Style combination · Contrasts
Acid Graphics × Corporate Memphis
Acid graphics defines itself against Corporate Memphis' friendliness; lean into the contrast to signal underground credibility.
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Acid Graphics / New Ugly Corporate Memphis
- Type from Acid Graphics
-
Corporate Memphis avoids experimental & distorted: this is where the two pull against each other, which is the point of the contrast.
- Colour from Corporate Memphis
- Form from Corporate Memphis
- Composition from Acid Graphics
- Surface from Acid Graphics
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Text · Corporate Memphis
The flat vector illustration style that became the default visual voice of big tech in the late 2010s: faceless, ethnically non-specific figures with elongated limbs and tiny heads, drawn in bright flat colour among blobs, leaves and confetti. Codified in Buck's Alegria system for Facebook (2017) and spread by open libraries such as unDraw and Humaaans, it was later named, half-mockingly, after the Memphis Group.
Hanken Grotesk; Corporate Memphis used Circular and Airbnb Cereal
03
The colours
The ground and leading colours come from Corporate Memphis, with a counter-accent from Acid Graphics. The ink reads on the ground at 4.5:1 or more.
Acid Graphics / New Ugly Corporate Memphis
-
#ffffffground · 36% -
#2f2e41ink · 14% -
#ffc857accent · 18% -
#ff1ad9accent · 14% -
#6c63ffaccent · 10% -
#ff7f6eaccent · 8%
As CSS
:root {
--ground: #ffffff;
--ink: #2f2e41;
--accent-1: #ffc857;
--accent-2: #ff1ad9;
--accent-3: #6c63ff;
--accent-4: #ff7f6e;
--font-display: "Tilt Warp", sans-serif;
--font-text: "Hanken Grotesk", sans-serif;
}04
The two styles
05
More combinations
With Acid Graphics
- Neo-Swiss Revival Contrasts · Set a single liquid-chrome wordmark inside a clean neo-Swiss grid so information stays legible around the spectacle.
- Graffiti & Hip-Hop Graphics Pairs well · Graffiti wildstyle letter structures translate naturally into chrome 3D renders for gig posters and merch.
- Techno-Futurist Graphics Pairs well · Borrow The Designers Republic's corporate-parody logos and tiny technical captions to give acid layouts a systematic backbone.
- Rave & Acid House Graphics Pairs well · Acid graphics is rave's digital heir; reuse the chrome logotype and fluorescent-on-black palette with contemporary 3D tools.
- Post-Binary Typography (Bye Bye Binary and Inclusive French Type) Pairs well · The collective's banners share Acid Graphics' blackletter, spiky stars, gradients and chrome-like lettering; borrow that repertoire for a manifesto banner or flyer, but keep the post-binary glyph legible as the subject rather than the surface effect.
- Glitch Art & Datamosh Graphics Contrasts · Acid graphics renders polished chrome and adds glitch as a finish; glitch art breaks the file and keeps what comes out. Decide whether a brief wants spectacle or exposure.
- Gothic Blackletter & Fraktur Tradition Pairs well · Its club-poster revival: acid graphics mixes blackletter with liquid chrome, ultra-wide grotesques and pixel faces. Render one broken-letter wordmark in chrome on black and leave the parchment, rubrics and justified page behind.
- PC Music Graphics Contrasts · Neighbours in the late 2010s club scene, but acid graphics crowd chrome, blackletter and neon on black, where PC Music isolates one clean object on a plain field.
With Corporate Memphis
- Polish Poster School Contrasts · Polish poster metaphor and painterly ambiguity show how much illustration can say once it stops being generic.
- Risograph & Indie Print Culture Pairs well · Add riso grain and two spot inks to the figures to escape the over-familiar SaaS sheen and give them printed warmth.
- DTC 'Blanding' / Millennial Minimalism Pairs well · Its photo-led start-up sibling: pair Corporate Memphis figures with blanding's pastel ground and geometric sans when a brand needs both people and product.
- Brutalist Web Design Contrasts · Brutalism's raw honesty is the opposite of this friendly gloss; reach for it when a brand needs credibility over cheer.
- Memphis Design Contrasts · The original's real colour clash, irony and Sottsass or Du Pasquier patterns are the foil to generic confetti blobs; borrow one genuine Memphis pattern to give the illustration an edge.
- Rubber-Hose Revival (Cartoon Mascot Graphics) Contrasts · Both draw stretched figures in flat colour, but the revival gives each brand its own outlined, nostalgic mascot where Corporate Memphis uses interchangeable faceless people.
- CalArts Style (Rounded Cartoon Character Design) Pairs well · Both use flat fills and simplified figures; borrow its pastel UI-illustration palette, but keep faces and expressions, which Corporate Memphis drops.
- Data Humanism Contrasts · Both aim to feel warm and human, but Corporate Memphis draws generic faceless figures for mood, while data humanism draws the specific data of specific people. Replace stock warmth with a drawing of real data when a brand needs sincerity.