Style combination · Pairs well
Flash Vector Cartoon × Rubber-Hose Revival
Both run on rounded, pie-eyed figures; borrow its period title lettering for an Old-Timey parody like Homestar Runner's.
Mix them and make something Flash Vector Cartoon Rubber-Hose Revival
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Flash Vector Cartoon (Newgrounds-Era Web Animation) Rubber-Hose Revival (Cartoon Mascot Graphics)
- Type from Flash Vector Cartoon
- Colour from Flash Vector Cartoon
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Rubber-Hose Revival avoids gradients: this is where the two pull against each other.
- Form from Rubber-Hose Revival
- Composition from Rubber-Hose Revival
- Surface from Rubber-Hose Revival
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Flash Vector Cartoon
Wow
Pixelify Sans, standing in for Bitmap-emulating pixel fonts made to stay crisp at small sizes in Flash (e.g. Craig Kroeger's Miniml) for interface text such as preloaders, menus and buttons
Text · Rubber-Hose Revival
A present-day revival of 1920s and 1930s American cartoon drawing: characters with bendy, jointless 'rubber hose' limbs, round bodies, big white eyes and gloved hands, drawn in a confident black outline and filled with a few flat colours. Studio MDHR's hand-animated Cuphead (2017) made it a contemporary look; from there it moved into games, motion graphics and, by the mid-2020s, food brands whose mascot is a burger, coffee cup or devil with springy arms beside soft, bouncy lettering.
Zen Maru Gothic; Rubber-Hose Revival used Hand-lettered titles in the manner of early-1930s cartoon title cards and Soft, heavy round-serif display faces such as Cooper Black for the 'soft typography' the mascot brands pair with their characters
03
The colours
The ground and leading colours come from Flash Vector Cartoon, with a counter-accent from Rubber-Hose Revival. The ink reads on the ground at 4.5:1 or more.
Flash Vector Cartoon (Newgrounds-Era Web Animation) Rubber-Hose Revival (Cartoon Mascot Graphics)
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#000000ground · 36% -
#ffffffink · 14% -
#ff3333accent · 18% -
#66cc33accent · 14% -
#e9b73faccent · 10% -
#66ccffaccent · 8%
As CSS
:root {
--ground: #000000;
--ink: #ffffff;
--accent-1: #ff3333;
--accent-2: #66cc33;
--accent-3: #e9b73f;
--accent-4: #66ccff;
--font-display: "Pixelify Sans", monospace;
--font-text: "Zen Maru Gothic", sans-serif;
}
Use it with care
Rubber-Hose Revival (Cartoon Mascot Graphics): The early cartoon look this revives is entangled with blackface minstrelsy: several sources trace the black bodies, white gloves and large white eyes of Mickey Mouse and his peers to minstrel caricature, and many 1930s shorts carried explicit racial caricature. Borrow the elastic limbs, round construction and outline, not the minstrel face; never give a character exaggerated lips, dialect or skin colour as an ethnic marker. The characters themselves (Cuphead, Bendy, Mickey, Felix, Oswald, Betty Boop) are still trademarked or copyrighted: invent your own mascot and never ask an image model for a named character or studio hand.
04
The two styles
05
More combinations
With Flash Vector Cartoon
- Zagreb School of Animated Film Contrasts · Textured, earthy, modernist art-house shorts against the even strokes, gradients and portal irreverence of Flash.
- UPA & Cartoon Modern Contrasts · Same limited-animation logic, but hand-painted, off-register and spare; set against mechanical vector lines and tweened puppets.
- Internet Ugly & Meme Vernacular Pairs well · Shares the ironic, communal portal humour; add MS Paint crudeness and Impact captions for a rougher meme strand.
- Early Web Vernacular Pairs well · Its native habitat: put the cartoon in a cluttered portal page of banners and visitor counters for the full dial-up context.
- CalArts Style (Rounded Cartoon Character Design) Pairs well · Direct precursor: both build flat-vector, rounded characters with even strokes that a crew can redraw and tween; this style adds sliver or dot eyes and softer, thinner-limbed proportions.
- Flash-Era Web Design (Flash Portfolio Sites) Contrasts · Made in the same tool at the same time, but the cartoon is bright, loose and character-led, where the portfolio site is dark, gridded and abstract.
With Rubber-Hose Revival
- Corporate Memphis Contrasts · Both draw stretched figures in flat colour, but the revival gives each brand its own outlined, nostalgic mascot where Corporate Memphis uses interchangeable faceless people.
- UPA & Cartoon Modern Contrasts · UPA rejected exactly this: it traded rubbery full movement and round bodies for angular caricature, flat modernist sets and limited animation.
- Yuru-chara (Japanese Local Mascot Design) Pairs well · Both build a mascot from the thing it promotes; borrow the yuru-chara's costume-ready frontal figure and licensing for a rubber-hose brand character.
- Underground Comix Pairs well · Add its hatching, crowding and adult edge for a darker take on the hose-limbed character, as Bendy turned the cartoon sinister.
- Push Pin Style Contrasts · Push Pin also revived old cartoon and Victorian graphics with playful lettering, but as eclectic editorial illustration; the rubber-hose revival commits to one animation convention and a recurring brand character.
- Risograph & Indie Print Culture Pairs well · Print the mascot's stickers and zines in two riso inks for grain and misregistration that suit its period feel.
- Hipster Artisanal Revival Contrasts · The independent food brand's previous look: a cartoon protagonist replaces the monochrome badge and Victorian craft cues.
- Newtro (Korean New-Retro) Contrasts · Both are post-2017 nostalgic branding in flat spot colour; newtro quotes Korean 1970s–80s packaging and emblems, the revival quotes 1920s–30s American animation.