Style combination · Pairs well
French Post-War Visual-Gag Poster × Natural Wine Label Art
Both put one cartoon figure on a plain ground with the name drawn into the picture; the gag poster is a professional's single punchline at hoarding scale, the wine label an amateur's picture at bottle scale. Borrow Savignac's one-image-one-idea discipline to keep a naive label from turning into a scrapbook.
Mix them and make something French Post-War Visual-Gag Poster Natural Wine Label Art
01
What each style brings
Each part of the design comes from the style with the stronger say in it, and each style gives at least two.
French Post-War Visual-Gag Poster (Savignac, Villemot, Morvan) Natural Wine Label Art
- Type from French Post-War Visual-Gag Poster
- Colour from French Post-War Visual-Gag Poster
- Form from French Post-War Visual-Gag Poster
- Composition from Natural Wine Label Art
- Surface from Natural Wine Label Art
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02
The type
Open fonts standing in for each style’s own type, which is often hand-drawn or commercial.
Display · French Post-War Visual-Gag Poster
Yay!
Londrina Solid; French Post-War Visual-Gag Poster used Brand name painted by the artist into the picture, often in bold sans capitals on the product itself and Roman capitals over a lowercase italic line, lettered on the product
Text · Natural Wine Label Art
The labels of the natural (low-intervention) wine scene, which grew from Beaujolais into a worldwide network of small growers, bars and importers. Where the classic label ranks château, appellation and vintage in formal type around a crest or an engraved estate, these give the front to one hand-made picture: a cartoon animal, a crayon or child's drawing, a doodle or a line portrait, with the cuvée name scrawled by hand and the place played down. Each cuvée often gets its own picture, drawn by the grower, their children, friends or a studio that keeps the naive hand.
Caveat; Natural Wine Label Art used Hand-scrawled cuvée names in felt pen, crayon or pencil, written by the same hand as the picture and Cartoonist's hand-lettering drawn into the scene, as in Michel Tolmer's comics and drawings for the French vin naturel scene
03
The colours
The ground and leading colours come from French Post-War Visual-Gag Poster, with a counter-accent from Natural Wine Label Art. The ink reads on the ground at 4.5:1 or more.
French Post-War Visual-Gag Poster (Savignac, Villemot, Morvan) Natural Wine Label Art
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#f3eee2ground · 36% -
#1b1b1bink · 14% -
#d8291faccent · 18% -
#f08a3caccent · 14% -
#f3c63aaccent · 10% -
#3f6db3accent · 8%
As CSS
:root {
--ground: #f3eee2;
--ink: #1b1b1b;
--accent-1: #d8291f;
--accent-2: #f08a3c;
--accent-3: #f3c63a;
--accent-4: #3f6db3;
--font-display: "Londrina Solid", cursive;
--font-text: "Caveat", cursive;
}
Use it with care
French Post-War Visual-Gag Poster (Savignac, Villemot, Morvan): Savignac, Villemot, Morvan and Carlu are in copyright (Adagp, Paris), and some of their images are still brand property: Savignac's Bic boy is part of the BIC logo, and Orangina reissued Villemot's zest parasol on its bottles in 2011. Invent your own gag for your own product rather than redrawing the Monsavon cow, the Maggi ox or the Bic boy, do not prompt an image model for a named affichiste's hand, and never present a generated image as a vintage affiche.
Natural Wine Label Art: Gut Oggau's family of faces, Jaime Hayón's drawings for it, Jauma's Tikka the Cosmic Cat and Michel Tolmer's characters are owned artwork: invent your own character, do not prompt an image model for a named illustrator's hand, and never present a generated image as a real grower's label. 'Natural' has no legal definition for wine, and French rules even forbid tying the words 'nature' or 'naturel' directly to 'vin'; the Vin Méthode Nature logo is a private mark for growers who sign its charter (validated by the DGCCRF in March 2020), so do not put it on a design for a wine that is not certified. Keeping the legal mentions quiet must not mean leaving out the label's mandatory particulars.
04
The two styles
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More combinations
With French Post-War Visual-Gag Poster
- International Typographic Style Contrasts · The grid, neutral sans and photography of the same decades are its opposite in tone; one hand-drawn gag dropped into a Swiss layout makes a deliberate, disarming tension.
- UPA & Cartoon Modern Pairs well · UPA's flat, slipped colour and deadpan caricature carry the same good-natured wit into motion; use it to animate a gag poster for screens.
- Basel Object Poster (Swiss Sachplakat) Contrasts · Its Swiss contemporary paints the product as a modelled, larger-than-life icon; choose between wit by cartoon drawing and wit by illusion, or set one against the other.
- Atelier Populaire (May '68 Screenprint Poster) Contrasts · The same Paris walls twenty years apart: the gag poster sells a product with one good-natured colour-lithograph joke, while the 1968 students' one-colour screenprints turn the same single image and hand-lettered slogan to agitation.
- Push Pin Style Pairs well · Borrow Push Pin's invented display lettering and period quotation to give a gag poster an editorial voice, but keep the single joke and the empty ground.
- Illustrated Rom-Com Book Cover (Cartoon Couple Cover) Pairs well · Savignac's and Villemot's one-figure, one-prop sight gags on a flat ground are the model for a strong premise image; borrow the single visual pun to sharpen a cover that has drifted into two figures simply standing side by side.
- West German Conceptual Film & Culture Poster (Hillmann and Rambow) Contrasts · Savignac's visual gag is drawn and painted to make people smile at a product; the Kassel poster finds its pun in photographs and silhouettes, and its humour is darker and aimed at a film's or play's subject.
With Natural Wine Label Art
- Punk & DIY Zine Pairs well · Alice Feiring calls the earlier natural-wine scene punk rock: of Gut Oggau she says 'This is where things grow up and stop being so punk rock' (Punch, 2021). Take punk's refusal of professional polish but drop the collage and the anger: one felt-pen picture on a white label carries the same do-it-yourself stance in a friendlier voice.
- DTC 'Blanding' / Millennial Minimalism Contrasts · Blanding sells a frictionless, agency-made brand in lowercase geometric sans and pastels; the natural wine label sells a person through an untrained drawing. Use the contrast to decide whether a product should feel designed or made.
- Risograph & Indie Print Culture Pairs well · Both come from the same small-batch maker economy and share a naive drawn idiom; print a short-run cuvée label in two riso inks to add overprint and grain to a felt-pen drawing.
- European Heraldry Contrasts · The crest is the device of the classic château label that natural wine replaced with a face or an animal; put one heraldic charge beside a doodle to show which side of the wine world a bottle stands on.
- Hipster Artisanal Revival Contrasts · The craft boom's centred one-ink badge with an 'Est.' date borrows exactly the heritage authority natural wine turns down; set a crayon animal against a stamped roundel to choose between a new firm dressed as an old one and a grower who signs with a drawing.
- Yuru-chara (Japanese Local Mascot Design) Pairs well · Super Glou's drunken-cat mascot and Jauma's cosmic cat work like local mascots; borrow the yuru-chara habit of one soft, recurring character who appears in a new scene for each product.