent-2: #ffc857;
--accent-3: #00a6a6;
--accent-4: #6c63ff;
--font-display: "Ojuju", sans-serif;
--font-text: "Hanken Grotesk", sans-serif;
}
Use it with care
Afrofuturist Design: Afrofuturism is a self-authored vision of Black futures that draws on meaning-bearing symbols (Adinkra, Nsibidi, Kemetic and textile motifs) tied to specific peoples. Use glyphs for what they mean rather than as generic 'tribal' texture, and commission, credit or collaborate with Black and African designers.
04
The two styles
05
More combinations
With Afrofuturist Design
- Techno-Futurist Graphics Pairs well · Combine interface graphics and chrome with ancestral pattern so technology feels owned rather than imported.
- Harlem Renaissance Graphic Art Pairs well · Aaron Douglas's Egyptian profiles and radiating bands of light are an early Black modernist vision; borrow his stepped light for cosmic scenes that acknowledge their lineage.
- Adinkra & Kente Symbol Systems Pairs well · Draw pattern and glyphs from Adinkra and Kente with their meanings intact to ground cosmic imagery in a specific heritage.
- Uli & Nsibidi Line and Sign Tradition Pairs well · Afrofuturism already borrows nsibidi, as in Black Panther's Ancient Wakandan script; keep uli's sparse dark line and real, public signs rather than glowing pseudo-glyphs on deep-space grounds.
- Solarpunk Pairs well · Wakanda is claimed by both: Afrofuturism brings ancestral glyphs, regal figures and cosmic dark grounds, solarpunk daylight, gardens and ordinary communities; join them with the symbols' meanings intact and Black artists credited.
- AfriCOBRA Contrasts · Both picture Black people with pride in saturated colour, but Afrofuturism goes to cosmic futures in jewel tones on black space; AfriCOBRA stays in the present-day neighbourhood, in daylight Cool-ade colour, with the slogan written into the figure.
- Afrobeat Sleeve Art Pairs well · Afrobeat supplies the grounded Pan-African politics and Afrofuturism the cosmic horizon; combine them for music packaging that is both angry and visionary.
With Corporate Memphis
- Polish Poster School Contrasts · Polish poster metaphor and painterly ambiguity show how much illustration can say once it stops being generic.
- Risograph & Indie Print Culture Pairs well · Add riso grain and two spot inks to the figures to escape the over-familiar SaaS sheen and give them printed warmth.
- DTC 'Blanding' / Millennial Minimalism Pairs well · Its photo-led start-up sibling: pair Corporate Memphis figures with blanding's pastel ground and geometric sans when a brand needs both people and product.
- Brutalist Web Design Contrasts · Brutalism's raw honesty is the opposite of this friendly gloss; reach for it when a brand needs credibility over cheer.
- Memphis Design Contrasts · The original's real colour clash, irony and Sottsass or Du Pasquier patterns are the foil to generic confetti blobs; borrow one genuine Memphis pattern to give the illustration an edge.
- Rubber-Hose Revival (Cartoon Mascot Graphics) Contrasts · Both draw stretched figures in flat colour, but the revival gives each brand its own outlined, nostalgic mascot where Corporate Memphis uses interchangeable faceless people.
- CalArts Style (Rounded Cartoon Character Design) Pairs well · Both use flat fills and simplified figures; borrow its pastel UI-illustration palette, but keep faces and expressions, which Corporate Memphis drops.
- Data Humanism Contrasts · Both aim to feel warm and human, but Corporate Memphis draws generic faceless figures for mood, while data humanism draws the specific data of specific people. Replace stock warmth with a drawing of real data when a brand needs sincerity.