Style combination · Pairs well
Art Deco × Estridentismo Graphics
Both drew the 1920s skyline; pair Deco's setback towers and block display letters with Stridentist black-and-white relief for a skyscraper poster with a rougher, revolutionary edge.
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
Art Deco Estridentismo (Stridentist) Graphics
- Type from Estridentismo Graphics
- Colour from Art Deco
- Form from Art Deco
- Composition from Estridentismo Graphics
- Surface from Estridentismo Graphics
02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · Estridentismo Graphics
Orbit
Anton, standing in for Heavy condensed block capitals (Irradiador masthead and cover texts between thick black rules, with giant block-built issue numerals, 1923)
Text · Art Deco
The glamorous modern style named after the 1925 Paris Exposition des Arts Décoratifs, which disciplined ornament into geometry: sunbursts, chevrons, stepped forms and sleek stylised figures rendered in lacquer-smooth colour with metallic accents. In Cassandre's and Colin's posters, fashion magazines, cinemas and luxury packaging it spoke of speed, travel, jazz and wealth.
Jost; Art Deco used Broadway and Bifur
03
The colours
The ground and leading colours come from Art Deco, with a counter-accent from Estridentismo Graphics. The ink reads on the ground at 4.5:1 or more.
Art Deco Estridentismo (Stridentist) Graphics
-
#111111ground · 36% -
#f1e6cfink · 14% -
#c9a227accent · 18% -
#e0552baccent · 14% -
#8c1c26accent · 10% -
#be2d33accent · 8%
As CSS
:root {
--ground: #111111;
--ink: #f1e6cf;
--accent-1: #c9a227;
--accent-2: #e0552b;
--accent-3: #8c1c26;
--accent-4: #be2d33;
--font-display: "Anton", sans-serif;
--font-text: "Jost", sans-serif;
}
04
The two styles
05
More combinations
With Art Deco
- Googie & Atomic Age Pairs well · Googie's atomic starbursts extend Deco's celestial ornament; mix them for retro hospitality and signage.
- Punk & DIY Zine Contrasts · Puncture Deco polish with a single torn, photocopied edge when luxury needs irony.
- Art Nouveau Contrasts · Deco straightened Nouveau's whiplash; place a rigid sunburst beside one sinuous curve to show the evolution.
- Streamline Moderne Pairs well · Fold Streamline speed lines and rounded corners into a Deco layout to move from stepped geometry toward aerodynamic sweep.
- Basel Object Poster (Swiss Sachplakat) Contrasts · A source as well as a foil: Leupin studied at the École Paul Colin in Paris in 1935-36 and took strong impressions from Colin and from Colin's rival Cassandre. Both make a product a heroic icon, but Deco stylises it into a geometric silhouette with airbrushed gradation and geometric capitals, while Basel paints the real object, its material and its label, as a still life.
- Vienna Secession Pairs well · Carry the Secession's squares, chequers and gold into Deco's stepped geometry for a luxurious but disciplined look.
- Greek Tourism Modernism (EOT) Contrasts · Katzourakis studied poster design under Paul Colin in Paris; set a Deco travel poster's heroic, airbrushed destination beside this flat, cut-out sign to show how the tourist poster was stripped down after the war.
- Cubist Pictorial Space Pairs well · Fracture a Deco poster subject into crisp Cubist planes, as Cassandre did, to add depth and movement without losing polish.
With Estridentismo Graphics
- Mexican Popular Graphics (Posada) Contrasts · Same Mexico City walls a generation apart: Posada's broadsheets of skeletons, crimes and saints against Maples Arce's broadside of radio, speed and skyscrapers; set one beside the other to stage folk memory against the machine future.
- Russian Constructivism Pairs well · Two post-revolutionary avant-gardes: borrow Constructivism's thick bars and heavy grotesque to steady a Stridentist cover, but keep the hand-cut woodcut instead of photomontage.
- Taller de Gráfica Popular Pairs well · Leopoldo Méndez carried the Stridentist woodcut into the Taller de Gráfica Popular in 1937; give a TGP print a radio mast or a skyline on a steep diagonal and one bright ink to bring back the machine-age optimism.
- Arts & Crafts Movement Contrasts · Both cut wood by hand, for opposite ends: Arts and Crafts used the block to flee the machine, Stridentism used it to celebrate radio masts and factories.
- Brazilian Modernismo Graphics (Klaxon and the Semana de 22) Pairs well · Two Latin American avant-gardes launched within two months of each other (Actual No. 1 in December 1921, the Semana in February 1922). Pair Klaxon's shared-letter letterpress cover with a Stridentist woodcut skyline for a 1920s magazine that is both witty and machine-mad.