Stylogeny combining Ghanaian Movie Poster × Nollywood Video Jacket

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Style combination · Contrasts

Ghanaian Movie Poster × Nollywood Video Jacket

Its painted neighbour: Ghanaian video clubs had sign painters hand-paint posters for many of the same Nigerian films, alongside Hollywood, Hong Kong and Indian ones. Swap the cut-out photographs for brushwork on flour sacks to move from one to the other.

From the research on Nollywood Video Jacket & Film Poster

Mix them and make something Ghanaian Movie Poster Nollywood Video Jacket

SQUAREGhanaian Movie Poster × Nollywood Video Jacket
A sample layout drawn from the recipe: shapes from Ghanaian Movie Poster, their arrangement from Nollywood Video Jacket, the finish from Ghanaian Movie Poster. Not a real work, and not an image of either style.

01

What each style brings

Each part of the design comes from the style with the stronger say in it, and each style gives at least two.

Ghanaian Movie Poster Nollywood Video Jacket & Film Poster

Type from Ghanaian Movie Poster
Colour from Nollywood Video Jacket
Form from Ghanaian Movie Poster
Composition from Nollywood Video Jacket
Surface from Ghanaian Movie Poster

Nollywood Video Jacket avoids painterly brushwork: this is where the two pull against each other, which is the point of the contrast.

02

The type

Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.

Display · Ghanaian Movie Poster

Square

Bungee Shade, standing in for Sign-painter shaded and drop-shadowed letters

Text · Nollywood Video Jacket

The cover and poster art of Nigeria's home-video boom, from Living in Bondage (1992) on. Jackets for cassettes, then VCDs and DVDs, and posters were printed in offset for the marketers of Lagos, Onitsha and Aba. They are made from photographs, not paintings: stars cut out, often roughly, from key scenes and crowded over a busy ground in loud colour under a heavy, outlined title. Gore and melodrama sell by exaggeration; the blurb does the rest. A quieter strand (State of Emergency, Rattlesnake) told the story 'in minimal doses', and festival-bound films now favour minimalist posters.

Archivo; Nollywood Video Jacket used Heavy display titles, in capitals or upper and lower case, filled in yellow, red or orange and outlined or shadowed in a contrasting colour and Plain sans-serif capitals for the cast list, part number, production company and format badges

03

The colours

The ground and leading colours come from Nollywood Video Jacket, with a counter-accent from Ghanaian Movie Poster. The ink reads on the ground at 4.5:1 or more.

Ghanaian Movie Poster Nollywood Video Jacket & Film Poster

  • #0f0b0a ground · 36%
  • #ece6da ink · 14%
  • #ff7a1a accent · 18%
  • #1e6fd9 accent · 14%
  • #f7d117 accent · 10%
  • #c1121f accent · 8%

As CSS

:root {
  --ground: #0f0b0a;
  --ink: #ece6da;
  --accent-1: #ff7a1a;
  --accent-2: #1e6fd9;
  --accent-3: #f7d117;
  --accent-4: #c1121f;
  --font-display: "Bungee Shade", sans-serif;
  --font-text: "Archivo", sans-serif;
}

Use it with care

Nollywood Video Jacket & Film Poster: These jackets show real, named Nigerian actors, so do not reproduce a real actor's likeness or a film's poster in commercial work without rights, and never present a generated image as an original Nollywood poster. Some of the occult-horror films the style sold were made to spread the belief that children can be possessed by evil spirits: End of the Wicked, produced by the preacher Helen Ukpabio, is the best known, and her views have been blamed for the stigmatising and abandonment of children accused of witchcraft. Borrow the montage, colour and type, not the demonising of 'witches', children or traditional religion, and do not use the style as a generic 'chaotic African' backdrop.

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More combinations

With Ghanaian Movie Poster

All 12 combinations with Ghanaian Movie Poster

With Nollywood Video Jacket

Every style combination